Music by Hallam London
Lyrics by Ian Badcoe
Produced, mixed, and mastered by Dave Sanderson

Hallam London – vocals, guitars, bass guitar, keyboards/synths
Dave Sanderson – bass guitar (tracks 7, 10), keyboards/synths/programming
Ian Badcoe – spoken word (track 1)
Ben Fuller – drums (tracks 1, 3, 4, 5, 9)
Kris Tearse – drums (tracks 2, 7, 8, 10, 11)
Stephan Salewski – drums (track 6)

Cover artwork by Jenn Zed
Cover layout by Hallam London

All songs published by Oh, my music!

Be Yourself in 11 Easy Lessons

Hallam London’s debut EP, released August 12th 2012.

download on bandcamp

The Winter E.P. – Shakespeare’s Sonnets

William Shakespeare’s Sonnets
composed and produced by Hallam London

arranged and recorded by Hallam London, except SO TRUE A FOOL IS LOVE, PITY THE WORLD, TIRED and DEVOURING TIME: arranged and recorded by Hallam London, Michael Wünsch and Alex Fox, drum recording on KINGDOMS OF HEARTS by Michael Wünsch
string arrangement on DEVOURING TIME by Michael Wünsch

mixed by Hallam London, except SO TRUE A FOOL IS LOVE and DEVOURING TIME: mixed by Hallam London, Michael Wünsch, Alex Fox
drum mix on PITY THE WORLD by The EmU

mastered by The EmU, www.theemu.de
2014 ✱ fortunefavoursfools records. Some rights reserved.

http://hallamlondon.com
http://fortunefavoursfools.com

Buy album!

Not Afraid Of Greatness – Shakespeare’s Sonnets

A poem by Ian Badcoe about the bubbles on bubbles that humanity has been blowing over the centuries: system on system built on all too finite natural resources, but acting as if they would last forever. Bubbles in the economic sense, working fine while they stumble along, but hollow if you look too close, and building up huge ecological and social impacts for when they fail. This issue has been of great importance to me for a long time and so I have taken up the challenge and set the poem to music; creating a haunting and tragic message that many won't find comfortable, but which no-one can really ignore.

poem A Soap Bubble written by Ian Badcoe
music written and performed by Hallam London
drums by Stephan “Steppel” Salewski
mixed and mastered by Dave Sanderson

Cover Photo by Arka Gope
Cover Layout by Hallam London

Soap Bubble [single]

Soap Bubble

from the upcoming album Be Yourself in 11 Easy Lessons

It’s the end of the universe, and two old lovers meet again after a very long time. And while everything is about to end they decide to get up on their feet “and dance while there is still some heat”.
credits
released January 22, 2021

lyrics by Ian Badcoe
music by Hallam London

Hallam London: vocals, guitars, bass guitar
Ben Fuller: drums
Dave Sanderson: additional sounds

mixed and mastered by Dave Sanderson
produced by Dave Sanderson

Cover Drawing by Floris Hansberg
Cover Artwork by Hallam London

release: 22 January 2021
on 3F ° fortunefavoursfools records

On End Times Boulevard [single]

On End Times Boulevard [Single Edit]

rom the upcoming album Be Yourself in 11 Easy Lessons

You give up so much for a mission whose purpose you now barely remember, and whose goal you may never reach. Is that bad? Is it good? You cannot really tell. You just go on and on – maybe you’ll get there after all. Playful verses wrapped in a grippingly powerful chorus, Walking to Alpha Centauri asks questions about perspective, what makes us human, and whether even the highest goals are always worth the price.
credits
released March 5, 2021

lyrics by Ian Badcoe
music by Hallam London

Hallam London – vocals, guitars, bass guitar, keyboards
Ben Fuller – drums
Dave Sanderson – synths
Ian Badcoe – spoken word

produced, mixed, and mastered by Dave Sanderson

Cover Drawing: Floris Hansberg
Cover Artwork: Hallam London

release: 5 March 2021
on 3F ° Fortunefavoursfools Records

Walking To Alpha Centauri

from the upcoming album Be Yourself in 11 Easy Lessons

The centuries old idea of a changeling – a fairy left in place of a stolen human child – has never died. We don’t call it that anymore but we still make people feel different, if only because they are unusual … but “unusual” is where we find the extraordinary people. So what if there were no “normal”? Just as off-centre as the changeling is the song’s combination of a heavy up-tempo beat with melancholic chords and melodies.
credits
released April 30, 2021

lyrics by Ian Badcoe
music by Hallam London

Hallam London: vocals, guitars, bass guitar
Kris Tearse: drums
Dave Sanderson: synths, programming

produced, mixed, and mastered by Dave Sanderson

Cover drawing by Floris Hansberg, incorporating Jenn Zed’s album artwork
Cover layout by Hallam London

release: 30 April 2021
on 3F ° fortunefavoursfools records

Hey Changeling [single]

