Based on Franco Battiato's L'Egitto Prima Della Sabbia

L'Egitto dopo La Cicala

taken from the forthcoming 5LP / 5CD box set "Electroacoustic Works" celebrating Iannis Xenakis' 100th anniversay on May 29th, 2022. 

Newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest, mastered by Rashad Becker.

Out in January 2022

Electroacoustic Works

IANNIS XENAKIS - Mycenae Alpha

Pre-order available via Imprec.com

Every new St. Abdullah record is an attempt to present new ideas and To Live A La West is no exception. Spread out over a CD on Imprec and a cassette on sister label Cassauna, To Live A La West is simply moving, a collection of profound and spiritual tracks miraculously existing at the impossible intersection of free jazz and electro where mystery and clarity exist together. Neither complicated or complex but profound, St. Abdullah’s new work is partially inspired by their love for Jon Hassell’s compositions. 

This tape is available in a first edition of 100.

Saint Abdullah -  Baseball Cleats Make Football Stars - from -  To Live A La West - Tape

Stuart Chalmers - The Heart of Nature
OPAL230

Pre-order + digital release September 3rd
Collaborative release with Ikuisuus

Stuart Chalmers - Air

From the upcoming album:
Hallow Ground presents: EPIPHANIES
Release date - March 25th 2022
Format - Double-vinyl / digital
White vinyl, gatefold cover, silver stamped, spot-gloss printed
Catalogue nr. - HG2222
Hallow Ground

hallowground.bandcamp.com

Tracklist:

1) Remo Seeland (with Laya Ensemble) - Baldachin
2) A Frei - Peri-Acoustic Feedbacks
3) Maria W Horn - Oinones Death pt. I
4) Amosphère – Withinside

5) FUJI||||||||||TA - Kumo
6) Lawrence English - Outside The City of God (Augustine wept)
7) Samuel Savenberg - The Endless Present
8) Siavash Amini - Spuming Silver

9) Magda Drozd - Suspended Stream
10) Akira Sileas - Excerpt from Piano Study
11) Laurin Huber - Puolipilvistä (Partly Cloudy)
12) Norman Westberg - For Alice

13) Miki Yui - Alternatio
14) Reinier van Houdt - Dream Tract
15) Valentina Magaletti - The Narrower Frame
16) Martina Lussi - Losing Ground

///
On Epiphanies, the first-ever "concept-compilation" to be released by Hallow Ground, artists such as Maria W Horn, FUJI||||||||||TA, Lawrence English, Siavash Amini and Norman Westberg, who all have previously released music on the Swiss label, were commissioned to pursue a non-rational creative process in approaching the phenomenon of epiphany through sound. In very different ways, all of the compositions on the compilation draw on the unique emotional powers of certain acoustic instruments, obfuscating the borders between physicality and abstraction. 

The results, whether long-form, short vignettes, profane and concrete sounds or spiritual and abstract pieces, perfectly encapsulate what Hallow Ground as a label has stood for since its inception in the year 2013: challenging not only conventional notions of what music is supposed to sound like but also the listeners’ perception through the power of sound. 

On Epiphanies, Hallow Ground also welcomes artists including Magda Drozd, Akira Sileas and Valentina Magaletti to make their first ever contributions to the label.

For those who greet this compilation with open ears and minds, these 81 minutes will deliver on its title.

Maria W Horn - Oinones Death Pt  I (from EPIPHANIES)

This is a mixed down composite version of Browser Music 4.

The individual parts and instructions for playing them are as follows:

Open each link below in its own web browser tab or window and press play on each. The four parts are meant to play at the same time but don’t have to start together. You can stop / re-start individual parts and change their respective volumes as you wish. Like the components of a mobile sculpture, each part can be considered on its own or in any combination.

Part One:
youtu.be/4fE2awB7_d0

Part Two:
youtu.be/kT9ZastGvqE

Part Three:
youtu.be/Hzd_ydrGCqE

Part Four:
youtu.be/EpPkit3i8Vg


This is music without development, where nothing much happens (or rather: the happening is evenly distributed throughout). This is also quiet music – perfect for playing in the background on your web browser while you are doing something else on your computer. You can even listen to other music / watch other videos / make Zoom calls, etc. while playing Browser Music in the background.

Bandcamp

Browser Music 4

track from self-released emo bc friday thing by @perila
“u so hot in my dreams”
https://perilazone.bandcamp.com/album/u-so-hot-in-my-dreams

i love these dreams inside me when i sleep
when other lands
unknown but touched
soft hazy
i love those dreams when you don’t wanna come back to reality
lava like one
fav escape
in the back seat 
stop 
run
car
naked

*dedicated to desert

perila – cyx

Extract from 'Image Langage' (SP140)
Out June, 24th 2022 on 2xLPs, CD, digital download.

