Counting Fleas (naviarhaiku479)

naviarhaiku479:
Summer night
transforms to daybreak.
I count fleas.

haiku: Ryōkan Taigu https://allpoetry.com/Taigu-Ryokan
image: freestocks https://unsplash.com/@freestocks
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

Night Transforms To Daybreak [NaviarHaiku479]

Track created using software on iPad:
AUM, BLEASS SampleWiz/Phase Mutant, GeoShred, Sugar Bytes Aparillo, iceWorks Lagrange, Rozeta LFO, Altispace2 by Igor Vasiliev, AudioDamage RoughRider 3/OtherDesertCities, rymdigare by Erik Sight, Bram Bos Kosmonaut, Imaginando DLYM, Pagefall Ioniarics, 
Mixed and mastered in Cubase 12 with Ozone 10
Photo by zenbytes (2020, Bretagne, France)

summer night transforms - Naviarhaiku 479

Disquiet Junto Project 0604: Heaven’s Gate
The Assignment: Use a picture of the clouds as a plan for adjusting your sound.

Step 1: Think about the use of a gate in music production. A gate can be described as an “on/off switch, allowing signals over threshold to pass while muting everything below.” (It’s likely that discussion will occur during this project regarding useful explanations of the concept.)

Step 2: Take a picture of some clouds.

Step 3: Think of how to interpret the clouds as a model of a gate.

Step 4: Record a track employing the approach you determined in Step 3 using the picture from Step 2.

I took the cover photo in Ashland, Oregon, earlier this year; no filters were employed. Regarding the title, I’m a Michael Cimino admirer.

Source: https://tapeop.com/interviews/33/noise-gates/ 6

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0604” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0604” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How fast are those clouds moving?

Deadline: This project’s deadline is the end of the day Monday, July 31, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, July 27, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 604th weekly Disquiet Junto project, Heaven’s Gate (The Assignment: Use a picture of the clouds as a plan for adjusting your sound), at: https://disquiet.com/0604/

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

I am the Cumulus - disquiet0604

Disquiet Junto Project 0604: Heaven’s Gate 

I used a video on YT as a live score. 

https://www.youtube.com/watch?v=jNEjw1fMk-8&t=2550s
28:42
35:24

I divided the screen into 5 parts.
Each part is linked to an instrument channel.
Every time a cloud enters or leaves one of the 5 areas it activates a trigger/gate.

1)	Guzheng/Percussion kit
2)	Harp Harmonic - wood
3)	Prepared Kalimba
4) 	Percussion kit 2
5)	Contrabass col legno

As sound binder I used a loop generated by Reaktor (TG-8H Live by Rick Scott)

The track is a very mechanical walk, created by generative sequencers. The sounds, as in recent times, are percussive / acoustic.
Ergo very short sound envelope in order not to saturate ears and acoustic field.

Thank you for your time.




More on this 604th weekly Disquiet Junto project, Heaven’s Gate (The Assignment: Use a picture of the clouds as a plan for adjusting your sound), at: https://disquiet.com/0604/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

PartituraMeccanica07(disquiet0604)

I started by recording a couple of modular feedback patches, with a loose goal of generating steady, slowly animated tones. A Doepfer BBD delay was used as a hub to process a mix of droning pulse waves from two VCOs—the result of which was fed back into the delay. The BBD also outputs CV that corresponds to manually set controls as well as input CV signals, and this was used to modulate other patch parameters in the feedback loop.

The output was split to a crossfader that was sent to a handful of filters and another delay with a long interval—the idea here was to create a bit of slow movement to keep the timbral/spectral qualities in slow motion. 

I stacked a couple of sections of the drones together in Ableton, and layered in parts of a recent recording Tides (in chord mode) being granularly processed with Nebulae v2. This created some mid-higher frequency 'blooms'. Also added some simple granular processing in Ableton that was spread wider in the stereo field. Lastly added in some looped field recordings that introduce some higher frequencies and textures that I wanted to include.

– • — • – • — • – • — • —

Disquiet Junto Project 0611: Music That Listens to Itself

The Assignment: Record a piece of music that repurposes itself as it proceeds.

Background: On September 29, 2023, there is going to be an event at a place called the Berkeley Alembic, in Berkeley, California, where I’ll play recordings of music that share a specific theme, and I’ll discuss the sounds with the people who come to listen. The event is titled Music That Listens to Itself, part of the Expanded Listening series developed by Erik Davis (Techgnosis, Burning Shore). That is the theme. Part of the goal of this project is to develop tracks for potential inclusion in the event, and to pursue ideas related to the event’s theme.