Hey Changeling [Single Edit]

If something starts, must it also end? Do all things have to change? Are we really breaking up? Hallam London, slightly otherworldly, close to humanity but still not part of it, is asking difficult questions in this vigorous indie rock song. Does he know the answers? As contradictory as Hallam himself, End of Days is uplifting but also dark and aggressive. It’s a sunny afternoon in the park when the world happens to be ending.

music by Hallam London
lyrics by Ian Badcoe

Hallam London: vocals, guitars
Dave Sanderson: bass guitar, synths, programming
Kris Tearse: drums

produced by Dave Sanderson
mixed and mastered by Dave Sanderson

Cover drawing by Floris Hansberg
Cover layout by Hallam London, incorporating Jenn Zed’s album artwork

End of Days [Single]

End Of Days [Single Edit]

Witness world-changing moments in the most inconspicuous of all possible places: the underpass. And that too in just under three heavy and fast and dirty minutes.

music by Hallam London
lyrics by Ian Badcoe

Hallam London: vocals, guitars
Dave Sanderson: bass guitar, keyboards
Kris Tearse: drums

produced by Dave Sanderson
mixed and mastered by Dave Sanderson

Cover drawing by Floris Hansberg, incorporating Jenn Zed’s album artwork
Cover layout by Hallam London

Underpass

William Shakespeare’s Sonnet No. 76
composed and produced by Hallam London

arranged, recorded and mixed by Hallam London
mastered by The EmU www.theemu.de

Hallam London – vocals, guitars, keyboards, programming

SONNET LXXVI 

Why is my verse so barren of new pride? 
So far from variation or quick change? 
Why with the time do I not glance aside 
To new-found methods, and to compounds strage? 

Why write I still all one, ever the same. 
And keep invention in a noted weed, 
That every word doth almost tell my name, 
Showing their birth, and where they did proceed? 

O know sweet love I always write of you, 
And you and love are still my argument: 
So all my best is dressing old words new, 
Spending again what is already spent: 

For as the sun is daily new and old, 
So is my love still telling what is told.

Old Words New (Shakespeare’s Sonnet No. 76)

William Shakespeare’s Sonnet No. 57 
composed and produced by Hallam London 

arranged, recorded and mixed by Hallam London, Michael Wünsch and Alex Fox
 mastered by The EmU www.theemu.de

Hallam London – vocals, guitars 
Alex Fox – bass guitar, synthesizers
Michael Wünsch – drums, programming

SONNET LVII 

Being your slave what should I do but tend 
Upon the hours and times of your desire? 
I have no precious time at all to spend; 
Nor services to do, till you require. 

Nor dare I chide the world-without-end hour. 
Whilst I, my sovereign, watch the clock for you, 
Nor think the bitterness of absence sour, 
When you have bid your servant once adieu. 

Nor dare I question with my jealous thought, 
Where you may be, or your affairs suppose, 
But like a sad slave stay and think of naught 
Save where you are, how happy you make those. 

So true a fool is love, that in your will, 
Though you do any thing, he thinks no ill.

So True A Fool Is Love (Shakespeare’s Sonnet No. 57)

William Shakespeare’s Sonnet No. 70
 composed and produced by Hallam London 

arranged, recorded and mixed by Hallam London
 drum recording by Michael Wünsch
 mastered by The EmU www.theemu.de

Hallam London – vocals, guitars, keyboards, programming
 Michael Wünsch – drums

SONNET LXX 

That thou are blamed shall not be thy defect, 
For slander’s mark was ever yet the fair, 
The ornament of beauty is suspect, 

A crow that flies in heaven’s sweetest air. 
So thou be good, slander doth but approve, 
Thy worth the greater being wooed of time, 
For canker vice the sweetest buds doth love, 

And thou present’st a pure unstainéd prime. 
Thou hast passed by the ambush of young days, 
Either not assailed, or victor being charged, 
Yet this thy praise cannot be so thy praise, 
To tie up envy, evermore enlarged, 

If some suspect of ill masked not thy show, 
Then thou alone kingdoms of hearts shouldst owe.

