Disquiet Junto Project 0492: Kintsugi Rework

The Assignment: Employ the Japanese technique of mending broken ceramics as a metaphor for remixing.

Step 1: This week’s project explores the ceramic method called “kintsugi.” If the term is unfamiliar, read up on it a bit. Here’s a description from an article in the Washington Post: “That means ‘golden joinery’ in Japanese, and it refers to the art of fixing broken ceramics with a lacquer resin made to look like solid gold. Chances are, a vessel fixed by kintsugi will look more gorgeous, and more precious, than before it was fractured.”

Step 2: Consider how kintsugi can be employed, through metaphor, as a means to rework/remix an existing piece of music.

Step 3: Take an existing track, perhaps one of your own, and by some means “break” it.

Step 4: Take the “broken” piece of music from step 3 and make it whole by employing a musical adoption of kintsugi.

Source for above quote, from art critic Blake Gopnik: https://www.washingtonpost.com/wp-dyn/content/article/2009/03/02/AR2009030202723.html

. . .

More on this 492nd weekly Disquiet Junto project — Kintsugi Rework (The Assignment: Employ the Japanese technique of mending broken ceramics as a metaphor for remixing) — at: https://disquiet.com/0492/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0492-kintsugi-rework/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Kate, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/jEFjbJ

https://creativecommons.org/licenses/by-nc-sa/2.0/

Disquiet Junto Project 0492: Kintsugi Rework

P è n i n ș o l a r version of Ĺ͂̒on͞g̒͑in̓̃g̈́s̀
Produced, mixed, & arranged
by P è n i n ș o l a r 
Beats, bass, tremolos, synthesisers, polyrhythmic electronics, encrypted communications
Synth theme 
originally sent
by Wilfried Hanrath
Visual by P è n i n ș o l a r
https://www.instagram.com/p/COVpS51B_Br/
https://peninsolar.bandcamp.com/track/p-n-i-n-o-l-a-r-wilfried-hanrath-longings

Wilfrieds alternate guitar mixes can be enjoyed here : 
www.instagram.com/p/COUdji1IYXV/ 
www.instagram.com/p/COR3VEinFaV/ 
soundcloud.com/flyingtonefish/wilfried-hanrath-p-e-n-i-n-s-o-l-a-r-longings-wils-version 
www.youtube.com/watch?v=6vjkAbU7SCE

Purchase on Bandcamp

P è n i n ș o l a r & W:I:L- Ĺ͂̒on͞g̒͑in̓̃g̈́s̀

« Summer Light » for Solo Flute
Flute playing and recording in my Home - Studio with my iPad Pro and AirTurn PEDpro  on Friday, June 4, 2021 / Composed on May - June 2021
Franck Douvin © 2021 Music for Flute Solo
Thanks for listening. Hope you'll enjoy!
Here's the video link on YouTube : https://youtu.be/uXfswYLfxVo

« Summer Light » for Solo Flute

More on this 492nd weekly Disquiet Junto project — Kintsugi Rework (The Assignment: Employ the Japanese technique of mending broken ceramics as a metaphor for remixing) — at: https://disquiet.com/0492/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0492-kintsugi-rework/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Kate, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/jEFjbJ

https://creativecommons.org/licenses/by-nc-sa/2.0/

Kintsugi Rework - disquiet0492

sulking faith

halF kintsugI [disquiet0492]

Hey, I decided to rework a all-percussion track I finished two days ago and posted for the weekly haiku challenge [here](https://soundcloud.com/daniel-diaz/the-serpent-pulse-3-naviarhaiku387)
I added a layer of an orchestral track and broke the percussion master to create holes where the orchestral score pops up. Then , on some places I played with filters to make the orchestral layer "leak" through the percussive parts. It was fun.

Kintsugi on a broken serpent (disquiet0492)

release date: 04-06- 2021
More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0492-kintsugi-rework/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Kate, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/jEFjbJ

https://creativecommons.org/licenses/by-nc-sa/2.0/

Kintsugi Interior (disquiet0492)

noxpox - Pygmalion Effect, a  Psychological Fantasy

This is the polka (disquiet0492)

Mode_Mortur

Palpable (Manifest v2)

GHOST (Prod. Wisdom)

Midnight Pulse

Stefan K - Rock Flexible (Official) shared an inspiring instrumental, asking if anyone would like to contribute some vocals. I found the piece to have an ominous atmosphere that builds into something more triumphant. This is my take on it which is a rather dark ecological wake up call (as if we should still need that!) with the invaluable help of Dick Vestdijk (Oorlab) with whom I’ve worked on ten other collaborations. A very special thank you to both Stefan and Dick. Thanks for listening.

Original music – Composition/arrangement/instrumentation/production - https://soundcloud.com/rock-flexible 

Lead vocals, backing vocals and some additional lyrics - https://soundcloud.com/oorlab 

Lead vocals, backing vocals and lyrics – me

Photograph by Douglas Corrance

Is it just me,
Or is it you?
How can we,
See this through?

Is it because,
We're at a loss?
We can find our way,
Out of this.

Time is short,
And can't be bought.
Who will make time,
While we're in decline?

Too late to be denied,
We can’t hold back the tide.
Nowhere left to hide,
Time's not on our side.

Who’ll count the cost 
Of the Earth’s loss?

Is it just me?
Or is it you?

Too late to be denied,
We can’t hold back the tide.

Nowhere left to hide,
Time's not on our side.

(Meet me in the afterglow)

Time's Not On Our Side - A Rock Flexible Open Collaboration with Oorlab & MarkJBennett

Movements

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

halF kintsugI [disquiet0492]

halF unusuaL

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Peter Eisenhauer

Daniel Diaz

ALTERNATIVE/ INDIE/ POP/ LO-FI/

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