percussion ((track 1), violin (track2): matthias boss

percussion (track 1).  violin (track2) 26.3.2021

Disquiet Junto Project 0485: Strange Weather

The Assignment: Remix the pure sounds of Chris Kallmyer’s traveling wind chimes to your own musical purposes.

Thanks to Chris Kallmyer for the chimes track and Marc Weidenbaum for the inspiration.

More on this 485th weekly Disquiet Junto project – Strange Weather (The Assignment: Remix the pure sounds of Chris Kallmyer’s traveling wind chimes to your own musical purposes) – at:
https://disquiet.com/0485/

More on Chris Kallmyer at:
chriskallmyer.com.

Major thanks to Alex Hawthorn for support:
alexhawthorn.com 1

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0485-strange-weather/

Two Hearts (disquiet0485)

Using sounds from the surface of Mars: https://mars.nasa.gov/mars2020/participate/sounds/?playlist=mars&item=rover-driving-filtered&type=mars 

More on this 486th weekly Disquiet Junto project — Earths Days (The Assignment: Celebrate Earth Day on or for another planet) — at: https://disquiet.com/0486/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0486-earths-days/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is in the public domain courtesy of NASA. Image credit: Zolt Levay Photography: http://hubblesite.org/contents/media/images/2021/001/01EWXK6QFEF57A7W1RV6TC6ZZB

flash ram

halF marS [disquiet0486]

This side of the mountain
the leaves less enthusiastic
about turning red

haiku by Fukuda Chiyo-ni http://haikukan.city.hakusan.ishikawa.jp/english/about/index.html

picture by eberhard grossgasteiger https://unsplash.com/@eberhardgross

For more information visit http://www.naviarrecords.com/about/naviar-haiku

inhuman float

halF mountaiN [naviarhaiku382]

hitting the leaves
and breaking them to pieces –
the cold

haiku by Shiba Sonome https://wkdhaikutopics.blogspot.com/2007/03/shiba-sonome.html

picture by Matt Seymour https://unsplash.com/@mattseymour

For more information visit http://www.naviarrecords.com/about/naviar-haiku

hob flanker

halF brokeN [naviarhaiku383]

More on this 488th weekly Disquiet Junto project — Reverse Delay (Assignment: Do something you’ve been putting off) — at: https://disquiet.com/0488/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0488-reverse-delay/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Conrad Bakker, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/tLfcL

https://creativecommons.org/licenses/by-nc-sa/2.0/

heady fall

halF delaY [disquiet0488]

My first Naviar Haiku challenge (https://www.naviarrecords.com/about/naviar-haiku/). Based on this haiku by Ichihara Tayo-Jo (1776 – 1865)

The beginning of all art:
a song when planting a rice field
in the country’s inmost part.

It's surprising where inspiration takes you! This led me towards considering the growth and development of electroacoustic music since its seeds were planted in the middle of the last century. The piece is improbably based on an upbeat version of the old hymn that starts "We plough the fields and scatter...".

Made in REAPER from a freebie midi file, Sonuscore's The Orchestra and several effects.

Ploughing the Past (naviarhaiku384)

Flunpoble

Seven Layers In And Still Some To Go

This is Part 2 of Remix Lab Vol.1 — but Vol.2 takes things to a whole new level.
Where Vol.1 laid the groundwork, Vol.2 is sharper, heavier, and more incredibly serious in its approach. The driving batida influence fuels the creativity, pushing the rhythms and textures into bold new territory. It’s about experimenting deeper, building on the foundation, and unlocking a new layer of sound and intensity.
Produced, mastered, and remixed by me — DEEJAY J3.

DEEJAY J3- DARKOO LIKE DAT REMIX

All made on IPAD
List of apps: AUM, Piano motif, Collossus piano, Mellotron M3000 HD, Eventide reverb Blackhole

Fading Away

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

halF mountaiN [naviarhaiku382]

halF unusuaL

Recent comments

No Mates Ensemble

Related tracks