Step 1: The underlying idea is to produce music that, so to speak, listens to itself. This would be music that employs techniques to revisit itself — repurposes itself — as it proceeds. From reverb to echo to tape loops to granular synthesis to accessing a buffer, various techniques serve such a compositional and performance purpose. Consider a means to achieve this result.

Step 2: Record a piece of music that employs the technique you focused on as a result of Step 1. Please note: for the Berkeley Alembic event, I’ll be sharing music that is particularly quiet, particularly appropriate to a meditative state of mind. You don’t need to record quiet music for this project, but quiet music is what I’ll be playing at the event.

Additional details: disquiet.com. Tickets: eventbrite.com 1. About the venue: berkeleyalembic.org.

(...)

More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: www.eventbrite.com/e/expanded-list…ts-712124101357 1

About the Disquiet Junto: disquiet.com/junto/

Subscribe to project announcements: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…-listens-to-itself/

Pulse Animation • [disquiet 0611]

See accompanying visuals @ https://youtu.be/Y5gTprRp1Sw

summer sky…
rippling the silence
a watersnake

Haiku by Janice Doppler https://poets.drifting-sands-haibun.org/first-name-starts-with-j/janice-doppler/

Picture by Jackson Hendry https://unsplash.com/photos/kKpTHqM2K-c

More information: https://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF ripplinG [naviarhaiku507]

At SPILL Festival's Think Tank in February, 14 of us co-created an audio visual collage using the letters and poetry of Edward Fitzgerald (audio version here: https://soundcloud.com/leonclowes/something-of-a-queer-nature). This opened Jan Pulsford's Woodbridge Ambient Music Festival 2023 (https://woodbridgeambientmusicfestival.net/) on Friday.

Never one to let any scraps of sound materials go to waste (you should see the hoarding on my Google Drive), I took tiny fragments of sounds we recorded at SPILL (including the recorder playing by @kate-gallaher) and made this piece this week. I'm really rather pleased with it. Clever little thing, Logic Pro X. I call mine Larry: what do you call yours?

This is my response to this week's @naviar-records haiku challenge. Such an encouraging and kind community that Marcus puts a great deal of time and love into, and it really shows. I'm so grateful to have these weekly email prompts, listening back I'm so pleased with what I've taught myself and learned from others.

Here's the information about this week's @naviar-records haiku challenge:

summer sky…
rippling the silence
a watersnake

Janice Doppler spent her writing energy on grant proposals and curriculum development during her career as a teacher and school administrator. Retiring enabled her to develop her creative self—carving realistic birds from wood and nature journaling.

Her heart was captured by haiku during a senior-center workshop that she attended on a whim. Her haiku and haibun have been widely published. She placed second in the Porad Haiku Award in 2021 and 2022. Her collection, Stardust, is available on Amazon. You can read samples of her work at The Poet Hub.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 27th September 2023

Haiku by Janice Doppler https://poets.drifting-sands-haibun.org/first-name-starts-with-j/janice-doppler/

Picture by Jackson Hendry https://unsplash.com/photos/kKpTHqM2K-c

(In fitting with how I made this piece, I've taken fragments from the picture and haiku for the image and title.)

Summ Rippling (naviarhaiku507)

using the rings module as the 'percussive instrument', played by marbles - eight different recordings, each using variations on marbles settings (rate, jitter, ...) - snippets recorded using tascam in room instead of directly - arranged in ableton live, specifically adding panning, some filtering, dynamics

--

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

disquiet0612 - "the conversation"

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Summer Sky/ Watersnake (naviarhaiku507)

Naviar Haiku 510

in pre-dawn darkness
the avant-garde soundtrack
of orchestral rainfall

Elliot Carson is a teacher living in Japan who doubles as an artist/designer/translator in his free time. He writes haiku under the pen name EKC and is currently working to self-publish his first book of haiku.

To participate visit https://www.naviarrecords.com/about/naviar-haiku

Haiku by Elliot Carson https://www.instagram.com/i.write.haiku/

Picture by Lazarescu Alexandra https://unsplash.com/photos/vRiylUiR6ew

The Soul's Rainy Night

The Soul's Rainy Night (NaviarHaiku510)

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

halF ripplinG [naviarhaiku507]

halF unusuaL

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