Order: https://feliciaatkinson.bandcamp.com/album/image-langage

—
Opening the window, I look at the light, it connects me to something more vast.

Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when you leave the house, and vice-versa. Each threatens—or is it offers, kindly, even promises?—to dissolve the other. Recognizing the normalization of home studios these days, she revisited twentieth-century women artists who variously chose, and were chosen by, their homes as a place to work: the desert retreats of Agnes Martin and Georgia O’Keefe, the life and death of Sylvia Plath. Building a record is like building a house: a structure in which one can encounter oneself, each room a song with its own function in the project of everyday life.

At times listening to Image Language is immediate, something like visiting a house by the sea, sharing the same ground, being invited to witness Atkinson’s acts of seeing, hearing, and reading in a sonic double of the places they occurred. In an aching moment of clarity in “The Lake is Speaking,” a pair of voices emerge out of the primordial murk of piano and organ, accompanying the listener to the edge of a reflective pool that makes a mirror of the cosmos. “I open my feet to fresh dirt, and the wet grass. I hold your hand. You hold his hand. In the distance without any distance. The comets, the stars.” At other times, listening to Image Language is more like being in a theater, the composition a tangle of flickering forms and media that illuminate as best they can the darkness from which we experience it. On “Pieces of Sylvia,” a noirish orchestra drones and clatters beneath and around a montage of vocal images, stretching the listener across time, space, subjectivities. Atkinson says that Image Language is like the fake title of a fake Godard film. There is indeed something cinematic about Atkinson’s work—not cinematic in the sense that it sounds like the score for someone else’s film, but cinematic in the sense that it produces its own images and language and narratives, a kind of deliberate, dimensional world-building in sound.

Image Language is built from instruments recorded as if field recordings, sound-images of instruments conjured from a keyboard, instruments Atkinson treats like characters, what she calls “a fantasy of an orchestra that doesn’t exist.” And then, speaking of Godard, there are the monologues, operating as both experimental-cinematic device and a literary style of narration. Voice can be a writerly anchor or a wisp of a textural presence. Atkinson’s capacious and slippery speech plunges into and out of the compositional depths, shifting shapes, channeling the voices of any number of beings, subjectivities, or elements of her surroundings—not unlike her midi keyboard, able to speak as a vast array of instruments.

Image Language is an environmental record, in the vastest sense of the world. It is about getting lost in places imagined and real; it registers, too, the dizzying feeling of moving between such sites. It puts forth a concept of self that is hopelessly entangled with the rest of the world, born of both the ache of distance and the warmth of proximity.

— Thea Ballard, 02.2022

Image Language

Becoming a stone

FELICIA ATKINSON 'Becoming a Stone' (SP140)

K. Mulhern
Silt
CD (E241)

https://entracte.co.uk/projects/k-mulhern-e241/
Release date: 2 September 2019
•
K. Mulhern is a poet, filmmaker and sound artist based in NYC. 
Silt looks at the swath of human time, vantaged before history 
and after apocalypse. It is built from field recordings, synthetic 
sounds and lyric.

Mastered by Christophe Albertijn
Limited edition of 100 copies

Silt

K. Mulhern (E241; 2019)

After inaugurating sferic with the ’Synthetic Space’ LP in 2017, Echium now leads the way with a remarkably refined, even meticulous grasp of sound design steering away from purely “synthetic space” to imaginary spaces that smudge the listener’s perceptions of artificial and organic texture, tone and spatial dynamics

As part of the next wave of artists innovating within dub techno and experimental ambient zones, Echium looks to loosen up its strictures while playing deep within its unfathomable dimensions, literally urging a dematerialisation of mindsets and musical structures...

Edition of 300 copies on translucent orange vinyl, housed in hi gloss sleeve.
Mastered & cut by Stefan Betke at scape mastering.
Distribution : Boomkat
Vinyl & Digital out March 2020.

A1. Collapsed Senses
A2. Overlapped Fluidity
A3. Considered Instances
A4. Yellow-flowered
A5. Melt

B1. Glacial Rust
B2. Sunken
B3. Multiple Frameworks
B4. Adaptive Senses : Reflection

https://boomkat.com/products/disruptions-of-form

https://sferic.bandcamp.com/album/disruptions-of-form

@echium_air

Echium - Disruptions Of Form (sferic005) [Preview]

From 'Magelungsverket', to be released 22nd of January 2021.
https://www.self-titledmag.com/linus-hillborg-magelungsverket-album/

Buy LP

Linus Hillborg - Vårbergsobservatoriet

HALLOW GROUND 
is a platform for Music and Art that leads to Visions.

It was established in Lucerne/Switzerland by a group of individualists, idealists and first of all artists. We act as publishers, hosts and performers.

www.hallowground.com

Maria W Horn - Oinones Death Pt I (from EPIPHANIES)

Hallow Ground

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