Studio Namsan 패밀리가 SCR에 방문합니다. ffan과 Jun Cheol, Dguru와 Cosmo의 백투백 세션, 그리고 첫 SCR셋을 선보이는 July와 Nocturnal까지, 다섯 디제이의 다이나믹한 셋을 놓치지 마세요.

This Friday: Studio Namsan family visits SCR! w/ FFAN, Jun Cheol, Dguru and Cosmo will showing b2b sessions and July, Nocturnal’s new debut. Don’t miss their dynamic 5 rhythms!
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⚡ SOCIAL MEDIA ⚡

Nocturnal @hyeonrec
July @sujinjuly
Papa John’s - ffan @ffanyourself b2b Jun Cheol @juncheol___
Dguru @dguru b2b Cosmo @cosmosmic
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Dguru b2b Cosmo - Studio Namsan Takeover

SagDIG (Sagittarius Dwarf Irregular Galaxy)

Yetsuby - 오디오 인터페이스 없이 믹싱하면 생기는 일(구애의 춤Dance of ♥)

Hakiim @ Red Light Radio 02-26-2020

[Track list]
1. Apple Soda
2. Bird Cage
3. Fishbowl
4. Fake Fugue
5. Shadow Dance
6. Violet
7. La Figure De Rouge
8. Cleansing

[Credit]
All Produced by Salamanda
Mastered by eeajik
Artwork by Sala of Salamanda
.
.

“기억 속에서는 모든 일이 음악과 함께 일어나는 것 같지요.”

테네시 윌리엄스, 『유리 동물원』

너는 꿈속의 유리 새장을 기억한다.

거대한 유리 새장 속에서 새들은 자유로워 보인다. 새가 비행한 궤적이 공중에 보이지 않는 실선을 남기고 있었다. 서로의 궤적을 교차하는 새들이 빠르게 실선을 통과할 때, 음표가 오선을 스치듯 새소리가 울려 퍼진다. 너는 노랫소리처럼 들리는 꿈속 새들의 울음소리를 기억한다. 이 소리를 꿈 밖으로 가져가도 새들은 여전히 살아 있을까? 유리 새장은 너무나 투명해 보이지 않고, 단지 실선의 소용돌이에 휘말린 새들에 의해 반복적으로 연역될 수 있을 뿐이다. 새들은 너무나 투명해 보이지 않고, 단지 희미해지는 새소리로 말미암아 세상 어딘가에 음악이 있다는 것을 알려준다. 깜빡이는 음표의 잔상을 남기며 여러 겹의 실선을 가로지르는 새들은 거의 자유로워 보인다. 너는 가장 복잡한 연산의 한가운데에 놓인 단 하나의 질서를 기억한다. 꿈속의 유리 새장은 음악처럼 눈에 보이지 않지만 그 안에는 네가 기억하는 모든 새들이 날아다니고 있었다. 이 꿈을 유리 새장 안에 넣을 수는 없을까?

너는 텅 빈 유리 새장을 깨뜨린다. 투명한 눈[雪]이 흩어지는 소리를 영원히 기억하려고.

by. Jiyoung Wi
.
.

“In memory, everything seems to happen to music.”
- The Glass Menagerie by Tennessee Williams

You remember this glass cage from the dream.

In this vast glass cage, birds seem to be flying free. As they fly, they make invisible paths across the air. As the birds cross each other’s paths and swiftly pass between the lines, sound of birds resonate like notes floating on a manuscript. You remember this sound of birds that rings in your head like a song. Would the birds still be alive if their sounds are taken out from the dream? The glass cage is transparent and cannot be seen; its existence can only be deduced from the repetitive movement of birds caught in the torrents of lines. The birds are transparent and cannot be found; only the fading sound of birds gives you a hint that there is music somewhere in this world. Passing across multiple layers of lines while leaving traces of blinking notes, the birds almost seem to be flying free. You remember one certainty that stands in the middle of the most complex equations. That the glass cage from the dream cannot be seen, just like music, but inside the cage, there were birds from your memory that keeps flying around. Can this dream be locked in the glass cage?

You shatter the empty glass cage. To keep the scattering sound of transparent snow in your memory.

Glass Cage EP

Salamanda - Glass Cage EP Full Preview

8/6/2020 - This one aired last night on Dublab.de for Alisa Berger's show. We first met last year in December thanks to an introduction by Chee Shimizu.

Alisa at the time was doing an artist residency in Seoul and producing artwork that dealt with her identity, something I also got really interested in as a filmmaker after moving to Korea. Korean diaspora I guess.

