Recorded with an SM57 directly into a PreQ22 with no other gear in the signal path

PreQ22 - Rhythm EG

Recorded from the mic output of an Aguilar Tonehammer 700 directly into a PreQ22 with no other gear in the signal path

PreQ22 - Tonehammer Bass

Recorded using a Neumann u67 (reissue) directly into a PreQ22 with no other gear in the signal path

PreQ22 - Vocal

Recorded with a Schoeps CMC6 (Cardioid capsule) directly into a PreQ22 with no other gear in the signal path

PreQ22 - Acoustic Guitar

This drum sub-mix contains 10 total sources. 
Kick In: Beyerdynamic M88 
Kick Out: Neumann Fet47 
Snare Top and Bottom: Shure SM57 
Rack and Floor Toms: AKG C414s 
Overheads: Neumann KM84s 
Knees/ Front of Kit: Coles 4038s 
Each track was recorded without any compression or eq besides what is offered on the PreQ22. The drums were mixed with 0 plugins or effects - only panning and level were used. To listen to each of the tracks solo'd, you can download the ProTools session and/or complete multitracks here: https://www.dropbox.com/sh/9kngg4w80mnwda7/AADGDrP0PbuSJNeWlFS2VVUKa?dl=0

PreQ22 - Drums

A sample of a direct bass signal captured through the Rupert Neve Designs active DI and amplified with our L.O.G. preamp. 

Read more at - 
https://www.hammockhillstudio.com/audiotools/l-o-g

L.O.G. - Clean Bass DI

Read more at - https://www.hammockhillstudio.com/audiotools/l-o-g

This drum sub-mix contains 12 total sources. 
Kick In: AKG D112 
Kick Out: Neumann Fet47 
Snare Top and Bottom: Shure SM57 
Rack and Floor Toms: AKG C414s 
Overheads: Neumann KM84s
Crush mic: Beyerdynamic M160 
Front of Kit: Royer R121
Rooms: Coles 4038s 
Each track was recorded without any compression or EQ. The drums were mixed with 0 plugins or effects - only panning and level were used. To listen to each of the tracks solo'd, you can download the ProTools session and/or complete multitracks here:https://www.dropbox.com/scl/fo/ndui8gtjscdade9zx8exh/AL1yocWRedxGg92KhmQry-M?rlkey=67wknv69d4smy8mzat35y4nlh&st=7u3pwz4p&dl=0

L.O.G. - Drums

This stem contains 7 different electric guitar parts found throughout the song; picked clean tones, heavy distorted guitars doubled using a '68 Fender Twin Reverb and Vox AC30, and effected tones. All tracks were recorded and mixed with 0 compression or EQ.

Read more at - https://www.hammockhillstudio.com/audiotools/l-o-g

L.O.G. - Electric Guitars

This file contains vocals recorded and mixed with 0 compression or EQ. There is a plate reverb as an effect. 

Read more at -https://www.hammockhillstudio.com/audiotools/l-o-g

L.O.G. - Vocals (With reverb)

This file contains vocals recorded and mixed with 0 compression or EQ.

Read more at -www.hammockhillstudio.com/audiotools/l-o-g

L.O.G. - Vocals (Dry)

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