يا اللـــــــــــــــــــــه<3

Sajeda Alawneh

relaxing piano   - بيانو  - تُفرانيٍل

هل اطرق بابك بعد ضياع الكل 
او يصلح ان اقترب اليك بذلي 
ضيعت انا فرحتي بجهلي 
قد كنت حبيبي وخلي انت بل اهلي 
وتركتك لكني اعود فترحمني 
ولا بيدي الا الوعد ليسترني 
والقلب باحشائي يناديك اجبرني 
اشتاق لحضن الاب وعطفه يغمرني 

جملني فقبحي قد ذهب حتى الاحشاء 
وسواد الليل تسرب في وانتشر الداء 
اشتاق لخالق من عدم يدعوا الاشياء 
فيغير قلبي ويلبسني حللا بيضاء

جملني فقبحي قد ذهب حتى الاحشاء_داليا فهمي

عيني تحنّ ~

Here are the remnants from the looper pedal, its jams & loops, aka "Jam-a-lopes!"  This one has more JGDP in the mix.

First time to release two versions of a Jam-a-lope!

1st version: Oh and Tree picked up the pace here
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B2K: electric guitar, loops, MIDI: bassoon, cello, flute/glockenspiel, soprano saxophone, trombone.

JGDP: Keyboard, loops, MIDI: horn section.

and endless gratitude for both the intrepid:

Oh: drum kit/trap set/e-drums, and

Tree: bass guitar, e-bass, stand-up bass
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Electric Guitar: 1984 Alembic Electrum (prototype)

Pedals: Musictronics: Mutron Octave/Divider, Mutron Phasor II, Mutron III (envelope); Tube Works Real Tube Overdrive, Ibanez AD-9 Analog Delay, Thomas Organ Cry Baby Model 95, Ernie Ball Volume, Saturnworks 6-pedal connector - Loops: Digitech Trio+ - MIDI: Roland GR-20 Guitar Synthesizer + GK-3 Divided Pickup

Guitar Amp/Speaker: Fender Rivera-era Super Champ - 8” JBL K-110 speaker
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Keys: Nord Electro 4

Effects/Pedals: EarthQuaker Devices Avalanche Run delay/reverb, Neo Ventilator II rotary speaker simulator, Old Blood Noise Endeavours Float Dual Filter, Boss SL-2 Slicer Audio Pattern Processor

Amp/Speaker: QSC K10.2 Active 10"" Powered 2000 Watt Loudspeaker
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Recording: Looper stereo direct, or direct to Tascam Model 12, (24 bit @ 48kHz) - initially all live, one take, edited for duration only.

Vega's 2nd Wish-a-lope!

In Those Days is a dark-fantasy jazz/blues concept album built on the book of Judges—half film score, half rock opera, all one continuous world.

Obligé scores a crownless Canaan with smoky horns, upright bass, haunted guitars, and stormy drums: temple nightclubs for Baal, crooked odd-meter stealth for the left-handed assassin, noir prophecy under the palm tree, iron chariots rolling like war machines, midnight tension in Jael’s tent, Gideon shaking in a winepress, a daughter caught in the teeth of a vow, and a man who looks ordinary but tears down gates and pillars by a strength that makes no sense.

Some tracks play like pure score, others like songs sung from inside the story, but the same themes keep resurfacing—motifs slipping between sax lines and vocals, big-band blasts giving way to quiet, wounded prayers. This is Judges as a jazz-shadowed myth: no king, too many gods, and a handful of fragile people trying to stand up in the ruin.

The Tree of Verdicts

موسيقى حالمة

همسات ضوء القمر

رقصة الحب

موسيقى رومآنسيه

لم اسال نفسي لماذا احببتك؟؟-

music_9

Romantic Music

..ويهرب مني الوقت، متل بنفسجة عم تكبر
..عم تكبر ع السكت

إوعى تكون نسيت - جوليا بطرس

♫♫ للمزيد من الموسيقى العالمية ♫♫ 
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Jewel 2013 - صفحة الموسيقى أنا

Pharmacist 👩🏻‍🔬
تعلّم الصمت هنا و فنّ الانصات

همسات ضوء القمر

hamassat music

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