With my arrangement of the famous Passacaglia from the "Suite de pieces pour le clavecin", Vol. 1 No. 7 (HWV 432) by G. F. Handel, I aimed to create a version that, starting from the original score, was shorter and more "pianistic," while maintaining the fundamental structure and identity of the piece. Therefore, I omitted the variations and repetitions that seemed less essential to me and rewrote the left hand for many sections. I also added some harmonization in certain passages and modified the inversions of some chords.

Haltber