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The long, long river
A single line
On the snowy plain

haiku by Nozawa Bonchō https://en.wikipedia.org/wiki/Nozawa_Bonch%C5%8D

picture by Isaac Chou https://unsplash.com/@kurzheck\

For more information visit http://www.naviarrecords.com/about/naviar-haiku

föhn gall

halF lonG [naviarhaiku375]

Music, mixing, & production arrangement by @p-e-n-i-n-s-o-l-a-r
Sonopoetry & vocal effects by @ilaria_boffa
Cover art/photography
by P è n i n ș o l a r 

The short poem 'Things & their substance' is a stanza taken from a longer poem called 'Matter mater madre'.

'Things and their substance
The unambiguous certainty of proximity

Le cose e la loro sostanza
L’inequivocabile certezza della prossimità'

Things And Their Substance

Purchase from Bandcamp

P è n i n ș o l a r Ilaria Boffa - Things And Their Substance

Chanting and humming
gongs immerse the green valley
in cool waves of air

haiku by Mukai Kyorai https://www.britannica.com/biography/Mukai-Kyorai

picture by Jaron Mobley https://unsplash.com/@jaron_mobley

For more information visit http://www.naviarrecords.com/about/naviar-haiku

fresh dilemma

halF immerseD [naviarhaiku376]

Joy Sunrise

Hypnotic Walk (instrumental)

Collaboration initiated by Jeff Wiedenfeld

Collab Henry koek / Jeff Wiedenfeld /  Simplicity

Shelter

Sonopoetry and field recording by https://soundcloud.com/ilaria_boffa

Field recording: recordings taken at the 'Anello dei Colli Euganei'. The deafening noise is the sound of leaves (only) rustling in the wind.

Sonopoem: 
'Translations

A clear geography of silver poplars 
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations 
on others’ listening modes.
We question affectivity, objects’ reverbs 
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits. 
It neuroshapes and impacts the plasticity 
of things.
We translated our voices into exact
references and wording. Now, hear.'

Translations

Marco Lucchi : piano, organ and fx

30 settembre 2020

*****

A única maneira de teres sensações novas é construires-te uma alma nova. Baldado esforço o teu se queres sentir outras coisas sem sentires de outra maneira, e sentires-te de outra maneira sem mudares de alma. Porque as coisas são como nós as sentimos — há quanto tempo sabes tu isto sem o saberes? — e o único modo de haver coisas novas, de sentir coisas novas é haver novidade no senti-las.

Mudar de alma. Como? Descobre-o tu.

Desde que nascemos até que morremos mudamos de alma lentamente, como do corpo. Arranja meio de tornar rápida essa mudança, como com certas doenças, ou certas convalescenças, rapidamente o corpo se nos muda.

Não descer nunca a fazer conferências para que não se julgue que temos opiniões, ou que descemos ao público para falar com ele. Se ele quiser que nos leia.

De mais a mais o conferenciador semelha actor — criatura que o bom artista despreza, moço de esquina da Arte.

Fernando Pessoa

piano patterns no 6

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 05

Original Score inspired by the Brian Evenson novel The Warren

What do you mean by person?

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

halF lonG [naviarhaiku375]

halF unusuaL

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