Name: Wait For Me by Indielectric Tribe by Happy Cloud Studio Seattle in UNSIGNED ARTISTS ON SOUNDCLOUD 18
Duration: 3 min 18 s
Description: https://soundcloud.com/indielectric-tribe

Cool great music great job.👏🎶👌😎

awesome! will be on my next "so excited! about music" playlist!

CREATING TUNES THAT MEAN SOMETHING....IT'S ABOUT BEING TRUE TO OURSELVES!

Seems #Soundcloud are now under new management, and will be staying in business, but for how long is dependent on how much activity we, the musicians, create and sustain!

DON'T JUST LIKE, LISTEN; DON'T JUST LISTEN, COMMENT; DON'T JUST COMMENT, SHARE!

Just clicking the like button doesn't prove you listen! I only return listens and feedback to those who give it. If you only subscribe to my page, or only click the like button, you won't hear from me.

Just adding numbers, or just clicking like buttons, makes us all wary, and that's what kills these music sites off; why should anyone keep giving support if they never get any back!

If all you do is post your tunes, sit back and wait for a miracle, guess what, it'll never happen! Only a small number of Soundcloud musicians are proactive, which is why Soundcloud is struggling to survive!

Without these music sites, your chances are screwed, so you need them, I need them, and we need each other! EXCHANGE SUPPORT!

UNSIGNED ARTISTS ON SOUNDCLOUD 18

A Wisconsin anthem...sort of....
Are you addicted to cheese curds? Crave whitefish livers and a cold Leinie's? Spend hours sitting on a bucket, ice fishing at twenty below zero, but release all the fish cause you'd rather have a burger?
Another single from the upcoming Penelope's Thrill album, "Twilight on Tunnel Road," due out on April 26, 2021. 
Main guitars on this are a Vintage Modified Strat playing the fast-picking melodic riff and my '66 Guild Starfire XII filling things out and playing the lead. They are joined by my Gretsch 5622T and '78 Guild S-60.

“Clockwork Clouds”
Words & Music by Timothy Walsh

Nothing I say gives you a clue.
You just want me singing the blues.
But I don’t know how to choose—
too many things jostling my mind like leaves in the wind.

And this corn looks so fine, but I’m losing my mind,
living out here in the countryside
with these cows and this corn—
never forlorn—some say it’s paradise
and I guess that’s maybe true but….

CHORUS: Take me through the skies
above the world we know,
looking at these clockwork clouds from so far below.
Take me past the stars, somewhere far away.
Looking at these clockwork clouds for so many days.

Tell me again, why am I here?
Looking at clouds in the stratosphere.
I don’t feel so alone cause I’ve got this here phone,
the Packers on the tele, a sixpack on ice.

When I’m walking the fields calculating the yields,
the clouds are floating by like cottony shields.
There’s manure and milk, soybeans and corn silk,
Bears fans down in Janesville but I don’t mix with that ilk, so….

CHORUS

Wisconsin’s my home so I’m never alone.
There’s cows and curds and cheese and birds
and whitetails in the woods.
And there’s wolves and black bears,
our meatpackers shares,
the green of spring and gold of fall really tell it all.

We harvest ginseng roots, trim Christmas tree shoots,
grow fine leaf tobacco for your big cheroots.
Red tail on the wing, it just makes you sing.
Turkey vultures circling like angels in the sky.

And there’s cows and there’s corn, whitefish livers and porn,
Northwoods hair salons where no one lives but the trees.
And there’s trout streams and hills, Lake Superior’s thrills—
ice fishing in winter, sitting on a bucket in the wind.

Words & music by Timothy Walsh
Timothy Walsh: Vocals, guitars, bass
Recorded and mixed by Timothy Walsh at Yew Tree Studios
(that is, a tiny upstairs room in my house nestled amid century-old yew trees)
©2021 by Timothy Walsh. This recording ©2021 Timothy Walsh
All rights reserved.

Twilight on Tunnel Road

Clockwork Clouds

Download

Deliver Me

... any second now. So chilling hard, calm as a clam... 🦪

Polybrute, Arturia MiniMoogV for basses, Buchla Easel 208C on leads. Mastered with FabFilter, UAD Oxide Tape, IK One, but different mixing chains and mastering. Of course you would say, - "all your sht sounds the same to me"! If you do, I'll be pleased taking it as a complement :) Its great to achieve some consistency in any crazy things we all do. May get there one day. Stay creative!

Free download today. As always few track downloadable on my account, thanks for grabbing and letting them to the wild! 

