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@body-san 

Out Now on Cassette + Digital!

Written, performed, produced, mixed, and mastered by Brandon Knocke.

Tracks “Reborn While Shopping,” “Parallels,” “Late Night Host” and “Journey” feature David Lackner (saxophone, flute, EWI).

David Lackner appears courtesy of Galtta Media.

Executive produced by Andrew Heuback.

Photo/Sculpture by Eli Rae Wilson (eliraewilson.com)

Reborn While Shopping

Body San - No Drip

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SidewalkKisses

Cassette ~ noumenalloom.bandcamp.com/album/compilation-two

Digital ~ itunes.apple.com/us/album/noumena…n-2/id1137740415

Body-san ~ Hats

Four hours of JJ and DD doin' the B2B thing in the Vibe Corridor. This mix appears courtesy of our friends at Libra Mix, here's what they had to say about it!

"Jack J and DJ D. Dee get together at the bar for 4+ hours of brews and discs. A long, smooth mixture of lovers-rock, modern-soul, soft-rock, jazz-funk and other miscellaneous bits and pieces. This is the longest mix on Libra Mix to date, you can set and forget during gentle evenings with friends and family this holiday season."

libramix.org

LM085: JJ meets DD live at Vibe Corridor 14.9.16

Cross Bones

Infos & Tracklisting ==> http://716lavie.com/716-mix-gael-segalen-le-rythme-w/

Gaël Segalen (@ihearu) hasn’t started to work in the cultural field yesterday,
her approach of music and sounds is indeed extremely diverse : from social sciences, to radio, to on location sound for film, to field recording, to electroacoustic studies and work, to education, to travel the world to collect voices, to audio art / interaction / anthropology and geology, to music composition… Gaël is an artist, a researcher, a feminist activist, in one word : an observer, a listener. She is also very prolific so it will be hard to resume everything here.

716 Mix - Gaël Segalen : Le Rythme W

LIES-100
Terekke-Plant Age lp snippets
album out now

Plant Age

Buy Direct

Terekke-Plant Age lp clips (LIES-100)

Buy https://professorrhythm.bandcamp.com/album/professor-3

Professor Rhythm’s 1991 recording Professor 3 is a vivid reflection of urban South Africa as apartheid was ending. Thami Mdluli’s production project had young and old dancing to a sound that sought to unite Blacks within Southern Africa. “Our music gave hope to the hopeless,” he says. 

Professor Rhythm’s third instrumental album (which contains some background vocals, to be exact), portrays the moment when the dominant mbaqanga and American R&B-based bubblegum sounds being produced in Johannesburg and other urban centers were transforming into house and hip-hop-inspired kwaito. The pop of the 80’s and all that went with it—from the models of synths and drum machines to the lyrical style—gave way to a changing melodic emphasis and new, much slower tempi using a completely different rhythmic skeleton. Upbeat, chipper bubblegum, often with double-time breakdowns and upstroke syncopations, faded and the sounds began to more closely resemble those of contemporary Black America—where hip-hop was slowing down and the bass-lines and melodies were getting moodier, darker in general. At the same time house music had briefly reached mainstream acceptance in the States and that popularity continued to feed into awareness overseas. These two influences blended with the burgeoning house music scenes in Johannesburg and Pretoria as Professor Rhythm 3 was being produced in March 1991 (the same year apartheid ended). Mdluli explains, “We were Influenced by foreign bands and so people updated their sound.”

According to Mdluli, the evolving sound was bolstered by widening availability of house and rap records from abroad while, most importantly, an increasing sense that apartheid might soon be finished was met with a new positivity vibe society. “1991, ’92, ’93… Mandela was released. People were upbeat, they were happy, the music was good.”

Professor 3 came out on vinyl as the LP business was dying in South Africa and sold around 20,000 copies. It was mainly distributed on tape, which sold closer to 100,000. With the help of engineer Fab Rosso, the recording features backing vocalists from Mango Groove.

After making a half-dozen records as Professor Rhythm, Mdluli once again shifted his focus musically. By the mid-90’s he had veered off gospel music—and left playing in bands and started making his own solo recordings. His enormous success in the gospel realm in the years since is a remarkable story in its own right, but for now we are only dancing.

Professor 3

Professor Rhythm — Uskamosothotsa

Fly Kin Mountain - Antioch Park [Budget Cuts] 
Cat No: BC009
Format: Cassette
Genre: House, Garage, Ambient, Dub

A1 - Voice Response
A2 - Antioch Playground
A3 - Sorsha
B1 - If They Want It, We Don't Have It
B2 - Cloud Salvo
B3 - Voice Response (Julius Theory Dub)

Recorded in Portland, Oregon
Written and Composed by FKM
Mixed and Mastered by FKM
Remix courtesy of Julius Theory
Art Direction & Design by Andrew Heuback
Photography by Patrice Jackson

Budget Cuts: Records & Tapes is proud to present the debut album from Fly Kin Mountain entitled Antioch Park. The album's sonic landscape is influenced heavily by the sprawling physical landscape of Antioch park in Merriam, Kansas. The park is a 44-acre oasis situated between two fishing lakes. 

Fly Kin Mountain is the latest alias of PNW based artist Brandon Knocke, who is the creative force behind Discoverer(@discoverer) and Body-San(@body-san). Knocke’s work as a Body-San has been championed by Noumenal Loom, 100% Silk, and Lo Recordings. Brandon Knocke grew up near the Kansas park and even attended the now non-existent West Antioch Elementary School making this debut deeply personal. Antioch Park is an album that evokes both blissful nostalgia and somber contemplation. 

In Knocke’s own words: "The memories attached to these places started to bubble up in my head when I was writing this record. It made me feel nostalgic but also somewhat sad for a place that is now just a vacant lot yet was such a big part of my formative years". The creative process of transforming memory into music is not new to Knocke's process. He told FADER magazine in a 2016 interview that, "I don't set out to make concept albums but there are usually vague stories and a visual language guiding my decisions”.

BC009 - Fly Kin Mountain - Antioch Park (Previews)

so i heard about that new Mega Man Slide thing a while ago and figured it would be a good opportunity to learn a new soundchip. this is my first song using the genesis soundchip and im already in love with it!!!

follow mmslide's development here:
https://twitter.com/MegaManSlide

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Haley

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