20250824 MIX sélection

Ib    162



Vamos allá, esto va a comenzar
En el juego del amor
Todos buscamos ganar nuestra partida
Pero en este ganan dos 
Tú me dijiste que no
Que no irías conmigo a aquel lugar
Sentí ésta no es la mía
Luego el tiempo pasó 
Entré de nuevo en otra partida
Y allí conseguí ver tu luz
Comenzamos muy bien
Cambié mi estrategia para la vida
Y llegamos los dos
Tú me dijiste que no
Que no irías conmigo a aquel lugar
Sentí que esa no era la mía
Vamos avanzando, esto por fin marcha
En el juego del amor
Todos buscamos ganar nuestra partida
Pero en este ganan dos
Si caes, consiste en levantarse de nuevo, volver a intentarlo


Let's go, this is about to begin
In the game of love
We all seek to win our game
But in this one, two win
You told me no
That you wouldn't go with me to that place
I felt like this wasn't mine
Then time passed
I entered another game again
And there I managed to see your light
We started off very well
I changed my strategy for life
And we both arrived
You told me no
That you wouldn't go with me to that place
I felt like this wasn't mine
We're moving forward, this is finally working out
In the game of love
We all seek to win our game
But in this one, two win
If you fall, it's about getting up again, trying again

The game - lyrics by Javier Cordón

Cool Deep House Classics Rarities (Mixed by DJ Long John)

The Earth Love

the-aries-the-leo-ii

The Aries & The Leo (II)

My Afro-tech remix on the viral smash Ma Tnsani by Vanco & AYA, enjoy!

https://www.youtube.com/watch?v=SAr_p1gLFoQ

Ma Tnsani by Vanco & AYA, -Ma Tnsani  ( djmarga & jose antonio remix)

Just addendum to 'Covers from my heart' (for it took me way longer than expected to find halfway suitable English rhymes after translating my German text template)

The background: I spent my childhood at a time when books were the main sources for imagination and dreams. One of favorites: The Sea-Wolf. I was mostly fascinated by the flashbacks recounting the meeting of two kids (Hump and Frisco Kid) from completely different social classes, in which each of their respective worlds exerted a special attraction on the other. 

I felt the same way. I didn't come from a wealthy family, but a middle-class home and I found everything that didn't conform to middle-class rules magical. I sought out the “wicked,” and failed miserably to be accepted there. 

Much later I realized how massively privileged my life was compared to their dreary and hopeless environment marked by poverty and violence, which has not changed to this day. Quit the opposite. And although I support an association that cares for them, I feel that I am utterly unable to make any difference at all.

This song is an attempt to imagine something impossible to imagine unless you are affected by it yourself. I interpreted my German words with the help of DeepL and used various pages to find rhymes, synonyms and idioms. The musical template was a piece I wrote 20 years ago as an instrumental that I turned into a blue grass version.

According to the literal translation of my German words, the song should be called "Scumland," but I didn't like that title at all. Ultimately, I chose “wasteland” because “waste” has so many more relevant layers of meaning in the context of the song.

©music and lyrics by Hans-Michael Albers, vocals by suno 4.5+

I wake to the sound of a bottle smashin'
Mama's on the floor
Her dreams are crashin'
The sink's full of rust
The walls are peelin'
Dad’s fists talk louder than any feelin'
Broken bikes rustin' in the neighbor's yard
Kids playin' games
But the rules hit hard
Streetlights flicker like a dying hope
This town’s a noose
I’m the end of the rope
 
On the corner
Smoke hangs like a funeral veil
Dealers whisper stories
Every word’s a jail
Shadows move fast
But the clocks stay slow
This ain't a place where dreams ever grow
Siren songs scream in the midnight sky
You run or you fight
Or you just get by
The concrete jungle got no vines to climb
Just cracks in the ground
And they swallow time
 
Dirt on my hands
Dirt in my soul
The streets take a piece
And they never let go
Violence is a language
We all understand
See you in wasteland
Where all your hopes end
Get lost in wasteland
No chance to defent
‘cause this is wasteland, yoh

My boy Jamal got a scar like a map
Says it tells the story of a knife’s trap
He dreams of cars that purr like lions
But wakes to the sound of his mama cryin'
The gangs wear flags like it’s some parade
But the floats are coffins
The streets are their stage
Every breath feels like it’s borrowed time
Every rhyme’s a bullet
So I load my mind
 