Kingdoms Of Hearts (Shakespeare’s Sonnet No. 70)

William Shakespeare’s Sonnet No. 116
 composed and produced by Hallam London 

arranged, recorded and mixed by Hallam London
 mastered by The EmU www.theemu.de

Hallam London – vocals, guitar

SONNET CXVI 

Let me not to the marriage of true minds 
Admit impediments, love is not love 
Which alters when it alteration finds, 
Or bends with the remover to remove. 

O no, it is an ever-fixéd mark 
That looks on tempests and is never shaken; 
It is the star to every wand’ring barque, 
Whose worth’s unknown, although his height be taken. 

Love’s not Time’s fool, though rosy lips and cheeks 
Within his bending sickle’s compass come, 
Love alters not with his brief hours and weeks, 
But bears it out even to the edge of doom: 

If this be error and upon me proved, 
I never writ, nor no man ever loved.

Love Alters Not (Shakespeare’s Sonnet No. 116)

William Shakespeare’s Sonnet No. 1 
composed and produced by Hallam London 

arranged, recorded and mixed by Hallam London, Michael Wünsch and Alex Fox
 mastered by The EmU www.theemu.de

Hallam London – vocals, guitars, piano 
Alex Fox – bass guitar, synthesizers
 Michael Wünsch – drums

SONNET I 

From fairest creatures we desire increase, 
That thereby beauty’s rose might never die, 
But as the riper should by time decease, 
His tender heir might bear his memory: 

But thou contracted to thine own bright eyes, 
Feed’st thy light’s flame with self-substantial fuel, 
Making a famine where abundance lies, 
Thy self thy foe, to thy sweet self too cruel. 

Thou that art now the world’s fresh ornament, 
And only herald to the gaudy spring, 
Within thine own bud buriest thy content, 
And tender churl mak’st waste in niggarding. 

Pity the world, or else this glutton be, 
To eat the world’s due, by the grave and thee.

Pity The World (Shakespeare’s Sonnet No. 1)

William Shakespeare’s Sonnet No. 66
 composed, produced and mixed by Hallam London 

arranged and recorded by Hallam London, Michael Wünsch and Alex Fox
 mastered by The EmU www.theemu.de

Hallam London – vocals, guitars, programming 
Alex Fox – bass guitar, synthesizers
 Michael Wünsch – drums

SONNET LXVI 

Tired with all these for restful death I cry, 
As to behold desert a beggar born, 
And needy nothing trimmed in jollity, 
And purest faith unhappily forsworn, 

And gilded honour shamefully misplaced, 
And maiden virtue rudely strumpeted, 
And right perfection wrongfully disgraced, 
And strength by limping sway disabléd, 

And art made tongue-tied by authority, 
And folly, doctor-like, controlling skill, 
And simple truth miscalled simplicity, 
And captive good attending captain ill. 

Tired with all these, from these would I be gone, 
Save that to die, I leave my love alone.

Tired (Shakespeare’s Sonnet No. 66)

We’ve all seen this in films: the protagonist has manoeuvred themself into a hopeless situation involving some nasty villains. But despair or naivety can get you into much less threatening yet still devastating circumstances, like an unwanted job or unpleasant relationships. Will you make it out? Is that in your hands? A gloomy, wet and rainy car park sets the scene for the song, that is driven forward by rolling toms, distorted guitars, a stomping chorus groove and ends in a heavy finale.

music by Hallam London
lyrics by Ian Badcoe

Hallam London: vocals, guitars, bass guitar
Ben Fuller: drums

produced by Dave Sanderson
mixed and mastered by Dave Sanderson

Cover drawing by Floris Hansberg, incorporating Jenn Zed’s album artwork
Cover layout by Hallam London

published by Oh, my music!

The Rain In Certain Car Parks [Single Edit]

Most of us will agree that love is a world-changing force. But the fact that it’s waiting for you, on Mars, with a cup of tea is probably not on most people’s radar. In this psychedelic and yet groovy song Hallam London and lyricist Ian Badcoe might have gotten to the bottom of one of humanity’s oldest questions: What is love?

music by Hallam London
lyrics by Ian Badcoe

Hallam London: vocals, guitars, bass guitar
Ben Fuller: drums
Dave Sanderson: keyboards

produced by Dave Sanderson
mixed and mastered by Dave Sanderson

Cover drawing by Floris Hansberg, incorporating Jenn Zed’s album artwork
Cover layout by Hallam London

published by Oh, my music!

