...is this so wrong, to keep on wanting more?))))

Wavy

Visual: http://youtu.be/McZ_88ucuMs
iTunes: http://bit.ly/12Tz1DU

LYRICS:
I promise that you're enough
And I know why
It's inside
I promise that you can trust me
I won't lie
No I won't hide
'Cause you've got that inner gold

Photo by Alexa Quinn
Art design by Clint Soren

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Inner Gold

Cover of Donnie & Joe Emerson's 'Baby'

Visual: http://youtu.be/_1SXegvyauU

www.facebook.com/deadtimesmusic
twitter.com/dead_times

LYRICS
When we're out in the moon light
Lookin' up on the stars above
Feels so good when I'm near you
Holdin' hands and makin' love

Oh Baby, yes oh baby
Yes oh baby, yes oh baby

Sandy beach, was makin' love
As a tide moves in on us
Feels so good walking side by side
Wanna be with you all my life

Oh Baby, yes oh baby
Yes oh baby, yes oh baby

Dreams of you all the time
Feels so good when we're together love
Just can't wait until tomorrow night
Hey baby let's shake it

Oh hey Baby, hey hey baby
Yes oh baby, yes oh baby

When we're out in the moon light
Lookin' up on the stars above
Feels so good when I'm near you
Holdin' hands and makin' love

Oh Baby, yes oh baby
Yes oh baby, yes oh baby

Yes oh baby
Oh baby, oh baby

Sandy beach, was makin' love
As a tide moves in on us
Feels so good walkin' side by side
Wanna be with you all my life

Oh Baby, yes oh baby
Yes oh baby, yes oh baby

Baby

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Lyrics: http://genius.com/Rkcb-baptize-lyrics

Free Download

Baptize

Like the track? Help by voting for on HypeMachine
>> hypem.com/track/27gfx/LA+MAR+-+Anchor <<

La Mar are a Sydney based, two piece electronic project who’s music hinges on the relationship between singer Dylan Wright, and keyboardist / producer, Andrew Grant.

The duo spent a large part of this year writing and finding the foundation for their music and collecting sounds, such as Grant’s dusty old FenderRhodes that kicks off their debut single, “Anchor.” The mixdown on “Anchor,” was delicately handled by producer Craig Wilson (Flume, New Navy, LDRU, Yahtzel), at the legendary, REC studios.

The EP finishes off with Mazde’s tasteful spin on “Anchor,”
in what sounds less like a remix, and more of an interpretation of sounds. Following “Shifted Thoughts,” Mazde carefully creates a unique track, appealing to only the most cultured of ears.

Seeing through the creative process right to the end, Jack Vanzet aka Thrupence (Future Classic) did the stunning oceanic cover art.

@la-mar-music @mazde

Anchor

Released 8 September 2014 on Birdland Records as part of the "Love Somebody" EP.

iTunes: http://georiot.co/40rb
Spotify: http://spoti.fi/1nMqr62
Hype Machine: http://bit.ly/1lZEaFy
Pete The Monkey Session: http://bit.ly/1D56I9v

http://www.robynsherwell.com
http://www.facebook.com/robynsherwellmusic
http://www.twitter.com/robynsherwell

Artwork photo by Mimi Bishop (http://nbishop.carbonmade.com)
Design by Kate Williams (http://www.pieceofkate.co.uk)

Salt

Golden Line EP

Fire (feat. Jo Def)

‘It won’t take long for B.Miles’ incredibly genuine vocal range to impress you, and for that reason, we believe she could become widely acclaimed very quickly’ – Hilly Dilly

Following on from ‘Nine Matches’, her acclaimed debut of earlier this year, dark pop artist B. Miles announces the release of her sophomore single, ‘Shaking Hands’ on 13th July.

The L.A.-based singer has described her latest track as ‘a twisted version of "The Boy Who Cried Wolf"’: a more complex take on the classic fable that’s perfectly in keeping with her atmospheric sound. Miles’ lyrical inspiration comes from the likes of Nick Cave and Tom Waits, and this is evident throughout. 

The track’s production certainly matches her songwriting too, opening with distorted bass, minimal percussion and stuttering guitar lines. As the sound on the chorus opens up, B. Miles artfully demonstrates the impact of her soulful vocal in its higher range – a talent that was already abundantly clear on ‘Nine Matches’ and prompted praise from Q Magazine.

The young artist first crafted her songwriting in Miami, attempting to forge an identity which captured ‘the essence of melancholy and yearning, while finding beauty in the sadness and pain that all of us carry inside’. 

Though also striving to remain true to a pop aesthetic, she is determined to succeed on her own terms, having spent years gigging mercilessly up and down L.A.’s Sunset Strip in order to refine her sound.

The recent charting of ‘Nine Matches’ on The Hype Machine saw this sound compared to the likes of London Grammar and Banks, inspiring a solid foundation of fans. And in gaining the support of production duo Noise Club, best known for their work with Wild Belle and the Spin Magazine-approved Quigley, B. Miles seems to have struck on a sound that promises much for the future.

Spotify

Shaking Hands



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luhh (frank ocean remix)(remastered)

Hotline Bling

Don't Hold Out

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Rough Baby

LIBRA YEAR EP OUT NOVEMBER 11th

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Tribes

Walls (prod. Clams Casino)

Phantom EP out December 2nd.

Performing at Servant Jazz Quarters, London - December 5th - https://Tickets.lnk.to/ElleWatson

Don't Hold Out

Hannah Lucia

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