first song from the Cloudy Busey EP wait in the shade

video by Stephanie Kwak
http://www.youtube.com/watch?v=s-lB44tAnaA

stayin inside
it's gone on for too long
it's been a thing since i could sing
it's been a long since i could song
spring has sprung
winter's gone

this time
i'm right
come out into the light
get loose and sing along
if the night's nights too late
all alone
but the stars did say
"i could save you too"
to me

you old thing
catching things on photo film
but when the silence rings
your solitude rings too
when silence rings
your solitude rings true
i could be there with you

this time
i'm right
come out into the light
get loose and sing along
if the night's nights too late
all alone
but the stars did say
i could save you too
to me

why can't you feel
what waits outside the walls you live in
why can't you hear me calling
love like a mom
loves all her babies
so don't be selfish now

this heart of stone i failed to move
i washed my hands and heart of you
you stayed inside
but failed to ruin my mind
cos see i won't feel like this

cloudy busey - a spring fuck you

Suzanne Vega & Meredith Monk - Tom's Road Song (DJ Chubby's Too Much Caffeine Mix)

Wicked Game (Chris Isaak cover) | PIPILOTTI RIST

FROM THE ETHEREAL ON THE WAY UP

“The Desert’s Prophecy” rises like a vision carried by the wind.
An ancient string instrument sketches fragile motifs, soon joined by the thunder of orchestral riders and choirs of men and women locked in dialogue. Two themes emerge - warning, driving, almost spectral - as if voices of the desert itself were calling.

The music shifts between silence and storm, from ghostly whispers to explosive cries, weaving fate into sound. It is both majestic and ominous, a prophecy etched into the sands.

🌌 Genre: Cinematic / Epic / Ritual Soundscape
🎧 Fifth single from the upcoming EP Whispers of Eternal Sand - the prophecy unfolds…

The Desert’s Prophecy

Taken from the Heights EP, available via Dumont Dumont and Butterfly Collectors.

Debut album 'Lines' released 27 Jan 2017 (http://phonofile.link/charliecunningham). 
Tickets on sale now from https://charliecunninghamlive.com

7 Feb - Edinburgh, Sneaky Pete’s
8 Feb - Aviemore, Old Bridge Inn 
9 Feb - Ullapool, The Arch Inn
10 Feb - Stornoway, The Woodlands Centre
11 Feb - Inverness, Tooth & Claw
12 Feb - Elgin, The Drouthy Cobbler
13 Feb - Aberdeen, Aberdeen Tunnels 
15 Feb - Besancon, Festival Generiq - Eglise St.Louis
16 Feb - Dijon, Festival Generiq - ENSA (National Art School)
17 Feb - Mulhouse, Festival Generiq - TBA
18 Feb - Belfort, Festival Generiq - Le Planetarium
23 Feb - London, Union Chapel 

14 Mar - Austin, SXSW
22 Mar - Paris, Trois Baudets,
24 Mar - Neustadt am Rübenberge, Schloss Landestrost
25 Mar - Konzerthaus Dortmund
26 Mar - Hamburg, Kampnagel
27 Mar - Berlin, Kammermusiksaal Philharmonie
29 Mar - Münster, Jugendkirche Effata!
30 Mar - Cologne, Kulturkirche 

1 Apr - Frankfurt, Heiliggeistkirche
2 Apr - Mannheim, Atlantis
3 Apr - Munich, Carl-Orff-Saal
5 Apr - Vienna, Chelsea
6 Apr - Salzburg, Rockhouse Bar
8 Apr - Zurich, Papiersaal
9 Apr - Stuttgart, Theatrehaus
11 Apr - Brussels, Botanique Witlof Bar
12 Apr - Amsterdam, Paradiso

25 Apr - Madrid, Costello Club
26 Apr - Barcelona, Festival Mil·lenni

Spotify: https://open.spotify.com/artist/78CiW0UJbHspFaVuVexOK6
iTunes/Apple Music: https://itunes.apple.com/album/-/id1164800045
CD & Vinyl: https://charlie-cunningham.backstreetmerch.com/
Facebook: https://www.facebook.com/charliecunninghammusic
Youtube: https://www.youtube.com/user/cunninghamcharlie
Instagram: https://www.instagram.com/cunninghamcharlie/
Twitter: https://twitter.com/Charlie_C_Music

While You Are Young

A slow-techno bootleg edit of one of my favorite recent indie tracks. As with my other bootleg edit, this one's available as a free download.

When I first heard "Blend," I instantly knew I wanted to make an edit. The original is fairly stripped down, consisting just of an acoustic guitar lick, a simple drum pattern, and a haunting vocal. 

Yet somehow, my first draft late last year didn't feel right. It was too dancey and too bright, and somehow didn't reflect the bittersweet emotional quality of the original. So, a few months ago while on the road in Asia, I decided to give it another go. I kept only the synth pad from my first attempt and reconstructed everything else with the intention of fulfilling a 'less is more' approach.

I think I finally found a nice balance in adding just the right elements to breathe some new life and context into "Blend," while maintaining the qualities that made it such a moving track to begin with. I hope you'll agree - let me know what you think in the comments:)

Asaf Avidan - The Disciple

htuncsiper

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