Parkour

full video here: https://www.youtube.com/watch?v=cwyTleTL06Y

meow

1. Callaghans døtre (intro) 
2. E M I L I O 
3. Tabouleh 
4. Har nogen set min kat? 
5. Vigtige rim 
6. Vullevap 
7. Babysvane 
8. Ukulele og Brutalis 
9. Jeg kører rundt i en bil inde i brugsen 
10. Hvor er mine nøgler henne?
11. En glemt legende
12. Ildebrand
13. Jeg er uenig med dig ;-)
14. Vers for de rige
15. Så ufattelig fed
16. Jeg ved godt det kan virke lidt psykotisk
17. Ligner det her Bali?
18. Lidt af hvert
19. Skræl bananer
20. Creme de la creme
21. Freak
22. Falder i søvn når jeg ryger hash
23. Amatør til jeg dør
24. Kæmpe stor by
25. Der ik noget i vejen
26. Jeg forbyder dig at google det
27. Gjordigås
28. Czechlisten (outro)

Muleposen 3

Organdonor

Quality Over Opinion

Failing in a Cool Way

Du Har Det Hele

Lavet med kærlighed af Viggo "Rottefængeren" Just Mikkelsen og Albert "Kvægtyv" Sloth Bagge

Sød musik til dine ører

Fængervisen

Here you go, been working on this one for a while. I really like how this one sounds, I think it would be a tie between Muisjes and this one for me, if I hadn't fucked up the mixing/mastering so bad. It sounds like garbage on this website sadly. I might one day remaster this track.
I've had this track in my files for months now. The first and last parts were made very early in the process. After those two parts I just kind of didn't know what to add anymore, however. I first had a kind of really weird experimental loud beat/bass driven part in between, but it sounded very out of place. I ended up saving that for a future track, because I did like the sound of it.
I'm kinda annoyed at how hard it is to get things to sound the same in SoundCloud as it does for me in LMMS. This is apparently a problem with mixing and mastering, which, I recently discovered this, are both very difficult. I ended up just turning down the master volume to 35%, after which the biggest peaks luckily stayed below the -1dBFS point, which SoundCloud is a fan of. I hope this doesn't make the track incredibly quiet compared to others on the website. Edit: nope yeah it absolutely did. Well, I'm not reuploading it so you'll have to live with this version. (You can always download the wav, of course.)
Oh right yeah btw, this track was inspired by Sasuke Haraguchi's "Yure Ko", as well as by Ferry's "Coordinate Shift". Mostly the cool beat parts honestly. Both songs have very cool beats.

Insect Orchestra

Never Ever Take Your Hand in Mine

1. Intro: I find myself longing for something new. Something drives me to walk outside and just keep walking. I end up on a mountain. 
2. Universe: On the mountain top I discover the meaning of life, the answer to the universe and attain knowledge of it all. This knowledge is to much for one mind, so it splits in half, leaving me with two heads, two souls. 
3. Forever: In the same moment my mind is splitting we get sent into a different universe, an alternate dimension. Here our knowledge has no meaning, the same laws do not apply. Will we be stuck here forever? 
4. New Year: We must come to terms with the fact that this alternate universe is now our reality. And it doesn’t look like this is going to change any time soon. 
5. The Love: One thousand days have past, we are getting sick of each other. We‘ve been alone this whole time. We don’t even know if there is anybody else out there. It is time to go on a journey, find someone else, find love. 
6. Me, Myself and You: We found a kingdom and have fallen in love with the princess. We both have. She shares the same feeling but we can’t share her with each other. 
7. Phases: There must be a way to split this body. Turn us into two people so she can make her choice. We take on another journey. After months of searching we find a way. 
8. Disconnected: We realise that now we are rivals, going back to her in two separate bodies to find out who she will pick. I never thought that she would pick him, but she did. 
9. Far Away: Heart broken I leave the kingdom, if I can’t have her I would rather be alone. The world is spinning. 
10. Two of a kind: She soon finds me where i have been hiding. She tells me that she can not chose between us. We are one and the same person and being with one of us is like being with half a person.
11. Over: I go and talk to him. I tell him that she came to me, and that there is no way for any of us to be truly happy, unless we leave this planet, and start a new life somewhere else. He agrees. And we say our goodbyes. 
12. Spaceship: Using the knowledge we have from our old universe. We build a spaceship to take us away from here, our minds work best together, one without the other can only think half a thought. 
13. Into Nowhere: We take off, not knowing where we will end up, into space, into nowhere. 
14. Outro: We float through the universe.

My deepest gratitude to… 

Árný Fjóla, Mamma og Pabbi, Amma og Afi, Amma og Hafsteinn, Alexander Örn, Arna Björk, Arna Lára, Atli Eyberg, Ármann Ingunnarson, Ásmundur Lárusson, Bára Jónsdóttir, Birna Sigfríður, Daníel Jens, Diogo Almeida, Erla Dagmar, Guðmundur Einar, Guðrún Helga, Gunnlaugur Bjarnason, Hannes Orri, Hristo Petkov, Ismael Lo, Jason Greenberg, Jóhann Sigurður, Jón Ágúst, Jósef Geir, Jökull Logi, Kári Úlfsson, Kristján Pálmi, Lorenzo Canestri, Salómon Smári, Sigríður Dröfn, Sigrún Birna, Sindri Þór, Stefán Hannesson, Svanur Fannar, Sölvi Þór & Þorvarður Lárus 

…for making this release a reality. 

Music, lyrics, production, recording and mixing: Daði Freyr Pétursson 
Vocals and vocal recording on “Forever”: Arna Lára Pétursdóttir 
Vocals on “Two Of A Kind”: Sigrún Birna Pétursdóttir 
Saxophone on “Disconnected”: Philip Carlsson 
Trumpet on “Into Silence”: Vale Schwarzbeck 
Vocal mix on “Forever” and vocal recording on “Two Of A Kind”: Pétur Einarsson 
Drum recording on “Into Silence”: Lorenzo Canestri 
Mastering: Magnús Øder

Never Ever Take Your Hand in Mine

Halfdan Bagge

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