Nice quirky melody that works really well with the percussion.

Swallow / Introduction

DUBIOUS ABBREVIATIONS

TREDO

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

Nobody Home  (disquiet0591)

Disquiet Junto Project 0607: Silence Wave 
The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music.


I used two stems of Norns awake recordings (heavyly altered). Every stem got four instances with Audiomodern Gatelab (via routing in Reaper). Gatelab configuration was reduced to 10 gates (just to make it easy) with one of ten gates activated (on a different location on every instance). 

So by blending in and out these four tracks I was able to increase the sound/silence ratio from 0 to 40 (times 2 stems, one for bass, one for head, both in sync) and back to zero. Some FX and panning to provide some roomish feeling. The construction is designed slower than the dismantling.

This all may sound like an engineers approach, but if I had not liked the result, I would have gone another way. The altering of the sound/silence ratio is not very granular (0-10-20-30-40 percent) and I may have calculated somehow wrong (somehow I have the feeling) but I think the perception is ok.

Bandcamp version:
https://krakenkraft.bandcamp.com/track/the-voids-in-the-walls-disquiet0607

--

More on this 607th weekly Disquiet Junto project, Silence Wave (The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music), at: https://disquiet.com/0607/

Thanks this week to Jason Richardson and Klaus-Dieter Hilf.

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0607-silence-wave/

disquiet23

The Voids In The Walls [disquiet0607]

naviarhaiku510 – in pre-dawn darkness

in pre-dawn darkness
the avant-garde soundtrack
of orchestral rainfall


Elliot Carson is a teacher living in Japan who doubles as an artist/designer/translator in his free time. He writes haiku under the pen name EKC and is currently working to self-publish his first book of haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 18th October 2023

Haiku by Elliot Carson https://www.instagram.com/i.write.haiku/

Picture by Lazarescu Alexandra https://unsplash.com/photos/vRiylUiR6ew

@naviar-records

Dark Sound Rain - naviarhaiku510 – in pre-dawn darkness

Created with AUM and various plugins on iPad, mastered in Cubase 12 with Ozone 10

Inspired by Naviar Haiku 510:
https://www.naviarrecords.com/2023/10/11/naviarhaiku510-in-pre-dawn-darkness/

Photo by zenbytes (2023, near Pathfinder Dam, Wyoming, USA)

darkness of rainfall - Naviarhaiku 510

Enjoy the accompanying visuals @ https://youtu.be/nXTq8-uefv8

in dark autumn nights
dew and the new bamboo shoots
reaching out to moon

Haiku by Shubham Dasgupta https://www.instagram.com/poetry.bysdg

More information: https://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF bamboO [naviarhaiku511]

This track was created for the Naviar Haiku group.
511
https://www.naviarrecords.com/2023/10/18/naviarhaiku511-in-dark-autumn-nights/

2023-10-19

In Dark Autumn Nights  (Naviarhaiku 511)

in dark autumn nights
dew and the new bamboo shoots
reaching out to moon
(Shubham Dasgupta)
https://www.naviarrecords.com/2023/10/18/naviarhaiku511-in-dark-autumn-nights/
Komposition986 Streichquintett

shoots (naviarhaiku511)

Hi, lately I’ve been working a lot (for a professional assignment) on orchestral soundscapes, so my previous Soundcloud shares were done using sample libraries, a friend’s cello performance and my own upright basses (using my bow)

This one, recorded yesterday and edited and finished today (Friday the 27th Oct 2023 is just me and my multitracked bowed bass , to achieve a noisy, creepy tone I didn’t use any rosin on the bow, so i could get some nasty tones bowing very hard and all around the strings. It was fun, just improvising one track on top of the previous and playing around some cathedral convolution reverbs, a Lexicon Hall at 18 seconds and one instance of the great Valhalla Supermassive (always useful for this stuff, with the right settings it transforms a noisy harmonic into a gorgeous sustained pad )

This one’s dedicated to William Burroughs and is called Rotten Ectoplasm.
Happy Halloween to everybody.

https://llllllll.co/t/disquiet-junto-project-0617-haunt-scape

Rotten Ectoplasm (disquiet0617)

Thanks for stopping by - please enjoy what you hear! 🤗 Any time you want to look as well as listen, head over to the YouTube channel ...

Apparently, the ‘hai’ in ‘haiku’ translates to ‘joke’, ‘fun’, or ‘unusual’, which is part of the inspiration for the odd name of this venture; an evolving project nurtured by Darren Bourne, in collaboration with countless others, past and present. The ongoing obsessions of halF unusuaL are improvisation, chance and the music / non-music boundary, with the aim of (impossibly) creating sound worlds never heard before ... Thank you so much for your support 🥰

halF bamboO [naviarhaiku511]

halF unusuaL

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