IV. Rondo

III. Nocturne

II. Scherzo

I. Fantasia

A gift to the Miracle Choir and Orchestra - El Sistema Vietnam

1. Harmony: Andante sostenuto

Dedication

"Haiku would be truer to reality if there were no center of interest in it.
The importance of the poet's first impression, just as it was, of subjects taken from daily life, and of local colour to create freshness."
(Taken from http://www.toyomasu.com/haiku/)

A Musical Haiku

Another attempt to coin the term "Musical Haiku"
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"Haiku would be truer to reality if there were no center of interest in it.
The importance of the poet's first impression, just as it was, of subjects taken from daily life, and of local colour to create freshness."
(Taken from http://www.toyomasu.com/haiku/)

Gymnopédie for a rainy day

how trite, how banal, how pedestrian

I wrote this during the university application period last year (hence the title of the piece). This is probably the most experimental music I have written yet, featuring 10/8 time signature, whole tone scale and a passage of twelve-tone serialism.

Artwork by Ruth Batke.

'Anxiety' - Short Duet for Violin and Double Bass (Midi demo)

An orchestral work that uses theme from a song called "Valentines on Mars" by Negative 4, an indie band where I play the bass guitar. Studio recording of the original song is currently nonexistent because it is a 10-minute multi-movement song that requires a lot of practice and we are a bunch of procrastinators.

HaTsuneko

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