2k18•12

Unreleased Demo of "You'll Miss Us One day".
The final version is released on "Gravity" / Ad Noiseam Nr.168.
http://www.adnoiseam.net/adn168

Ben Lukas Boysen - Variation (Unreleased)

A Winged Victory for the Sullen - 'ATOMOS'
Double-Vinyl/CD/Digital out on Erased Tapes/Kranky on October 6, 2014

PRE-ORDER the album now!

Worldwide (excl. North America):
via Erased Tapes: www.erasedtapes.com/store/index/ERATP061
or via iTunes: http://snip.ftpromo.net/atomositms

In North America:
via Kranky: www.kranky.net
or via iTunes: https://itunes.apple.com/us/album/atomos/id894692856

TOUR DATES: 
https://www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.  

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.  

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie  

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES:  awvfts.com · erasedtapes.com · kranky.net

Atomos VI

Recorded on July 30 2014 in Budapest Hungary @ Mygar Radio Studio #22 with the Budapest Art Orchestra. 
Conducted by Peter Pejtsik....

https://adambryanbaumwiltzie.bandcamp.com/releases

The Endless Battle Of The Maudlin Ballade Part 3

Gamardah Fungus is the collaborative project between Ukrainian musicians Igor Yalivec and Sergio Berry, based in the city of Dnipro. Since forming in 2009, the duo has explored the intersections of Ambient, drone, and experimental music, releasing on many labels including Flaming Pines, Polar Seas Recordings, and Hidden Vibes. Their sound world is informed as much by cinema, folklore and mysticism as by music itself, drawing from classical, jazz, noise and minimalism, with influences that include Eric Satie, Krzysztof Penderecki, Fennesz, Stockhausen and Bohren & Der Club of Gore. Over the years, Gamardah Fungus have built a reputation for their atmospheric live performances and conceptual studio work, often inspired by the landscapes and cultural heritage of their homeland.

Trees and Roots marks a significant shift in the duo’s creative process. For the first time, they abandoned the guitar that had been central to their previous work and here they embraced a more tactile, exploratory approach. Sergio used a series of custom electroacoustic instruments using unconventional materials: wooden and plastic boxes, strings, stones and even paper envelopes fitted with piezoelectric sensors. These objects were manipulated, processed through pedals, and layered into intricate textures. Alongside these are Igor’s immersive Ambient drones created by using Eurorack modular synthesizers. Field recordings gathered across Ukraine from over the years add another dimension of intimacy, anchoring the album in the natural and cultural environments that inspired it. No virtual instruments were used; the entire project was captured, mixed and mastered in the analog domain.

Written during an ongoing time of conflict in Ukraine, this album carries with it a deep emotional and cultural resonance. Rather than respond to these challenges directly, Igor and Sergio chose to look inward toward the enduring symbols of their heritage. Trees and Roots is dedicated to the mythology, folklore and natural beliefs of their ancestors. Trees have long been sacred in Ukrainian culture, representing strength, wisdom and spiritual continuity. Each track bears the Latin name of a tree revered in these traditions, reflecting both its physical roots and the metaphorical roots of identity and belonging. In this sense, the album is both a personal and cultural statement: a meditation on resilience, memory and the quiet power of nature to heal and sustain.

The sound of Trees and Roots is meditative yet charged with a fragile tension, balancing organic resonance and abstract tones. Drones swell like distant winds through the forest while percussive textures suggest movement beneath the surface. It is an album of layers and spaces, inviting deep listening and reflection. At its heart lies a quiet determination: to preserve the stories and symbols that shape a people, even in times of uncertainty and upheaval.

Credits:
Written, produced and mastered by Gamardah Fungus
Cover photography by Anton Pavlyukov
Artist photography by Yuriy Bulychev
Art and design by Andrew Heath

Trees and Roots

wlr190 Gamardah Fungus - Trees and Roots

Endless

Taken from the upcoming album 'Transient Accidents' on Fluid Audio...

- All tracks produced, mixed and arranged by Sara Galán and Edu Comelles. 

- Album recorded during the first weeks of August 2015 at Espai Rambleta in Valencia, Eastern Spain.

- Mastered by Jaume Muntsant.

www.fluidaudio.bigcartel.com

Cello & Laptop - On The Verge

first track from upcoming CD.  

out March 25th on Dronarivm

order here: https://dronarivm.bandcamp.com/album/branches

Branches came into being during a long time planned project between Tui (Orla Wren) and Cyril Secq (member of the band Astrïd). Having worked together when Cyril contributed guitar to the Orla Wren’s previous albums the idea then formed to do something further and even more collaborative. At the same time, Cyril had recorded many guitar parts, as a ‘solo’ project, that had never been released. And they were the basis, the bones for Orla to work, completely free.

