LAWRENCE ENGLISH / WERNER DAFELDECKER, Tropic of Capricorn, LP
Hallow Ground
Ltd. orange vinyl / digital, catalogue nr. HG2301
Release date: November 24, 2023

Tracklist:
1. Tropic of Capricorn I (20:00)
2. Tropic of Capricorn II (19:26) 

Credits:
Composed by Werner Dafeldecker & Lawrence English
Field Recordings - Lawrence English 
Treatments - Werner Dafeldecker
Cover photo by Lawrence English

https://hallowground.bandcamp.com/album/lawrence-english-werner-dafeldecker-tropic-of-capricorn

Tropic of Capricorn

Lawrence English / Werner Dafeldecker - Tropic of Capricorn II

Experimental ambient project realized with the use of sound overlaps, causal collisions and cosmic echoes. 
Please follow and like only if you listen and appreciate. Seeking followers and likes without a real exchange of content is just a bubble that's destined to vanish.

Thanks for being here, comments, opinions and collaborations are always welcome.
For a best experience, if you can, please use headphones.
Logo: https://pixabay.com/it/users/pinkpanthress-2154882/
Stones: https://www.pexels.com/it-it/foto/rocce-pietre-sabbia-bianca-equilibrio-8800327/
"Hearing sound without being contaminated by sound, is liberation” (Bodidharma)

HALLOW GROUND 
is a platform for Music and Art that leads to Visions.

It was established in Lucerne/Switzerland by a group of individualists, idealists and first of all artists. We act as publishers, hosts and performers.

www.hallowground.com

https://www.instagram.com/egor_4u/
https://vk.com/helgiolegov
https://helgiolegov.bandcamp.com

Gerard Lebik is a composer/improviser, saxophonist, sound artist, and curator active in experimental music and sound art—founder of the Sanatorium of Sound Festival and the Sokołowsko Music Lab. Lebik explores heterogeneous sound sources and music genres such as electro-acoustic composition/improvisation, live electronics, and noise, focusing on themes like the perception and propagation of sound waves, time disorder, psychoacoustics, and sound’s relationship with architecture and urban contexts. His outputs—performances, installations, and sound interventions—are based on sine waves, white noise, feedback, ambisonics, and multi-channel sound. He graduated from the Academy of Music in Wrocław.

Lebik has performed at festivals and venues, including TPAM (Yokohama, JP), Rewire (The Hague, NL), CTM (Berlin, DE), Fiber Festival (Amsterdam, NL), TodaysArt Festival (The Hague, NL), MONOM (Berlin, DE), Biennale (Zagreb, HU), Tokyo Jazz (Tokyo, JP), Umbrella (Chicago, US), Experimental Intermedia (New York, US), Biennale Wro (Wrocław, PL), SuperDeluxe (Tokyo, JP), and Fylkingen (Stockholm, SE).

He has collaborated with numerous artists, including Keith Rowe, Phil Minton, Ryoko Akama, Burkhard Beins, Paul Lovens, David Maranha, Peter Rehberg, Jérôme Noetinger, Zbigniew Karkowski, Kasper T. Toeplitz, Noid, Lucio Capece, Kazuhisa Uchihashi, Aleksandra Słyż, Judith Hamann, and many others

MITAMINE LAB, culture curators based in Mexico City.

Contemporary sound archive and curatorial project. Original broadcasts monthly on https://soundcloud.com/resonance-extra

— Curated by http://soundcloud.com/mimilk