Grime, Hiphop, Trap, Rnb

5. Ended - Sunset (ft. Dyy)

Available on Bandcamp:

https://daniel58.bandcamp.com/album/surge-protektor

Surge Protektor EP Snippets

Derozan (@derozanderozan) is a Rotterdam-based DJ whose spellbinding sets navigate between the contemporary electronic avant-garde and experimental sounds from different times and parts of the world. Next to countless cratedigging sessions and music blog explorations, he sees his travels through Japan and his involvement in Tokyo's underground (where he DJed between 2013 and 2016 at places such as Bonobo and Forestlimit) as pivotal for his approach to mixing. 
This mix -which Derozan dubs 'global dance suspense'- ranges from acoustic folk to percussive noise and raw emotional beats. Unfiltered and slow burning moods are conjured up with the intent to keep the underground scene alive.

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tracklist
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01. Ayrtbh - Druepa
02. Babiah 8000 - Control
03. Rizoma - Farándula
04. Net Gala - Altrauma (J E L L V A K O remix)
05. Pass The Bless (Darla Smoking, Levni, Stormtrap Asifeh, Ethnique Punch/Supreme Figur, Naji) - Jar Bottom Globe Wise
06. Simon Grab - Intrusion
07. Cevdet Erek - Kirast
08. DSPSSSSD - Milkshakes 4 Snowflakes
09. Hala Abu Shady - Tomato Soap
10. Parrish Smith - Untitled (forthcoming)
11. Indigenous Resistance - Eagle Screaming Red Sky Alight
12. Muslimgauze - Saddams Children
13. Tea-Chi - 安里屋ゆんた (Vibes Ondo Crew Mix)
14. Octubrxlibrv - Garganta (AYA Flipped It 2ice)
15. White+ - Purple
16. Pass The Bless (Darla Smoking, Levni, Stormtrap Asifeh, Ethnique Punch/Supreme Figur, Naji) - Karafaki Mon Amour
17. 李帶菓 Li Daiguo - Wo Yao Hen Nuli Rang Ziji Kanqilai Guode Hen Hao
18. Luzmila Carpio - Riqsiqa Kasunchik

Derozan

Sortie le 02/22/2022, A2 c'est la compil pour se réchauffer au fond d’un studio, dans une salle moite ou au rayon fruits et légumes !
7 tracks produites en duo dans la plus grande tradition Carpaccio, 
Celle “ Qui emprunte des éléments à plusieurs systèmes “
••
••
Carte des Cocktails :
•
_1 Océan Jogging & Lagrima - je le sais  
@mrostga & @lagrimaa 
Spleen post-internet pour des mots à voix douces .
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_2 Colette et Joe - Larme (/cave deepblack remix)
@cave-8
Déclaration d'amour lancinante le temps d’une virée sur ta joue .
•
_3 Messe basse - Sphinx du Tilleul (live)
@theresesynthese & @propagandeparlafete
Incantation electro-darkwave pour démons de minuit .
•
_4 Talbrun - Libuete
Elans d'hystérie EBM intestinaux .
•
_5 Pectoflam & Loup Tégala - Les bananes
@pectoflam
Cumbia numérique anti-gachis.
•
_6 TGV & Loup Tégala - Bobby
@tristangastonvalletremix
Souvenirs d'été autotunés.
•
7 Mr•C & Vallée-Noire - Marabout
@mrcroco & @vallee-noire
Sortilège wolof sur bout de ficelle downtempo .
••
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Cover/dessin: Julien Sèze
gra: Paul Souviron

03_Messe Basse - Sphinx Du Tilleul (Live) [CC006]

LOMISSION is back from the digital abyss and has dug up some lost gems of lockdown madness. assembled in the onerous months of the year 2020, these musical pieces bespeak the restlessness of fast-paced genre hopping - admittedly - within the inimitable realms of lomission's sonic cosmos. 

demons of funkiness have possessed our beloved lomission baddis and find their voice in stuttering breaks, squeaking synths staccatos, or barking guitars. of course, catchy basslines, driving guitars, smashing rhythms, and lulling chords are not an omission. could this be jazz? doubt it, it's just LOMISSION.

written & produced by: Lorenz Koschitz (@koschitz), Nino Jaggy (@endobliss), Timo Strohm (@ortra)
mixed & mastered by: Timo Strohm (@ortra)

Interlude

Premiera w Radio Kapitał! Słuchamy niepublikowanego jeszcze utworu "Parade Engloutie", autorstwa "Gangpol And Mit" z kolejnej kompilacji z Istotne Nagr.