It’s a duet between acoustic strings and processing, field recordings, edits and organic arrangements. This music is steadily ramifies, growing out of itself like a wild tree. The tunes woven together and untwine again as a branches shaken by the wind. It sounds focused, calm and distinct. Although everything has been done in distant places (France and Scotland) the result sounds like two musicians experimenting in the same room, sharing their background and culture.

The beautiful photographic work from Spanish born Nieves Mingueza brought the whole project together in the form of these two very special editions of Branches.

Credits:

Cyril Secq – acoustic guitar, harmonium, piano (asrtid-music.fr)
Tui – piano, organ, electronics, field recordings, processing and mastering (orlawren.eu)
Nieves Mingueza – photography (nievesmingueza.com)

Buy full CD

Cyril Secq / Orla Wren - Première Branche (from Branches, CD)

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Golden Times 1

Buy LP/CD/DL

Ben Lukas Boysen – Golden Times 1

Taken from the forthcoming album 'Asylum For Eve', released February 10th 2017.

Featuring new material and reworked soundtracks, the album drifts from plaintive piano-led passages to brisk chamber music and back again, tied together by the textured layering of found sounds and instruments that distinguishes Thomas’s music.

After tracking down an old Bechstein Model 9 upright piano for ‘Asylum For Eve’, Thomas set about modifying and preparing it with cardigans, screws and nails in order to provide the textures and timbres which characterise the album’s dense, affecting sound. Techniques employed for the album include the intricate layering of bowed guitars and ukuleles, and fingerpicked violins, banjo and charango. It’s processes such as these, coupled with Hill’s high quality composition and musicianship, that see the album at once expansive and intimate.

Asylum For Eve

Buy on iTunes

Thomas William Hill - Cirrostratus

Sylvia Monnier - "Dennis Hopper"

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : modernarecords.bandcamp.com/album/ichiru
iTunes : itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

Artwork by Kevin Townsend : 
Website - www.kevin-townsend.com
Facebook - www.facebook.com/kevintownsendartist

daigo hanada - and this is how it ends (near the parenthesis remix)

Drops in an Ocean

from the album 'submers' available on double lp for the first time 11/23

submers

loscil 'argonaut I'

Taken from the album 'Reworks', released 7th December 2018 on Ahead Of Our Time: https://jamesheather.lnk.to/reworksSo

Follow James Heather -
Spotify: http://found.ee/jheather-sp
Apple Music: http://found.ee/jheather-am
Instagram: http://found.ee/jheather-ig
Facebook: http://found.ee/jheather-fb
Twitter: http://found.ee/jheather-tw
Youtube: http://found.ee/jheather-yt
Soundcloud: http://found.ee/jheather-sc

And She Came Home (Mary Lattimore Rework)

Treading Water

Endless Melancholy​ - ''Fragments of Scattered Whispers' 
Label; Dronarivm 
Cat #.: DR-55
Format: LP (ltd. 100), CD (ltd. 150), DL
Release date: November 9th, 2018

CD/LP/DL: dronarivm.bandcamp.com/album/fragments-of-scattered-whispers

'Fragments of Scattered Whispers' is the sixth album from Endless Melancholy, a solo-project of Oleksiy Sakevych from Kyiv, Ukraine. It follows previous releases on labels such as Preserved Sound, 1631 Recordings and Hidden Vibes.

Arriving on CD, digital and heavyweight vinyl editions, 'Fragments of Scattered Whispers' is a collection of soft piano melodies and transparent ambient textures, gently flowing one into another. On this album Endless Melancholy continues with the tape sound explorations, started on his previous album 'The Vacation', but in a new, more distinctive way. On this occasion, Oleksiy teamed up with Krzysztof Sujata (known for his musical outfit Valiska), who did some outstanding job on processing the tracks through different kinds of tape recorders and mastering them afterwards. Accompanied by a stunning artwork by an acclaimed artist Gregory Euclide, 'Fragments of Scattered Whispers' is meant to evoke hazy reminiscences from the deepest corners of listener's mind, like a blurry photograph suddenly falling out of an old book.

Cover art by Gregory Euclide
Mastered by Krzysztof Sujata

Prologue (For a Broken Tape Recorder)

In search of the perfect acoustic mirror for his perception of the world, Hannes Kretzer started to collect and distort sound effects until they fit into his mental universe at an early age. Synthesizer pioneers from the 70s were his first spiritual companions on his experimental exploration with sound.  From the beginnings in meditative ambient grew an equally strong fascination for straight-forward pop culture.  Intrigued by the idea of bringing together these contrasting worlds, Hannes Kretzer embarked on a new journey to incorporate a sense for dynamics, evolving structure, juxtaposition and space into his new creations.

Drops in an Ocean

Hannes Kretzer

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