around and around the beside

2025-06-11

calypso

#4200 92.59% 336 left): Jun. 14, 2025: A woven silence or but came to cast  (again, William Butler Yeats from May 22, 2025) 

So gently does the mind risk forgetting to embrace the rosy peace of dawn.

In “and softly make a rosy peace,” Chair House blends into the morning’s pale light, painting tranquility in soft sonic hues. A dewy, lingering touch evokes the scent of petals, kindling a quiet celebration within. On the drizzly dawn of 250518, this improvisation strikes the perfect balance of calm and tender nostalgia.



*** NEW SELECTION ALBUM 30th JUST RELEASESD ***

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 30th SELECTION ALBUM JUST RELEASED ########

"wind of mysteriousness" - the 30th selection album of piano ten thousand leaves

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/tkqms1ZjAEg?si=RlWgQZBbe9z523f_

spotify:
https://open.spotify.com/intl-ja/album/7CiAmnJmm5Wnm3CVfmC234?si=tImTyWj5TT6dUBRhMRXVYg

apple Music:
https://music.apple.com/jp/album/wind-of-mysteriousness/1817351475

amazon music:
https://www.amazon.co.jp/s?k=chair+house+%E4%B8%8D%E6%80%9D%E8%AD%B0%E3%81%AE%E9%A2%A8&i=digital-music&ref=nb_sb_noss_2

all music streaming services:
https://linkco.re/PQ45u0dG?lang=en


a woven silence or but came to cast - #4200 (92R59 percent 336 left) by chair house 250614

My good friend https://soundcloud.com/delirium-funk gave me his Bastl Kastle to play with ... and this rainy, ricey ritual little number slowly emerged from that crazy little box! Enjoy! 😁😜

rain rituals -
if the gods are here now
to see the paddies

Takarai Kikaku was one of the most accomplished disciples of Matsuo Bashō, famous also for writing a manuscript describing his master’s final days, and the immediate aftermath of his death.

Haiku by Takarai Kikaku: https://en.wikipedia.org/wiki/Takarai_Kikaku

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF rituaL [naviarhaiku599]

VERY exciting to be contributing to the 600th Naviar Haiku Challenge!! 🎉❤️

thinking of us
the sound of wind
among the pines

Andrea Cecon is a hearing aids technician, a traveler, and a haijin published all over the world. His first ebook won 3rd place in the Sharp Writ Book Awards contest in 2011 (category: poetry). Residing in Cividale, Italy, with his wife, Russian haijin Valeria Simonova-Cecon. He finds his inspiration in memories, travels, and everyday life…

Haiku by Andrea Cecon: https://www.amazon.com/stores/Andrea-Cecon/author/B00955O0CA?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unususaL

halF uS [naviarhaiku600]

More on the 707th weekly Disquiet Junto project, Chain of Practice — The Assignment: Make music from how you make music — at https://disquiet.com/0707/

Ich ergründe einen Klang in meinen Gedanken ^^ und breche ihn auf ^^ um seine alltäglichen und bekannten Elemente zu schichten ^^ und in serieller Weise sein Timbre aus alten und neuen Teilen nachzuformen.
Ich erforsche was wirklich einen Klang ausmacht und wie ich mit dessen langweiligen und meist überflüssigen Teilen etwas originelles schaffen kann das bekannte Sounds in einen hoffentlich neuen und inspirierenden Kontext setzt.

I explore a sound in my mind and break it down to layer its everyday and familiar elements and serially recreate its timbre from old and new parts.
I explore what really makes a sound and how I can take its boring and mostly superfluous parts and create something original that hopefully puts familiar sounds into a new and inspiring context.

the assignment was to come up with a sentence that describes our approach, my practice of creating a new track. took ages to find some words that really match in that context and accompany a true to it concept for this project. i usually wont work with vocals and/or spoken word so this was quite tricky and until mixing and mastering stage it took such a long time giving me real headache (again) but i like with what i came up reflecting what really reflects my work agenda. you should decide if in my track a certain vibe of "chain" or chained parts is to be heard or not, i personally thing i somehow missed that part of this compositional concept. anyway this might well be one of my best tracks this year so far.

produced  on Fostex TH7 headphones, mixed and checked on Fostex pm0.5D and a cheap 2.1 system, arranged in Bitwig Studio
tools used: beyerdynamic FOX, Flechtwerk, Curve2, Kontakt

be save, vegan love (˶ᵔ ᵕ ᵔ˶)

Coma -- Practice -- Disquiet707

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Red Field   "


credit :   red chinese  measuring  and recording device 


Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com

date: 27.07.2025
Daily Videos :

https://www.youtube.com/watch?v=PR_nWnBnMAc

Live 2024 with Ove Volquartz & NaabtalDeath
https://www.youtube.com/watch?v=9C_DtgEtI1g

Electronic Glasharp

Calypso

The God Empire (2025 Remaster)

OPPS ON MY TAIL

"You've gaht to unn'rstaind the baysix of fluid dynaaamics." (apologies to The Road Warrior)  

It is Monday again (there seems to be one EVERY week!) and that means a track dredged up from the climate controlled storage room where the tracks that were originally posted on Facebook (January 2023 to May 2024), has gone through the Rethink, Remake, Remix process in order to make it compliant with the new standards placed on all Interbay tracks that are shared here on SoundCloud.  

Getting the RRR treatment today is Experiment 12, which you can see (because all of the Facebook-posted Interbay tracks had full videos made for them) and hear the original version on Facebook, if you're curious.  

The original was a moody sound design-forward instrumental.  Used to do that a lot in Interbay's Facebook-era--but one of my rules for SoundCloud tracks is "all tracks MUST have a vocal element" (i.e., no instrumentals.)  

This became the most difficult obstacle for pushing this track through the RRR process.  The whole point of the original was that it was a vibey, formless blob, of noises designed to make you feel a bit "off."  You can't just add spooky singing over it--that's a bit too on the nose.  You also can't just throw some unrelated singing on it, you'll end up ruining whatever was good about the track to begin with...  AND, you have to be careful with just dropping any spoken word on it, because one of the other guidelines for SoundCloud posted Interbay tracks was to focus more on soundcraft and structure.

I think I found a way to thread the needle.  I don't know why the sounds of Experiment 12 makes me think of fluid dynamics--but it does.  It did even when it was posted, as the video (which is mostly filled with early NASA outtakes, has a slow motion wave tank moving back and forth--so, it was on my mind at that point.)  

I won't pretend to know anything about computational fluid dynamics, nor should you have to in order to enjoy this track...but, I found that these glossary definitions act a bit, at least in my mind, like a laminar flow.  (Which is a term I just learned!  Interbay IS Educational!)  And the repeated (but always different) pronouncements of "Fluid Dynamics" is basically my tip of the hat to Magnus Pyke's "Science!" interjections in Thomas Dolby's most popular track.  

The track is long.  A low bpm and trying to create a very moody vibe do not combine to produce a 2 minutes 50 pop song.  So, settle in...if it is autum where you are, pull a cozy blanket around you...and I would recommend headphones, if you have them.  It's a vibe thing.  

(I guess I could have just said that and skipped all the rest.  See, self-editing IS my nemesis!)  

Listen, like, repost, share, comment, playlist and follow--please!  More Interbay is headed your way, every single day (so far!)

"Fluid Dynamics" (exp12 RRR) *Exclusive Remix*

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

halF rituaL [naviarhaiku599]

halF unusuaL

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