Methodology Of Love [Single Edit]

Caught in routines? Lost in a maze? Most of us are – but some can’t or don’t want to play the game any longer. They no longer “function” the way society expects them to. Do we need more Anger Bobs? More people with hot lava bubbling under their surface, about to break free? Quite like the subliminal disturbing energy in the music boiling under the surface of this smooth, slow indie rock tune with a touch of R’n’B.

music by Hallam London
lyrics by Ian Badcoe

Hallam London: vocals, guitars, bass guitar
Ben Fuller: drums
Dave Sanderson: synths

produced by Dave Sanderson
mixed and mastered by Dave Sanderson

Cover drawing by Floris Hansberg, incorporating Jenn Zed’s album artwork
Cover layout by Hallam London

published by Oh, my music!

Anger Bob

Who are you? Are you the same person all the time? Or do you swap and change according to who you’re with? Do you have facets you’d like to see the back of? Are there versions of you you’d like to get back? Who are you? Who am I? Listen to this intensive, fierce postpunk song with references of 80s industrial and new wave … and maybe find out.

music by Hallam London
lyrics by Ian Badcoe

Hallam London: vocals, guitars, bass guitar
Kris Tearse: drums
Dave Sanderson: synths

produced by Dave Sanderson
mixed and mastered by Dave Sanderson

Cover drawing by Floris Hansberg, incorporating Jenn Zed’s album artwork
Cover layout by Hallam London

published by Oh, my music!

Identity

Lyrics by Ian Badcoe, music by Hallam London
Produced, mixed, and mastered by Dave Sanderson

Hallam London – vocals, guitars, bass guitar, keyboards/synths
Dave Sanderson – bass guitar (tracks 7, 10), keyboards/synths/programming
Ian Badcoe – spoken word (track 1)
Ben Fuller – drums (tracks 1, 3, 4, 5, 9)
Kris Tearse – drums (tracks 2, 7, 8, 10, 11)
Stephan Salewski – drums (track 6)

Cover artwork by Jenn Zed
Cover layout by Hallam London

Empty Streets

End Of Days

The Rain In Certain Car Parks

Hey Changeling

To The Sky

On End Times Boulevard

Methodology Of Love

Lyrics by Ian Badcoe
Music by Hallam London

Vocals, guitars, bass guitar, drum programming, recording, and mixing by Hallam London

www.ianbadcoe.uk/2015/06/watch-this-space-anger-bob-is-coming.html

Anger Bob [new song 2015 – demo version]

For David Bowie, whose influence on us was greater than we might have thought.

Lyrics by Ian Badcoe
Music by Hallam London

Hallam London – vocals, guitars, bass guitar, synths & sounds
Stephan “Steppel” Salewski – drums http://www.stephansalewski.de

Mixed and mastered by The EmU http://www.theemu.de

Cover illustration by Julia Eichhorn http://www.juliaeichhorn.com

http://hallamlondon.com
http://www.ianbadcoe.uk
http://fortunefavoursfools.com

The EmU Mix

Buy on bandcamp

William Shakespeare’s Sonnet No. 98

composition, vocals, acoustic guitar, keyboards and all programming by Hallam London

If you like this song, please follow me on facebook.com/hallamlondon.official

SONNET XCVIII
From you have I been absent in the spring, 
When proud-pied April, dressed in all his trim, 
Hath put a spirit of youth in every thing, 
That heavy Saturn laughed and leapt with him.

Yet nor the lays of birds, nor the sweet smell 
Of different flowers in odour and in hue, 
Could make me any summer’s story tell: 
Or from their proud lap pluck them where they grew:

Nor did I wonder at the lily’s white, 
Nor praise the deep vermilion in the rose, 
They were but sweet, but figures of delight: 
Drawn after you, you pattern of all those.

Yet seemed it winter still, and you away, 
As with your shadow I with these did play.

download album version

Winter Pt. 2 (Shakespeare’s Sonnet No. 98)

William Shakespeare’s Sonnet No. 97

composition, vocals, keyboards and all programming by Hallam London

If you like this song, please follow me on facebook.com/hallamlondon.official

SONNET XCVII
How like a winter hath my absence been 
From thee, the pleasure of the fleeting year!
 What freezings have I felt, what dark days seen! 
What old December’s bareness everywhere!

