Wonderful sounds and effects! I love this...

Sounds great! I love the little "gurgling" echos here..

Disquiet Junto Project 0724: Work It

The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

This week’s project is timely and open-ended. The year’s almost over. Do that thing you’ve been meaning to do.

Deadline: Monday, November 17, 2025, 11:59pm (that is: just before midnight) wherever you are.

Details: disquiet.com/0724

Disquiet Junto Project 0724: Work It

From the album MITOCHONDRIAL REDOX, listen at : https://peteswinton.bandcamp.com/album/mitochondrial-redox

02 MR Two

Z-Decompress November

‘simius urbem salutat’
Modular Hedonism.
2025 live performance.

Un Singe en Hiver (A Monkey in Winter / Ein Affe im Winter) is a French film directed by Henri Verneuil (1962) and based on a novel by Antoine Blondin.

The title refers to the story of Chinese monkeys who get lost in big cities during winter. Some residents, convinced that they have souls, take them back to the jungle by train.

This is the only time Jean Gabin and Jean-Paul Belmondo appear together on screen.
‘Le Picon-bière, ça pardonne pas’.

Tools :
Pam’s, SIG.
- Chainsaw > Beads.
- Telharmonic (noise out) > Sisters > Data Bender.
- Rings > Monsoon (oliverb mode).
- Plaits (pair of classic waveforms) > FX Aid (#26 reverb hall chorus).
- Pluck > DSP (granular delay).
Tetrapad, Diode Chaos, Batumi, Ochd, 3x MIA, Sinc Defero.
A-138s, Quad Vca, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro.

Associated image : Petrus Major.

Un Singe en Hiver [modular hedonism]

STILLE VERMUTUNG

This marks the fifth collaboration between myself and my good friend across the Atlantic, the talented US-based guitarist @jonathan_beckenstein. Enjoy!

The Pendulum Swings

I’ve been meaning for ages now to make a track using only one single suite of plugins … and this week’s Disquiet Junto brief has finally inspired me into action! ALL of the sounds you hear in this track are courtesy of wonderful Sinevibes plugins, and it’s been really fun to explore more of what these genius little plugins can bring … with plenty more exploration to be had! @sinevibes

This track uses Torsion as the main synth source, with Diffusion also providing sounds from its wave shape modelling synth engine. As you can hear, I’ve gone slightly mad on the effects front! I’ve made use of Sinevibes’ Emission, Hexonator, Inertia, Luminance, Multitude, Cluster, Drift, Droplet, Octagon, Array, Zap, Albedo, Atom, and Dispersion …!

Enjoy! 😁🤗 It's been enjoyable, and there could easily have been a 20 minute version of this! 😂

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

more halF unusuaL

halF vibE [disquiet0724]

UN GAUCHO – solo bass

A simple, heartfelt solo bass piece — part of a series of intimate instrumental moments I play live or record at home for fun.
Five-string bass (high C), light effect pedals — just melody, warmth, and a great instrument.

Thanks for listening!
— dd

Photo (C) Elena Nicolai


For this @disquiet junto meeting
https://llllllll.co/t/disquiet-junto-project-0724-work-it

Un Gaucho (disquiet0724)

Recorded, edited, mixed & mastered in 1996, & on 04 Nov 2019 & 14 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Tape, time & effects

Photography/Art - Jim Lemanowicz, 02 Oct 2009, microscope, Massapequa, NY, USA

Music & art © 1996, 2009, 2019, 2025 Jim Lemanowicz

---

This original version of “Audio Hog Rubber” was submitted as part of Disquiet Junto Project 0724: Work It The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

Patreon - https://patreon.com/blisterpop
Soundcloud - https://soundcloud.com/blisterpop 
YouTube - https://www.youtube.com/@JimmyLem 
TikTok - https://www.tiktok.com/@jimmlem 
Bluesky - https://jimmylem.bsky.social
Linktree - https://linktr.ee/blisterpop

Audio Hog Rubber (disquiet0724)

My track notes regarding the creation of this track can be found here:

Disquiet Junto Project 0724: Work It
The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

This week’s project is timely and open-ended. The year’s almost over. Do that thing you’ve been meaning to do.

[Disquiet Junto 0724] The Search (early draft)

This was my contribution for Disquiet Junto Project 0724: Work it. The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

Here’s a copy of my post on the Disquiet Junto 0724 discussion thread on Lines:

I have a tendency to overwork a track to the point where it drifts away from what I initially envisioned. Many times it works out okay but other times, it doesn’t. So this time I backed off and tried to keep it minimal, which was my original vision.

Created in Ableton Live using Slate + Ash Cycles and a MIDI keyboard

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

Remembering Stone Patterns [disquiet0724]

Paul Amlehn - Sonic restructuring of the temporalities, frequencies, and atmospheres of the synthesizer and the voice; effects; editing; mixing; production
Brian Eno - Ambient synth (repurposed from A Secret Life)
Nico - Text, voice

Nibelungen

EMPATHIE

happy thanksgiving everyone! i personally dont care about holiday, but i try to pretend a bit for the sake of others :) <3
made with trombone, looper, other mic, amp, cowbell, stylophone, trusty zoom h1, NCH , voice and some hand drum and blasty the hollow tube and tons of stuff but i am not sure what all is in this small section of the thing
https://www.youtube.com/shorts/GFsGuRcRhgU

trombone warm up thanksgiving improv jam

ParaPulse

Let it go

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

halF vibE [disquiet0724]

halF unusuaL

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