Piąta odsłona cyklu nieco zwariowanych składanek, wydawanych od 2017 roku pod szyldem Kooky Nuts Pop. Jak zawsze międzynarodowa obsada, jak zawsze wesoła okładka oraz, rzecz jasna, fizyczne wydanie na kasecie. Gatunkowo spory rozstrzał, od walczyka przez IDM, skweee, rave, aż po delikatne ambienty. "VA - Kooky Nuts Pop Vol.5" ukaże się na kasecie 11 października > https://istotne-nagr.bandcamp.com

Więcej nowości i przedpremierowych odsłuchów usłyszycie co wtorek i czwartek o 12:00 w audycji Świeżynka > radiokapital.pl/shows/swiezynka

VA - Kooky Nuts Pop Vol.5

Gangpol And Mit - "Parade Engloutie" (Istotne Nagr.)

Cartographies Imaginaires - Le Frit invite Juste Hervée (Octobre 2022)

fallin (prod. lowlife)

Individual music release for our video work MADE VANITAS for Triple Canopy (NYC): https://www.canopycanopycanopy.com/contents/made-vanitas

Big Bang X TZECHAR - Loser x Bang Bang Bang

Five rough and ready club explorations from young Kenyan producer Slikback to kick off Hakuna Kulala's upcoming series exploring new producers from the region

SLICK BACK - 03 - ASCENSION

https://www.instagram.com/dxtro_yatoboyz/
https://www.instagram.com/braga_yatoboyz/
https://www.instagram.com/lacozey_yatoboyz/

DXTRO X BRAGA X LACOZEY - MONOCHROME (DISS)

With is borderline obsessive ìwonkinessî longtime Hakuna Kulala collaborator Julien Deblois aka Debmaster, trims his mustache every day the same way he trims his music. A kind of tornado of bleeps finding its strength as much in hip-hop as in more obscure genres such as Moldavian 8bit or African accordion.

Following from his production on Mc Yallah's Ndi Mukazi, Debmaster presents his first debut ep on Hakuna Kulala. Crocodiles Homieees reworks African field recordings from Kampala's Boutiq Studio's archives.

DEBMASTER - 01 - Space Tribe

Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.

Traditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.

Jako Maron - 02 - Maloya Valsé Chok 1

Pelada - Movimiento Para Cambio
Format: LP / Digital
Cat.No: PAN 102
Release Date: 04 October 2019
Purchase: bit.ly/2N5ID0M / bit.ly/2yWc1yu

Movimiento Para Cambio, is the full-length and debut for PAN from Montreal based duo Pelada. Comprising of vocalist Chris Vargas and producer Tobias Rochman, they have gained international attention through the city’s underground warehouse rave scene.

An urgent, headstrong body of work, the LP uses the music as a mechanism for delivering ideas central to the group’s moral and political ethos. Vargas explores themes of power, identity, surveillance and environmental justice atop Rochman’s raw mix of rave synths, acid basslines, breakbeats and dembow rhythms.

While at times unpredictable, the album is unified in its fast and loose approach. A Mí Me Juzgan Por Ser Mujer (‘I Am Judged Because I’m a Woman’) is an anti-machista anthem, stylistically nodding to NY house. Though Vargas doesn’t identify as a woman themselves, they understand their experience as a woman in an imbalanced patriarchal society that excludes women, femmes and non-binary people. Habla Tu Verdad (‘Speak Your Truth’) emphasizes the need to overcome the stigma around discussing sexual harassment, offering courage and strength to those who may need it. Asegura (‘Secure’) deals with the unprecedented power of Big Data, which monetizes a surveillance based economy through its users' data and behaviours. 
These themes are set to fierce unrelenting bpms, nods to gabber, and samples of a reality show where young men compete in a prison fitness contest. Caderona (‘big hips’), features a hardline perreo-tinged beat that carries Vargas’ vocals with refreshing ferocity. Inspired by a cumbia song, Caderona offers a counterpoint to the male gaze, acting as an opportunity to demand space. Aquí describes the reality of a global corporate domination, where capitalist insatiability meets government inaction as we sit on the precipice of a mass extinction of our own making.

Pelada hope to inspire critical self- reflexivity through engagement, building power, demanding space and action. Or as it is written in their liner notes: ‘ABRE TUS OJOS, LA BESTIA SE ALIMENTA DE LA EXPLOTACIÓN' which translates to ‘OPEN YOUR EYES, THE BEAST FEEDS ON EXPLOITATION’.

The album is mastered by Jeremy Cox, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Movimiento Para Cambio

Pelada - Ajetreo (PAN 102)

CNDSD - Flux

brian emo. i would also like to ride on a sky bison.

Club explorations from the East African and Congolese Electronic Underground and beyond.

DEBMASTER - 01 - Space Tribe

HAKUNA KULALA

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