And yet this time removed was summer’s time, 
The teeming autumn big with rich increase, 
Bearing the wanton burden of the prime, 
Like widowed wombs after their lords’ decease:

Yet this abundant issue seemed to me 
But hope of orphans, and unfathered fruit, 
For summer and his pleasures wait on thee, 
And thou away, the very birds are mute.

Or if they sing, ‘tis with so dull a cheer, 
That leaves look pale, dreading the winter’s near.

Winter Pt. 1 (Shakespeare’s Sonnet No. 97)

William Shakespeare’s Sonnet No. 34
composition, vocals, guitars, keyboards and all programming by Hallam London

If you like this song, please follow me on facebook.com/hallamlondon.official

SONNET XXXIV
Why didst thou promise such a beauteous day,
And make me travel forth without my cloak,
To let base clouds o’ertake me in my way,
Hiding thy bravery in their rotten smoke?

’Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak,
That heals the wound, and cures not the disgrace:

Nor can thy shame give physic to my grief;
Though thou repent, yet I have still the loss:
The offender’s sorrow lends but weak relief
To him that bears the strong offence’s cross. 

Ah! but those tears are pearl which thy love sheds,
And they are rich and ransom all ill deeds.

download from bandcamp

Why Promise? (Shakespeare’s Sonnet No. 34)

William Shakespeare’s Sonnet No. 129
composition, vocals, guitars, keyboards and all programming by Hallam London

contains two wonderful sound recordings by http://soundcloud.com/felixblume – thanks for sharing them, Félix!
Special thanks to Becky Matthews for her help on the additional line

SONNET CXXIX 

The expense of spirit in a waste of shame 
Is lust in action: and till action, lust 
Is perjured, murderous, bloody, full of blame, 
Savage, extreme, rude, cruel, not to trust; 

Enjoyed no sooner but despised straight; 
Past reason hunted; and no sooner had, 
Past reason hated, as a swallowed bait, 
On purpose laid to make the taker mad. 

Mad in pursuit and in possession so; 
Had, having, and in quest to have extreme; 
A bliss in proof, and proved, a very woe; 
Before, a joy proposed; behind a dream. 

All this the world well knows; yet none knows well 
To shun the heaven that leads men to this hell.

Waste Of Shame (Shakespeare’s Sonnet No. 129)

William Shakespeare’s Sonnet No. 35 
composition, vocals, acoustic guitars and programming by Hallam London 

SONNET XXXV 

No more be grieved at that which thou hast done: 
Roses have thorns, and silver fountains mud: 
Clouds and eclipses stain both moon and sun, 
And loathsome canker lives in sweetest bud. 

All men make faults, and even I in this, 
Authorizing thy trespass with compare, 
Myself corrupting, salving thy amiss, 
Excusing thy sins more than thy sins are; 

For to thy sensual fault I bring in sense, 
Thy adverse party is thy advocate, 
And ’gainst myself a lawful plea commence: 
Such civil war is in my love and hate, 

That I an accessary needs must be, 
To that sweet thief which sourly robs from me.

No More Be Grieved (Shakespeare’s Sonnet No. 35)

written and performed by Hallam London
produced and mixed by Dave Sanderson

The anti-homophobia song Run For Your Life combines the British influenced Indie Rock of Hallam London’s upcoming album with Synth Pop for the dancefloor. The song is a sarcastic take on the common homophobic claim that sharing rights means dividing them. Hallam wrote it in anger after the umpteenth repeat of the perennial debate about marriage equality. Producer Dave Sanderson (Reverend and the Makers, 65daysofstatic) from Sheffield ingeniously unearthed the song’s musical essence as a danceable indie track.

Music video: https://youtu.be/DEC6rjz7E2w

Run For Your Life (Stop Homophobia!)