I tried to make a mix about identity for Alisa, especially with her being a Ukrainian Korean woman raised in Germany but currently living in Japan. The genre's and BPM's are sort of all over the place but it's how I like presenting music in mix form these days.

Anyways I was quite happy with how it turned out so please listen and thank you Alisa @alienaliosha for the opportunity.

German Ukranian Korean for Dublab (DE)

Nubreed producers @viiceviiceviice debut their new EP w/ special guests ⚡

Listen to the tracks ☁ #linkinstory
Event details below 🚅

24th, July (Fri) 19-23 (KST) @scr_radio
451-10 itaewon-dong
⠀⠀⠀⠀⠀⠀⠀
VIICE 의 첫 EP앨범 릴리즈 쇼케이스를 서울커뮤니티라디오(SCR)에서 진행합니다.
온라인 스트리밍과 현장에서 즐기실 수 있으며,
서울을 기반으로 왕성히 활동중인
RADIOFEAR , 0NN1 , SINQMIN 의 플레이도 만나 보실 수 있습니다.

Line Up :
RADIOFEAR
0NN1
SINQMIN
VIICE (Changyunflug & No.link)

Youtube

RADIOFEAR,0NN1 : Viice Debut New EP Showcase (2020 - 07 - 24)

Yeong Die - Threshold Value [CLIPP165]

Yeong Die is an artist residing in South Korea that got into music after commencing her study of piano at age 6. In the following years she was influenced by Chopin and Beethoven, K-Pop, Bill Evans and Brad Mehldau, Aphex Twin and the Boards of Canada, Bjork, Erykah Badu and DJ 威力. “Studying jazz from an early age made me want to make music that understood the concept of ‘improvisation’. I started producing with minimal equipment, using only Master Keyboard, MacBook, and Logic X... ”. In 2018 she dropped her debut self album “PIZZAPI” and began her journey as a DJ, producer, and sound designer - collaborating predominantly with video media. 

If all that sounds like your bag, then wrap your head around her new album “Threshold Value”.
 
Ahead of what would be the strangest year in living history, on January 1, 2020, Yeong Die quit her job and purchased her first synthesizer - a Korg Minilogue. She began working on music at 9am, every morning for three months. The resulting tempest of sound and ideas would be developed further over a total of 7 months from the start of the project, completion being the full length “Threshold Value” - a ten track odyssey of noise and textures and heavy concept clashes skipping between Ambient, Industrial, Manipulated Audio Media, Music and Non-Music Sound. Pieces like “Nool the Que” announce themselves like a love story involving telephone modems giving birth to a dystopian neon future. “Anywhere is Fine” can be heard at home bouncing around the confines of a basement fight club. The 10 minute “Worstward Ho” or “Much O O” could derive from a modern Music for Airports, albeit a 2020 version minus the hustle and bustle, echoes from a place both desolate and tense. 

In Yeong Die’s own words: “The theme of “Threshold Value” is embodied in the title songs ‘Anywhere is Fine’ and ‘Worstward Ho’. I focused on the sense of bearing and pain that I can never get used to. Holding, or not holding up are completely different, but I think the distance between these is very close. “Threshold Value” was the work of finding the space as close as possible between patience and explosion.”

Produced by Yeong Die
Mixed by Yeong Die
Mastered by ACiD
M/V by Uljiro Kim
Photography by leeyunho
Costume by HALOMINIUM

Follow Yeong Die https://www.instagram.com/yeongdie/

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Join the clipp.art fanclub - https://clipp-art.bandcamp.com/fan-club
Follow clipp.art channels - https://biglink.to/clippart
Send your Music Demos - https://clipp.art/inbox

About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party. 

clipp.art events and tours feature headlines from Gerd Janson, FYI Chris, Breakbot, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Seb Wildblood, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral (RIP), Dave Clarke, Optimo, Dusky, Laurent Garnier, Nemone, Vin Sol, Skream, Tensnake, Phil Kieran, Pete Tong, Shaun J. Wright, Little Helpers, Honey Soundsystem, The Black Madonna (Formerly Known As), Monki, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many many more! 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

Threshold Value

Download

Yeong Die - Tune of Nap

Broadcast on Noods Radio(Bristol, UK) 25th Aug, 2020

SUICIDE PACTS w/HAKIIM 25th Aug, 2020 @Noods Radio

Queen Jackson

Live at Studio Namsan - Mio Records @user-813391262-661916927

Watch on YouTube : https://www.youtube.com/watch?v=pRVW2aPXUlQ

Hakiim @ Red Light Radio 02-26-2020

hakiim

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