The Kawai PH50 is one of the more unique sounding small cheap keyboards I encountered. According to the manual it uses the same synthesizer engine as the K1, the "poor man's Fairlight". Sound quality was cut down even more and there is not much to tweak, yet it sounds gloriously lofi.  

Buy the pack: https://www.patreon.com/hainbach/shop/action-hero-synth-10-sampled-instruments-105428?source=storefront

Treated with vintage German broadcast gear (Tab V72a, Eckmiller 86, Siemens U273) and recorded at 48Khz/24BIT so it sounds hifi in all its lofi. True to the original, no round robins.

Action Hero Synth (Decent Sampler Instrument Demo)

A first improvisation with the Tocante Phashi, played through a Copicat tape delay. 

Condensation

Another guestroom, away from home. OP-1 and Phashi keep me company.

Still Life

Walking away from the wreckage to sing to the waves.

Switches

Piano, Rhodes, Juno 60, Cocoquantus, Tape.

Call And Shifting Response

Old Rolands, "old" Eurorack, ancient tape.

Aside

Voices From A Future Past

Falsetto vocal tones over deep vintage synths drones-

Lifted (Singalong)

The Joy And Agony Of Travel (On A Train Version)

This is a live recording of me improvising on a modular synth and Omnichord. It was recorded at "Basic Electricity", a great and regular event in Berlin. Nothing was planned, all in the spur of the moment. 

If you like this raw set, might I point you to hainbach.bandcamp.com, where you can find my new album?

Basic Electricity #7 - Sparks will fly by Hainbach

I patched this up with my baby daughter strapped to my breast, sleeping. When I recorded the Rhodes parts, she sat next to me and banged the keys. My wife supplied the the countermelody in the middle. Its a family song.

Song of the Sea

Having not heard demos of this lovely phaser pedal that make use of its CV ins, I made this recording. In it you can hear the Moog used as synthesizer controlled by a Eurorack modular. That means there is no audio present at the input, it makes all these sounds by itself, using resonance. 

I used three rows of a Make Noise Pressure Points to CV resonance, rate and LFO amount and a The Harvestman Double Andore to ping the audio input. 

Moogerfooger MF-103 as a synthesizer

This piece of music lay blinking in my studio, ticking its endless chaos-generated melody silenty for almost a week, until I returned to it. Composed just hours before I took an Easyjet to Switzerland, it held the promise of summer in its wires. Recording and adding a bit of drums took just an early morning and four cups of coffee. Its summer in Berlin, and its beautiful and violent.

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