Weekly Beats 2024

JSConf 2021 Official Soundtrack

1984

Weeklybeats 2024 is starting and I wanted to get something done quickly as I knew I wouldn't have much time left during the rest of the week.

This is built around a simple melody on Klevgrand's Speldosa. I absolutely love the sound of it but it is so. hard. to. mix.

I find the track slightly boring, as there's not much happening chord progression wise but I ran out of time in the window that I had.

In the end probably more a sound design exercise than a song writing exercise.

WB2401 It Makes A Sound

Unfortunately I had to skip last week due to some health issues. This week was a bit busy so again, this is more a sketch that shows the potential.

The name is a nod to the all time classic Mango Drive from Rhythm&Sound, which in turn is a remix of Mango Walk.

I don't see this as a sort of reproduction or even remix but more of a study of the spirit and the techniques of the original. 

Produced using the Ableton 12 Beta, but hardly using any of the new functionality (I used "strum" for the second guitar-ish synth chord)

It would by quite easy to stretch this to 5-8 minutes with some melodic variations and some proper dub style echo automations but I ran out of time as I won't have much time during the weekend. (Writing this on friday)

WB2403 Mango Sykkel

This week I stood in my own way, started way too late on Thursday and then ended up with something completely unusable. I thew away everything melodic, just kept the beat and started from scratch.

The sounds are a bit stereotypical, but I like the anthem-ish sound of the super saw synth.

Again, sloppy arrangement, but at least this one has a couple of transitions if a bit random.

WB2404 Drilling Through

No idea what this is. The groundwork, including parts of the pads in the background, the bleepy melody and the two drum loops were done on the OP-1, but then I pivoted to Ableton Live as I was getting nowhere on device.

I tried to add more to this but the song actively resisted.

WB2405 Clamshell

I went into the week thinking that trying to do some minimal techno could be fun. I then unexpectedly had time over the weekend, as I was trying to get rid of some cold viruses. 

This became a fun excersise in time and space with various different time signatures running against each other and constantly changing amounts of reverb on the main pieces. I also had a bit more time for arrangement so not only is this the longest beat this year so far, it probably also has the best breaks and transitions.

If you can't tell, I am quite happy with this one :)

WB2406 Drain The Groove

The title means "secondary utilization" and is part of the bigger compound word Zweitverwertungsrechte which translates to secondary publication rights and I found this fitting because this reuses the main sample from last week's song. This was a bit of a close shave as I was only able to start on friday and I was lucky in that my SO was unlucky and caught a cold so I basically have an unplanned free weekend. 

Nevertheless tonight feels like I need to submit this, as working on this was a bit annoying. Dub tech stabs are usually a bitch to mix, with the filter sweeps and all, but this one didn't want to gel at all and I still don't think it is particularly well mixed but I tried.

Last week I was pondering how this year feels different in that I don't feel particularly burned out (In both 2014 and 2018 I stopped submitting somewhere around this time of the year with a couple of unsuccessful reboots over the rest of the year) but this week felt a little bit more like, you know, work. Maybe I'll need to pause next week or do a little quick sketch or something so that I can relax a bit. 

In any case, 15 Songs per Year is my current record and I just beat that with just one missing (in week two where I was seriously sick), so I should feel pretty good about this. 

Let's see.

WB2416 Zweitverwertung

"For me, ambient music is less about a destination and more about the journey. It's the space between notes where the real story unfolds, inviting the listener to create their own narrative. In a world that's often loud and chaotic, it offers a quiet place. It's a reminder that beauty can be found in stillness, and that sometimes, the most profound experiences are the most subtle." - @substak

Read more @ feeder.ro/2025/08/15/jukebox-substak

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Beginning in the Summer of 2012 with his Low End Theory guest spots, DJ Shadow's "All Basses Covered" set has morphed and evolved to incorporate as many different contemporary genres of urban and electronic music as possible. From hardcore rap to footwork and juke and beyond, Shadow has combed the web to curate seamless and dexterous blends of the most progressive sounds bubbling up from the underground.  'Too hard?' 'Too future?' Or just too raw? As always, DJ Shadow has provoked crucial flashpoints of discussion about the discipline of DJ'ing that have defined our turbulent times.  -DJShadow.com Team

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WB2416 Zweitverwertung

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