Deep. Progressive. Techno. Minimal. - 6

From Nothing 2 Something 4

Good Die Young (feat. Two Almighty)

Originally aired on Noods Radio. I hope a fitting tribute to my favourite group. https://www.mixcloud.com/NoodsRadio/an-hour-for-cocteau-twins-w-tim-lawson-17th-october-22/

The Ghost Has No Home (The Moon And The Melodies, Album, 1985)
Essence (Four-Calendar Café, Album, 1993)
Serpentskirt (Serpentskirt, Single, 1996)
Dials (Heaven Or Las Vegas, Single, 1990)
The High Monkey-Monk (Gigantic! 2, Compilation, 1990)
Great Spangled Fritillary (Echoes In A Shallow Bay, Single, 1985)
Throughout The Dark Months Of April And May (Victorialand, Album, 1985)
Grail Overfloweth (Garlands, Album, 1982)
My Love Paramour (Head Over Heels, Album, 1983)
Otterley (Treasure, Album, 1984)
Millimillenary (The Pink Opaque, Compilation, 1986)
Strange Fruit (BBC Sessions, Album, 1999)
From The Flagstones (Sunburst And Snowblind, Single, 1983)
Orange Appled (Love's Easy Tears, Single, 1986)
Cherry Coloured Funk (Otherness, Single, 1995)
Ooze Out And Away, Onehow (The Moon And The Melodies, Album, 1985)

An Hour For Cocteau Twins (17th October 2022)

Mostly Interrupted, White Garden & Toverberg are proud to present Félicette's 'EP 1'.

Credits:

Abel Ghekiere (clarinet) on ‘flottante’ and ‘Rabbit’.
Mathilde Luijten (bass) on ‘Out There’ and ‘Rabbit’.
Maurice Luijten (add. guitar) on ‘Out There’ and ‘flottante’ + (guitar) on ‘Space Between’.
Orlan Ghekiere (drums) on ‘Out There’ and ‘Rabbit’.

Songs by Sam De Bontridder.

Production by Sam.

Add. production by Maurice Luijten on ‘Out There’, ‘flottante’, ‘embarking song’ and also mangled ‘Space Between (demo)’ through a cassette deck.

Recorded at Volta, Venster / Trix, Zwendel / Tooth Mountain and de Bosacademie.

Mastering by Victor Gybels.

Artwork by Gaia Lufrano.

Special thanks to mama, Florian, Ronny & Loïs.

Space Between

Breath

When I See You

When I See You (Extended Mix)


Alabaster DePlume 
“Peach”
Debt Records
28th Sept 2015

A peach is a sweet and soft and good thing with a stone in the middle, and this is an album about being a person. Smartphones, analogue tape, valve microphones, computers, group games and a grand banquet were used to create this collection of songs, tunes and monologues, that use a series of contradictions to talk about being alive. 

Long-term collaborators John Ellis (piano) and Paddy Steer (percussion, bass, lapsteel, synth) join Angus Fairbairn (vocal, tenor sax) along with eleven other musicians and nearly a hundred other voices in presenting sounds likened to Ethiopian jazz and Japanese folk music. Scripts and vocal delivery evoke Ivor Cutler, Emo Philips and Leonard Cohen, for this combination of theatre, live-captured music, songs, humour and philosophy.

It is a unique collection, made by unusual means designed around the artistry and conveyance of its many contributors. Created over three years in London and Manchester, it’ll be celebrated in those two towns on the dates below, following its vinyl and digital release on Manchester label Debt Records, on 28th September 2015.

A composer, musician and performer, Alabaster DePlume (Angus Fairbairn) has toured northern Europe, appeared on UK national radio and developed theatre for Bram Stoker Festival in Dublin. His many combined arts projects are based around music, and personal inclusion. In this, his third album, he has employed as many voices as he can, in conveying a method of survival he’s been taught, he says, by everyone he’s met.

Hope grows naturally, like a
dandelion between the bricks.
I feel good…

Manchester launch: 4th October at The Wonder Inn 
London launch: 31st October at The Total Refreshment Centre, Dalston

Personnel:
Will Calderbank – cello
Rioghnach Connolly – flute 
Ellis Davies – electric guitar
Lorien Edwards – bass guitar
John Ellis – pianette, clavinette, piano
Leonie Evans – backing
Angus Fairbairn – vocal, tenor sax, acoustic guitar, yanquin dulcimer, synths
Dominie Hooper – backing 
Philip Howley – drums, percussion
Mikey Kenney – violin 
Pascal Makonese – m’bira
Kirsty McGee – bass flute
Tim Vincent Smith – violin
Paddy Steer – drums, percussion, bass guitar, double bass, synths
Rick Weedon – drums, percussion 
With selected vocal delivery from – Rioghnagh Connolly, Ellis Davies, Julia Foster, Katarzina Jablonska, Sally Jenkinson, Kasia Wlaszczyk, Oliver Conway. 
And with a chorus of attendees of the ‘Excuse Me’ studio feast, 9th September 2014, Antwerp Mansion. Meal by Samuel Buckley.

Engineered by Paddy Steer, John Ellis and Karl Sveinsson. Recorded at Limefield Studios Middleton, Madwaltz Levenshulme, Antwerp Mansion Rusholme and the Total Refreshment Centre Dalston, with additional field recordings at various locations. 
Mastered by George Atkins at 80 Hertz.
All songs and scripts written by A. Fairbairn. 

12 – Whisky Story Time

Samu.l, Dorian Paic, Martin Landsky, Artslaves - What is What EP  [MOAN054]

Samu.l - What Is What (Original Mix)

RR Variation

Marim / Lundy

Marim (Lonya Remix)

When a record label brings together artists like Ripperton, Tigerskin, Rone, SIS, Sascha Dive, Siopis, Dennis Cruz, Inxec, Switchdance and Los Suruba to name just a few, a 10th anniversary seems to be the natural flow of things. Suruba X started its journey in 2009 when the minds of Alvaro and Delmar joined forces to create an electronic, deep and dark imprint to express their most sophisticated musical curiosities.

Once more art and music are blended in a 26-track compilation that highlights the gems of the label from the last ten years. This album is meant to show you a sample of the scope of Suruba X and all the potential that it has gained over the past decade. 

The dark side of anything is appealable to anyone and this is Los Suruba´s dark, and demanding side where the duo play with styles that oscillate between down tempos, melodic techno vibes, and intense vocals with deep meanings, electric synths and penetrating bass.

The artwork comes from Delmar´s passion for street art.  He picked for the covers a particular artwork, the Brazilian Pixaçao. This is a controversial style of graffiti that mainly transgresses the visual image of most of the public spaces of cities throughout Brazil. Its aesthetics infringes hegemonic aesthetics, which is why it´s criminalized. They found this particular style to align with their sweet escape thorough shameless vocals and naughty beats. 
A must have in any music lover´s collection that assures a trip, a dream and a dance.

SURUBAX016

24. Samu.l - Deep End (Original mix). SXC010

Ghettoville

Birdcage

Half Waif on Audiotree Live

Know Your Body (Audiotree Live Version)

New album 'See You At The Maypole’ out now on ANTI- Records. https://halfwaif.ffm.to/maypole

Know Your Body (Audiotree Live Version)

Half Waif

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