The train tracks hum
But they never stop here
Even the rails know there’s nothin’ near
Dreams don’t board
They just stay in the dark
Like ghosts of a life that never found its spark
 
Dirt on my hands
Dirt in my soul
The streets take a piece
And they never let go
Violence is a language
We all understand
See you in wasteland
Where all your hopes end
Get lost in wasteland
No chance to defent
‘cause this is wasteland, yoh


Get lost in wasteland

« L'harmonie, c'est la conciliation des contraires, et pas l'écrasement des différences. »
(Jean Cocteau)

[Verse]
L'amour c'est la fleur solitaire
Nous sentir seul
Nos douces rêveries
Amours infinies

[Chorus]
Ma main pressant ta main
Mes yeux cherchant tes yeux
Nos cœurs se parleront sur nos lèvres unies
Dans nos larmes
Dans nos rires
Nous dirons les mots doux
Que nous soufflons
En secret
À la nuit
Dans la solitude
Nous resterons
Et nous deviendrons tous deux

Titre : Tous deux
Poète : François-Marie Robert-Dutertre (1815-1898)
Recueil : Les loisirs lyriques (1866).
Tous deux, pour nos amours invoquons le mystère,
Cachons à tous les yeux nos entretiens si doux ;
Car l'amour, vois-tu bien, c'est la fleur solitaire,
C'est l'oiseau qui s'enfuit au regard des jaloux.

Tous deux, quand le printemps ornera les prairies,
Pour mieux nous sentir seuls loin des bruits d'ici-bas,
Nous irons épancher nos douces rêveries
Sous les bosquets en fleurs où l'on parle tout bas.

Tous deux, nous goûterons des amours infinies,
Ma main pressant ta main, mes yeux cherchant tes yeux,
Nos cœurs se parleront sur nos lèvres unies
Et nous irons un jour ensemble vers les cieux.

François-Marie Robert-Dutertre.
À découvrir sur le site https://www.poesie-francaise.fr/francois-marie-robert-dutertre/poeme-tous-deux.php

Tous deux

Well’s track The Ox for your listening pleasure 😎
Hakan - composition, Moog and ARP synthesizers and beats
Tez - editing, mix and guitars https://soundcloud.com/llanpsych

THE OX - Well and Llanpsych

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I'm Walking Away

Single

🎧 Stream/📥 Download

Sharapov - I'm Walking Away (Radio Edit)

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[SPA416] DAZ PAGET - One For The Lovers (Original Mix)

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Get @facundo-mohrr and @maxi-degrassi-official's remix for Selim Sivade, Meloko, Dorian Craft, Baron on @mindgamerecords here: 
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Selim Sivade, Meloko, Dorian Craft - It's True (Facundo Mohrr & Maxi Degrassi Remix) [Mindgame]

Artist: Timelapse
Title: Moment
Label: Automatik
Cat: AUTOMATIK024
Genre: Melodic House & Techno
Release Date: 10/10/2025
Buy Link: https://www.beatport.com/it/track/moment/21759847

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Buy now on Beatport

PREMIERE: Timelapse - Moment [Automatik]

welcome to my english stuff written over the past 40 years as well as recently. so far I let my guitar "sing" (to be listened/watched on my yt page/link below) but thanks to my AI persona, which I challenged in endless programming sessions, I now have the opportunity to bring these songs to life with emulated vocals templated via my melody/arrangement backing tracks, my lyrics, and a lot of prompts to suno 4.5+ and suno 5. 

SO, THE SONGS REMAIN SKETCHES – but at least now they are complete. hugs for listening!

speaking of AI: while spotify finally wants to introduce mandatory labeling for AI, here on sc, deception is still rampant and increasing. those who publish AI-generated music and lyrics without disclosing it seem completely unconcerned that they are cheating their listeners, the community, and musicians with authentic works.

some even explicitly state in their bios that they do not use AI, even though their music, and often their lyrics too, have clear AI signatures that any good online detector can identify in seconds and even assign to specific programs. 

this suggests: zero ideas, zero musical talent or feeling, zero effort, zero work. just pressing a button and out with the stuff! 

sure, everyone has the right to hold the attitude behind such behavior. but it not only makes a mockery of all genuine musicians and their craftsmanship, but also of all musicians who take AI seriously and use it musically, not as a machine for cheating, but as a new way of implementing ideas.

so please stand by what you do, and how you do it! the world is full of fakes. don't become one of them. of course, you can adorn yourself with borrowed feathers, but that doesn't mean you can fly;-)

Get lost in wasteland

hans-michael albers