Sci-Fi Scapes

Taken from 'Profound Mysteries' out now on Dog Triumph.

The Ladder

Piano Lullabies

Lullaby No. 3 in E Minor

"The Last of Us  (Main Theme)" from the soundtrack The Last of Us

Original Score Composed and Performed by:  Gustavo Santaolalla

Score Produced by: Gustavo Santaolalla, Anibal Kerpel, Jonathan Mayer

Score Mixed and Edited by:  Anibal Kerpel, Gustavo Santaolalla, Marc Senasac, Jonathan Mayer, Anthony Caruso, Joel Yarger

Associate Music Producer and Music Integration by: Scott Hanau

Music Editing and Additional Music by:  Andrew Buresh, Anthony Caruso, Jonathan Mayer, Matt Levine, Scott Hanau, Monty Mudd



2013©  Sony Computer Entertainment America

"The Last of Us  (Main Theme)" from  The Last of Us - Original Soundtrack from the Video Game

Solas

"Achéron" is an extension of Iñaki's 4th album "Océanide".
It also features all-vocal covers of sea-related songs, as well as some original tracks.
Put on your headphones and dive into the vast ocean!
NOT for sale!

Achéron

La Symphonie des Abysses

Beyond The Black Rainbow - Original Soundtrack

1983 - Main Theme

All Is Wild, All Is Silent

Remembrance

End Of Transmission out now: http://smarturl.it/EOTalbum

End Of Transmission

Wojciech Golczewski - Transmission 01 - End Of Transmission

MR. Robot Theme 1.0_8-whatsyourask.m4p- by Mac Quayle (ElZetro Remix)

Interstellar (Original Motion Picture Soundtrack)

Cornfield Chase

Day One (Interstellar Theme)

S.T.A.Y.

Stay

Westworld: Season 2 (Music From the HBO Series)

Runaway 

Atmosphere

Vision

Photo by Meritt Thomas on Unsplash

Guitar tab and blog: https://wp.me/p5JUVc-3QX

Guitar performance and guitar tab for, Longing, by Gustavo Santaolalla, from The Last of Us Part II.

This arrangement combines both Longing and Longing (Redemptions) from The Last of Us Part II soundtrack. The latter of which is actually played on a Ronroco -- a tiny, 5 string Andean guitar -- that Gustavo Santaolalla employs on many of his songs. Both pieces comprise his trademark minimalism; his reliance on space and distance to create nuance between the notes.

I'm also realizing that 15 takes to get a perfect performance is overkill - even detrimental to spirit of a guitar performance. When listening to Longing with a good set of headphones (I highly recommend it) you can here Santaolalla's chair creaking. He even gulps at one point. It all lends it self to a close, human experience. He might as well be playing two feet away from you. I love that Gustavo Santaolalla uses recording imperfections to connect on a deeper level.

My name is Evan. Each week I create modern content for guitar.

For Guitar TABs (and everything else) please visit my blog: https://www.intellimusica.com/

S.T.A.Y.

Hans Zimmer

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