Sooner rather than later I hope. I love this!

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Maps and Diagrams - Occupying Space

From my album 'Upics', available today for preorders on Flag Day Recordings

https://flagdayrecordings.bandcamp.com

Vacuum (UPICS)

Pre-order: 12th April 2023
Release date: 21th April 2023
Format: CD, Digital

This new release for Lontano Series is influenced by forest landscapes, in my mind these tracks are part of an imaginary soundtrack that accompanies me when I walk through the trees.

Copyright © 2023 ROHS! RECORDS, All Rights Reserved

previews. David Cordero - Among Pale Trees | Lᴏɴᴛᴀɴᴏ Series

"Endless Pit" is the fifth track of Amek's "Vanishing Standards III" compilation. 

Featuring vocals from my main project @niandraz .
Visualizer: https://youtu.be/QUM7u7ANGaE

Vanishing Standards III:
"The third installment of our bi-annual Vanishing Standards compilation series closes the year of our fifteenth anniversary. As usual, we wanted to have as many members of our extended family aboard as possible, as well as welcome new ones into it. Of course, they are in the company of Amek regulars, whom, whenever we could, we tried to inspire to work in new collaborations and configurations. The result is not only the shortest volume in the series but also the first one dominated by atmospheric, yet noisy, tracks that are punctuated with some unexpected heavy hitters."

credits
released December 18, 2023

Mastered by Marius Costache
Artwork by Nikola Kostov

This is amek070.
https://amekcollective.bandcamp.com/album/vanishing-standards-iii

погледни / отрази / черни дни / пропадни .

Vanishing Standards III

Endless Pit (ft. Niandraz)

This precious recordings of authentic Chinese classical music on the great Lyrichord label, including the cheng zither, the hsia flute and sheng mouth pipe organ, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2024/02/china-taiwan-professor-liang-tsai-ping.html

Professor Liang Tsai-Ping and His Group – China's Instrumental Heritage – Lyrichord - LLST 792

China's Instrumental Heritage –  Lyrichord / Professor Liang Tsai-Ping and His Group

An improvised field recording set on aquatic life and death in the age of the Anthropocene. It combines underwater recordings of singing glaciers, pulsating aquatic plants and water insects with spatial resonances from hydropower dams and reservoirs.

Live on the river Bille, Floating Transmission, Hamburg 2023
Festival curated by Julia Nordholz
Photo by Antje Sauer

Troubled Waters (Field Recording Live Set @ Floating Transmissions 2023)

https://soundcloud.com/fashiongore / https://www.instagram.com/fashiongore/

Melancholy & Noise 008 w/ Fashiongore (10.02.24)

My submission for the Naviar Haiku Challenge #617,
More on Naviar Haiku: https://www.naviarrecords.com/haiku-music-challenge/

Autumn Nightfall by the Sea - naviarhaiku617

sentinel

Constellations 03 - Cosmic Neighbors

Mats Erlandsson and Maria W Horn meet as Dufwa in heavy synthesis wielding insect field recordings sourced from the catalonian countryside.  Dufwa’s debut release, Fältinspelningar från Terres de l’Ebre (Field recordings from Terres de I’Ebre), defies the standard conception one might have about field recording music. By means of intricate digital processing, Dufwa scrapes the natural source-bonding from their collected insectoid recording and sonically stretches them on a continuum between drone, noise and generative music.

Dufwa - Atypi

from 'Relationships Between Inner & Outer Space' [CD|LP|DIGITAL]
Denovali Records · den289
available on all formats at [http://denovali.com/moonzero]

The first set of new Moon Zero cuts in two years, ‘Relationships Between Inner & Outer Space’ is a product of fevered displacement that nonetheless achieves a temple-like sense of calm, proportion and permanence. Scheduled for release in November 2017 on Denovali, the record is carpeted in traces of the settings that producer and composer Tim Garratt has found himself since we last heard from him, from Reykjavík to Leipzig with anything from a Dictaphone up to a studio to hand - it bears sounds from a vast number of different spaces, instruments and machines across its four colossal tracks. Paying attention to these rich patterns, they move and wind you in, producing a deep and rewarding catatonia.

