More info & download : http://ccmixter.org/files/doxent/44379

Aurora Dreams (feat. Panu O'Reilly)

Train timetables were converted into music. This CD contains music of great variety; electronica, dance, contemporary classical music, experimental metal, chiptune, and even animal screams.

Uses Meshuggah-style additive rhythm (four 13s and 12) with down tuned guitars. 

Okachimachi Station - for Fredrik Thordendal

Tokyo Disco Beat (Radio Edit) - Sakiko Osawa
"Tokyo Disco Beat ep"
Out Feb.6th on 7 Stars Music

1.Tokyo Disco Beat (Original Mix)
2.Tokyo Disco Beat (Frank Lamboy's Ballroom Mix)
3.Tokyo Disco Beat (Remundo Remix)
4.Tokyo Disco Beat (Daimond Rocks Remix)
5. Southern Cross
6. Tokyo Disco Beat (Radio Edit)

Art Direction : RISSHI SATO (THE TEST)
Mastered by Naoyuki Honzawa (Language)
Produced By VENUS KAWAMURA YUKI (OIRAN MUSIC)


//
https://www.facebook.com/sakiko.osawa.tokyo
http://oiranmusic.com/

Tokyo Disco Beat Radio Edit

11月の雨

どんなに時を越えても、どんなに遠くにいても。

Xiba - EIDOS

Compose : Xiba
[Website] https://xiba200.wixsite.com/xepp​​​​
[Twitter] https://twitter.com/discharge100​​​​
[Soundcloud] https://soundcloud.com/xiba100​​​​
[bandcamp] https://x1ba.bandcamp.com/​​
[BOOTH] https://xiba.booth.pm/
[Skeb(Music)] https://skeb.jp/@discharge100​​

Movie / Jacket : sugar
[Twitter] https://twitter.com/sugar_mgx

◆ BOF:NT / THE BMS OF FIGHTERS : NT Twinkle Dream Traveler 出展作品
[BMS] https://manbow.nothing.sh/event/event.cgi?action=More_def&num=420&event=142

BPM : 174
Genre : Full Flavor Drum & Bass / Jungle → Drumstep → Neurofunk → Halfstep → Clownstep → IDM → Jump Up → Crossbreed → Breakcore → Liquid Funk

【 #BOFNT 】Xiba - EIDOS

Alto Excerpt

Nero's Day At Disneyland - 10 - Eulogy For Nick Galvas

:: verdigris shadows etching, brilliant absentia; liminal paths ::

Paris (FR)-based composer Léo Hoffsaes deftly nestles neo-classical chamber pieces into wide-open spaces on his debut solo album "J’ai pour eux cet amour..." While the strong compositions alert listeners to his education and background, Hoffsaes eschews any particular theoretical or stylistic mode. Smoothly modulating chords are blended with expansive field recordings, creating hazy, gauzey, breathing "sound moments" for the listener to rebuild their own worlds. With an intentionally open concept and sound, "J’ai pour eux cet amour..." is stellar modern environmental music.


Recorded in 2019 :: 43°20'10.3"N 1°08'36.1"E
Mathilde Vrech :: Viola, Violin
Marylou Mayniel :: Cello
Nicolas Rode :: Soprano Saxophone, Alto Saxophone
Léo Hoffsaes :: Guitar, Bass, Piano
Tony Marie (Loto Retina) :: Organ on ''Il fait nuit depuis une heure maintenant - je m’avance dans la forêt"

Marion Molle :: Cover art
Thomas Sara :: Silkscreening
Nathan Taylor :: Mastering

all proceeds to Peace Ridge Sanctuary :: peaceridgesanctuary.org

buy :: https://enmossed.bandcamp.com/album/j-ai-pour-eux-cet-amour-qui-ne-passe-jamais-qui-ne-faiblit-pas

J’ai pour eux cet amour qui ne passe jamais, qui ne faiblit pas

Léo Hoffsaes - Il y a Quelques Années, J’avais un Chien... (ENMX08)

@ https://soundcloud.com/karlfousek

Established as a key voice in modern synthesizer music, Karl Fousek’s focus lies on the sense of movement inherent in his modular. And it is indeed ‘movement’, along with its close cousin ‘time’, that seems to inform the pure experimentalism with sound generated on Another Use For Time. Fousek’s tones flurry back and forth across and inside each other, with the Canadian composer oscillating between the macro and micro gestures of his instrument to create a sonic sculpture in constant motion. Fousek himself describes it as an album made in transition: “It's kind of a reflection of my past work and taste and techniques, while also trying to move forward.” 

Unusually for Fousek, these three pieces were recorded at separate times, straddling a period of transition as the artist left Montreal to move back west to Vancouver. 

The album’s opening 18-minute exploration, ‘What Was Once Or Twice’, was recorded in Seattle, and is split into two movements. The first sees Fousek introduce a variety of whooshes, bleeps, and frozen tones, and the second sends them spiralling out of control, and receding back into the outer reaches of his setup, short circuiting and colliding into mind bending new forms that seem to fold space-time. The entire piece is built around a custom software delay network that “reacts automatically and changes itself based on the incoming signal”. 

The brief interlude at the centre of the record – ‘Circling’ – dates further back to 2016 and deploys those embryonic delay techniques Fousek would later develop, while the second two-parter dates to Montreal in 2018. Constructed from noisier jams, “Time For Another User” is dense with ideas; an attempt to make a “classic” electroacoustic composition devoid of narrative and structure. Algorithms and spontaneity are deployed to encourage maximum disruption, making it a sonic smorgasbord that rewards close listens. Every modest, Fousek views it differently. “Hopefully,” he says, “it just floats by.” 

credits
releases May 1, 2020 

What Was Once Or Twice recorded 2019 at The Chapel, Seattle. Circling recorded 2016, Montreal. 

Time For Another User recorded 2017-18, Montreal; Philippe Vandal contributed additional synthesizer. 

All tracks compiled, edited and mixed 2020 at Deep Blue, Vancouver. 

Mastered by Josh Stevenson at Otic Sound. 

Artwork by Maurizio Vicerè from the HOLOGRAMS series. 
www.akavice.com

Another Use For Time

_ph002 Karl Fousek - What Was Once Or Twice Part 1

Track commissioned for the exhibition ‘Now Accepting Contactless - Design in a Global Pandemic’ V&A Dundee as part of a mix by David Blamey for British Earways to be played on a loop in the gallery.

- - 

A couple of months before lockdown, the housing block where Tom White lives got covered in scaffolding. Residents were left in a building veiled by translucent white netting for months on end. This composition was made in this specific urban lockdown context: the fridge whirs, birds chirp on scaffold poles, electromagnetic activity & tape loops reverberate on the eardrums, within the home and out into the world.

Composed of archive and site specific sounds. 
London Spring 2020

Okachimachi Station - for Fredrik Thordendal

hagihara

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