Whose turn is it?  Is it your turn or mine?
Don't worry, everyone has to take a turn.

Whose Turn?

Boson Spin : synthesizers and electronics
Marco Lucchi : synthesizers and electronics

from
https://soundcloud.com/boson_spin/early-thursday-morning-230720

for Disquiet Junto 0447 : Listen ahead
https://disquiet.com/2020/07/23/disquiet-junto-project-0447-listen-ahead/

Boson Spin & Marco Lucchi -  Six (light) months from home [disquiet0447]

Recorded with MULTITRAK synthesizer via internal sequencer, MFB512 drums synced, SPX90 reverb in 1986

Luftschlösser    LP001

Leisure

Picture reference: https://www.goodeveca.net/nimrod/bowden.html.

Claudio Ferrari: electronics - percussions - vocal intrusion.
Alessandro Bona: flute - bass flute - sopranino recorder - reeds - electronics - percussions - bunch of keys - tuner.

It may appear that, in trying to make machines play games, we are wasting our time. This is not true as the theory of games is extremely complex and a machine that can play a complex game can also be programmed to carry out very complex practical problems.
(From the pamphlet accompanying the Nimrod, sold to Festival of Britain attendees).

Nimrod

Perplexing Patternity is the result of this stormy year. Kind of a purging or clean up. Lot's of hard and weird stuff happening. Trying to manage through it and find some kind of peace amidst all the craziness. Kind of old school electronic. Wanting to escape to childhood nostalgia, but maybe incorporate this hectic all over feeling and the simultaneous search for peace of mind in it. Hope it's something you'd enjoy to listen. For me it was kind of a struggle and the my feeling about whole project is kind of confused, but sometimes you just got to see it trough, I think.

Discovery Ease

slow version: https://soundcloud.com/crapcircles/nachtprogrammering

Aansluitend Nachtprogramma

Again, the Friday junto time prompts me to jump back in the past to recoup lost and found stuff. (this one's for Disquiet Junto Project 0466: [ ] Sound Machine)

This track has been mixed and edited today Friday 4th December 2020 in Paris, France. But the source audio comes from the last 30 years and from both Buenos Aires and Paris, my main two home towns.

You'll hear in this track what I remember from Buenos Aires(where I lived for 30 years):
The bandoneon sound as a subliminal soundtrack.
The subway revolving doors noise
The streets, loud with traffic noise and voices.
People playing football in the squares (or almost anywhere), this includes (that strikes me listening to my field recordings today)  children and adults playing, yelling, insulting and laughing together.


This mash up includes my recordings of:

Field recordings of Buenos Aires, DAT (Caballito area) 1990
Field recordings of Buenos Aires, DAT (Palermo Viejo area) 1994
Bandoneon (performed by Olivier Manoury) Paris 2010
Electric bass, tapping riff (direct to DAT) Buenos Aires 1992
Bowed upright basses, Paris 2006
Electric piano an drum beats: Paris circa 2005
Lead synth and additional keys Paris 2015


Photo, calle Corrientes by DD circa 1999.

more info:https://llllllll.co/t/disquiet-junto-project-0466-sound-machine/39014

Buenos Aires Sound Machine (disquiet0466)

OneAmbient4 - Life On Earth And Beyond [WIP]

only a chirping insect
told me it was night
so bright was the moon

haiku by Ochi Etsujin https://www.poemofquotes.com/famoushaiku/etsujin.php

picture by Alex Spataru https://unsplash.com/@spat

For more information visit http://www.naviarrecords.com/about/naviar-haiku

filching harp

halF chirpinG [naviarhaiku363]

This track was created for the Naviar Haiku group.
363 week Haiku.

https://naviarlab.tumblr.com/

https://www.naviarrecords.com/2020/12/16/naviarhaiku363-only-a-chirping-insect/

OneAmbient4 - Dreaming... So Bright Was The Moon (Naviarhaiku 363)

Track from the compilation "PsychoActivated 4" - PsychoActive Records 1999

Upper Rooms - Closing Eyes (Tender (pitch Corrected) Mix) (1998)

Welcome to halF unusuaL, an evolving project inspired by the playful spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation meets the unexpected, exploring the boundary between music and non-music to shape soundscapes that feel familiar yet foreign. Listen freely, explore deeply, and if you’d like to see these sounds come to life, stop by the YouTube channel. Thank you for joining the journey! Your support helps keep this soundworld spinning. 🥰

halF chirpinG [naviarhaiku363]

halF unusuaL

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