Music written and produced for
Oscar Wilde’s The Importance of Being Earnest (Ernst sein ist wichtig) in a production of
Burgfestspiele Mayen 2019

Direction: Carola Söllner http://www.carolasoellner.de/regie/ernst-sein-ist-wichtig/
Costume Design: Gabriele Kortmann https://www.kmankostuem.de/
Stage Design: Steven Koop https://www.steven-koop.de/
Music: Hallam London

Premiere: 15 June 2019

… right after Jack’s discovery we jump to the final dialogue … with yet another variation of the main theme … and a final, photographic still of all major protagonists …

Music written by Hallam London
All sounds by Hallam London (and the “Drummer” in Logic Pro)

The Importance of Being Earnest

Finale

Music written and produced for
Oscar Wilde’s The Importance of Being Earnest (Ernst sein ist wichtig) in a production of
Burgfestspiele Mayen 2019

Direction: Carola Söllner http://www.carolasoellner.de/regie/ernst-sein-ist-wichtig/
Costume Design: Gabriele Kortmann https://www.kmankostuem.de/
Stage Design: Steven Koop https://www.steven-koop.de/
Music: Hallam London

Premiere: 15 June 2019

… Jack finds out who he really is, that he is indeed Ernest … another musical variation of the main theme, set in the overture …

Music written by Hallam London
All sounds by Hallam London (and the “Drummer” in Logic Pro)

First-born Son

Music written and produced for
Oscar Wilde’s The Importance of Being Earnest (Ernst sein ist wichtig) in a production of
Burgfestspiele Mayen 2019

Direction: Carola Söllner http://www.carolasoellner.de/regie/ernst-sein-ist-wichtig/
Costume Design: Gabriele Kortmann https://www.kmankostuem.de/
Stage Design: Steven Koop https://www.steven-koop.de/
Music: Hallam London

Premiere: 15 June 2019

… change of scene from Algernon’s flat in London to Jack’s garden in the country, beginning of the second act … the musical theme will return in several variations throughout the rest of the play …

Music written by Hallam London
All sounds by Hallam London (and the “Drummer” in Logic Pro)

In the Garden

Music written and produced for
Oscar Wilde’s The Importance of Being Earnest (Ernst sein ist wichtig) in a production of
Burgfestspiele Mayen 2019

Direction: Carola Söllner http://www.carolasoellner.de/regie/ernst-sein-ist-wichtig/
Costume Design: Gabriele Kortmann https://www.kmankostuem.de/
Stage Design: Steven Koop https://www.steven-koop.de/
Music: Hallam London

Premiere: 15 June 2019

… Lady Bracknell and her nephew Algernon left the room to compile the music for an upcoming reception at Lady Bracknell’s … meanwhile, Jack proposes to Gwendolen … a musical variation of the main theme, set in the overture …

Music written by Hallam London
All sounds by Hallam London (and the “Drummer” in Logic Pro)

Loving Ernest

Music written and produced for
Oscar Wilde’s The Importance of Being Earnest (Ernst sein ist wichtig) in a production of
Burgfestspiele Mayen 2019

Direction: Carola Söllner http://www.carolasoellner.de/regie/ernst-sein-ist-wichtig/
Costume Design: Gabriele Kortmann https://www.kmankostuem.de/
Stage Design: Steven Koop https://www.steven-koop.de/
Music: Hallam London

Premiere: 15 June 2019

… the music for the first appearance of Lady Bracknell – in Algernon’s flat …

Music written by Hallam London
All sounds by Hallam London (and the “Drummer” in Logic Pro)

The Lady Enters

Music written and produced for
Oscar Wilde’s The Importance of Being Earnest (Ernst sein ist wichtig) in a production of
Burgfestspiele Mayen 2019

… when Algernon and Jack are quarreling about the cigarette case and the inscription Algernon found in it – staged as an aesthetic dance-like fight …

Direction: Carola Söllner http://www.carolasoellner.de/regie/ernst-sein-ist-wichtig/
Costume Design: Gabriele Kortmann https://www.kmankostuem.de/
Stage Design: Steven Koop https://www.steven-koop.de/
Music: Hallam London

Premiere: 15 June 2019

Music written by Hallam London
All sounds by Hallam London (and the “Drummer” in Logic Pro)

The Cigarette Case Inquiry

Music written and produced for
Oscar Wilde’s The Importance of Being Earnest (Ernst sein ist wichtig) in a production of
Burgfestspiele Mayen 2019

Direction: Carola Söllner http://www.carolasoellner.de/regie/ernst-sein-ist-wichtig/
Costume Design: Gabriele Kortmann https://www.kmankostuem.de/
Stage Design: Steven Koop https://www.steven-koop.de/
Music: Hallam London

Premiere: 15 June 2019

… the overture establishes the main musical theme for the play …

Music written by Hallam London
All sounds by Hallam London (and the “Drummer” in Logic Pro)

Overture

PostPunkIndieRock // Performer + Composer // Rock’n’Roll Club + Theatre Stage // queer + proud

Hallam London

Pinned to spotlight

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