Music for Animals

Right Right Right

Sheep in Black and White

Non Fiction: IV. Semplice

Ambient soundscapes for your pleasure. Relax, chillout and enjoy.

AMBIENT - HACHIOJI

trinity

Peter Luts - I Will Make It (Asceta Neosampling Edit) [2017]

"esja" is the first song from the upcoming album of pianist & composer hania rani. find more info about the project here: https://www.facebook.com/haniaranimusic

music: hania rani
mix: piotr wieczorek
master: rafał smoleń

recorded on a home piano in warsaw in 2016

watch the video here: https://www.youtube.com/watch?v=EmOcsAIIx1Q

http://haniarani.com
https://soundcloud.com/haniarani
https://www.facebook.com/haniaranimusic
https://www.youtube.com/hannaranna
https://www.instagram.com/haniarani

hania rani - esja

Poppy Ackroyd turned heads in the neo-classical world with her previous works Escapement and Feathers, as well as her involvement in Hidden Orchestra (Tru Thoughts). Advocated by giants of the genre, Hauschka and Nils Frahm, the unique musician has returned, freshly signed to Bjork’s label One Little Indian Records, with a mini-album, Sketches, to be released on 4th August 2017.

Sketches

Time

'The Undivided Five', out now on Ninja Tune: https://awvfts.lnk.to/fiveSo

Follow A Winged Victory For The Sullen -
Spotify: https://found.ee/awvfts-sp
Apple Music: https://found.ee/awvfts-am
Instagram: https://found.ee/awvfts-ig
Facebook: https://found.ee/awvfts-fb
Twitter: https://found.ee/awvfts-tw
Youtube: https://found.ee/awvfts-yt
Bandcamp: https://found.ee/awvfts-bc
Soundcloud: https://found.ee/awvfts-sc

The Undivided Five

Sullen Sonata (feat. Adam Wiltzie & Dustin O'Halloran)

Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.

Non Fiction: IV. Semplice

haniarani

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