While touring the first LP ‘Moon Zero’ (2015) Garratt lost his studio and flat, a relationship came to an end and he briefly moved back to his parents’ in the Midlands. An emotional parabola familiar to anyone experiencing an economically-adrift, prolonged adolescence, it was heavy fuel for the melancholic sound world of Moon Zero. You can make out the origins of the record at the bottom of its multi-story wedges of sound, through dancing, duelling blocks of frequencies. And you can follow (somewhat obliquely, filling in the gaps) the inflections of different processes that these textures and melodic ideas have undergone, as Garratt moves them from machine to machine, speed to speed, room to room, through different combinations of effects. This churning celestial chaos, built painstakingly from detuned instruments, mono synths, field recordings and tape loops, is then meticulously ordered in the editing room.

The first side is in two tracks, each divided into two sweeping musical gestures, ordered by tone into a sequence of light-dark-dark-light and ending in a crescendo pulse with a ‘Loveless’-like shimmer. The flip is also in two long tracks, each one a continuously-building, monolithic tranche. The change at the opening of the third number, ‘Erwood Araf’ is signalled with the entry of an unthreaded melody that repeats and gradually distorts while other caverns of sound open underneath and around it. Then, again on the halfway point, the idea dissolves and a minor key swell aches into frame before breeze block low end is deployed. One of Moon Zero’s go-to sounds, an alloy of bowed cymbal, tape delay and who-knows, invokes the sound and disembodying feel of a train pulling into a station, if that moment could be elasticated and dragged far out. Emitting a chrome-sheen continental modernity, it’s probably the emotional centre of the record and calls to mind Kraftwerk’s ‘Trans-Europe Express’ and ‘Radio-Activity’ albums. Towards its end, on the nine-minute mark, in rides a soaring melody that surely has its roots in Garratt’s Eastern European travels.

Each expansion of the Moon Zero universe has felt like a logical progression along lines set before, becoming ever more inventively structured and ambitious with its sonic palette but never straying from its nucleus of menacing, meditative drone. Fresh from playing Ruhrtriennale Festival alongside Actress, Demdike Stare and Ricardo Donoso amongst others, ‘Relationships Between Inner & Outer Space’ is due to be released in October and Moon Zero will be announcing further shows in due course. This latest installation is the most profoundly affecting Moon Zero work to date; an unparalleled piece of infrasonic, atmospheric manipulation.

Relationships Between Inner & Outer Space

Moon Zero - Sunk Cost

taken from my "Sic Ergo Ludens" album released on Holy Geometry in May 2018
Cat: HG013

Hand-cut collage by Ryan Kent

https://soundcloud.com/holygeometry
https://www.facebook.com/holygeometrytapes/

Sic Ergo Ludens

Zhe Pechorin - In Fieri [HG013]

Taken from the album "Elegies For The End", released on Cyclic Law in late 2009.

September Dirge

Between a Lie and the Truth

Wintertime isn't like a story, it's more of an inner whirling between the higher and lower notes. Entropy slows down and on snowy forest paths, the quietening call of a future is heard. A sleeping life of the shimmering heart, soft sight journeys into the window - in the anticipation of bloom and return of color. Gentle movements and lurking stillness; and sun, the winter symbol of the steadily warming order on Earth, vanishing just to continue the way through the snow-covered wastelands.

released December 14, 2020 on ΠΑΝΘΕΟΝ Records | ПAN173 

Composed and produced by Blear Moon in November of 2020 in Snezhinsk, Russia 
Mixed and mastered by Nikita Chaikin 
Photography by Alexander Bondar 
Text by Anna Repman 

my socials and other links: 
blearmoon.bandcamp.com 
soundcloud.com/blearmoon 
instagram.com/blear_moon 
secretpress.bandcamp.com 
instagram.com/secret_press

Maps and Diagrams - Occupying Space

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Maps and Diagrams - Occupying Space

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