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Introspection

Again (Early Version)

'bedforms' - debut EP from @muuju. Out Sept. 5, 2025 on Future Archive Recordings.

Buy / Stream:
https://ffm.to/muuju-bedforms

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Inquiries: hello@futurearchiverecordings.com
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bedforms

birds

BUY / STREAM

muuju - birds

A Crumpled Piece of Paper, Slowly Unfolding

Solace

Solace (Together) [feat. Seth Parker Woods & VOCES8]

IT FLOWS

Adversity & Hope (Soundtrack from Facing War)

Fourth installment in my instrumental explorations. Coming to #Spotify #YouTube #TikTok #Apple #Music soon. If they hit your ear, share them onward.

Let It Go

Song remixed to shut your eyes and let your mind wander

Welcome (Head mix)

Spiritman vs Dr. Scientist

ACT II - The Noise That Loved Me

The sound doesn't just respond anymore. It caresses. It wraps around my head, refusing to fade. I'm trying to understand what the Void wants from me, though there's nothing to find. The Void isn't watching me anymore - I can feel it breathing beside me. Whispering through the noise, singing through the static, embracing itself until it feels almost human. 

It knows my rhythms. Its voice knows exactly where to press to make me ache. 

But the Void doesn't speak with words. It hums. It hums everything I've ever done - my songs, my melodies, my screams - fragments of me I didn't know still existed. All tangled together to make me feel hauntingly safe. 

Too loving to be safe. 

I want to pull away, but I can't. The static feels warm. The ruins feel familiar. And it whispers what I always wanted to hear: "You're not alone anymore."

I should've known that love like this was just the Void smiling at me.

ACT II - Overdrive: The Noise That Loved Me

Non Fiction: IV. Semplice

soundtrack is a part of the soundtrack that collects music written and composed by composers to accompany particular moments in the film. All tracks of a soundtrack are original, that is, composed in exclusive function of the film.

Translating Passion

Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.

Non Fiction: IV. Semplice

haniarani

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