Photo of a happy clam chilling on a boat. Likely bird brought it there. Long Beach, California.

Musically yours! ~ S.P. ~
~ @samprock ~ @prockjet ~ @art-of-nonsense ~ @silentzen ~

Analogue

megaprockram

Awaiting

No matter how fast you move, she is still far away... why?

Lets face it, we all love the music we make and share. This is my own latest fave :)

Fun fact, in childhood I was always impressed by those pianists walking blazing fast thru the keys. Here in the bridge (1:41-2:14)I "did it". Not on a piano keys. On Push 2. Also put into a scale. Quickly running up and down on 5x5 grid ... not really knowing what I'm doing :) Dreams come true, she is getting near! 

Lead synth is Arturia OP-Xa VST also played on Push 2 pads, no programming. Some Polybrute, few Pigments lines, and IK Syntronik. With lotsa FabFilter Pro-C, Pro-Q3, Timeless. Bassline is 3 Arturia MiniMoogs. Mastered with UAD, IK, and FabFilters. Cover art: a personal star and road to Lick Observatory, California, 20 miles from house. Thanks! 

Musically yours! ~ S.P. ~
~ @samprock ~ @prockjet ~ @art-of-nonsense ~ @silentzen ~

Aster

Composed, arranged, performed and produced by:
Leon Pajer

orlando51music © 2022

Last Day Of Eternity

Beneath A Better Moon

DAVID BOWIE (CINEMATIC GOTH)

https://soundcloud.com/indielectric-tribe

Wait For Me by Indielectric Tribe

FREUDIAN LIPS

inst. intro

CALLED UPON THE MEN IN WHITE JUST THE OTHER DAY BUT FEAR OF EARS 'A' LISTENING
PREVENTED ME FROM HAVING MY SAY
SO I TALKED WITH MY EYES
TO THE DOCTOR IN DISGUISE

FROM THE SCREAMING TO THE DREAMING WE TOUCHED ON EVERYTHING
WE TALKED ABOUT HOW LIFE BEGAN
THE WEATHER AND THE DAWN OF MAN AND EVEN WHEN HIS REIGN WOULD END WE TALKED ABOUT MY CHILDHOOD
AND HOW MY PARENTS NEVER UNDERSTOOD

BUT ALL HIS SMOOTH AND REHEARSED LINE OF PATTER ONLY SERVES TO MAKE HIS WALLET EVER FATTER
IT DOESN'T STOP THE CHIT-CHAT CHATTER CHATTER LIKE WATER TORTURE IN MY HEAD

inst. break

BUT ALL HIS SMOOTH AND REHEARSED LINE OF PATTER ONLY SERVES TO MAKE HIS WALLET EVER FATTER
IT DOESN'T STOP THE CHIT-CHAT CHATTER CHATTER LIKE WATER TORTURE IN MY HEAD

ALL THE GRIEVING WITHOUT MEANING
AND THE HEARTACHE EACH DAY BRINGS
MAKE THEMSELVES....FELT THROUGH THE VOICES FOREVERMORE REVERBERATING WITHOUT END, A SINGLE VOICE BECOMES A FLOOD (ARE YOU INSANE? THIS IS THE GAME OF EVIL V GOOD)

BUT ALL HIS SMOOTH AND REHEARSED LINE OF PATTER ONLY SERVES TO MAKE HIS WALLET EVER FATTER
IT DOESN'T STOP THE CHIT-CHAT CHATTER CHATTER LIKE WATER TORTURE IN MY HEAD

Inst. break

MY TRAIN OF THOUGHTS
HIS TRAIN OF WORDS
COLLIDE INSIDE....MY ONE-TRACK-MIND MY WORLD COLLAPSES AROUND MY EARS MY MIND RETREATS TO THE EARLY YEARS
FREUDIAN LIPS (REPEATED)
TO THE EARLY YEARS (REPEATED)

Inst. outro

FREUDIAN LIPS vocal

ORSON’S PLAY

FREEDOM COMES AND….FREEDOM GOES
WHEN ITS TEN BELOW, MY HOLOCAUST LURKS IN THE SHADOWS
THOUGH GONE TODAY, IT MAY BE HERE TOMORROW
THAT’S THE TIME TO GO, FOR THERE IS NO TIME LIKE TOMORROW
No time like tomorrow

MY WEIRD DESIRE, TO BULID AN IGLOO
REJOIN THE CHOIR, THEN TRUN THE AIR BLUE
BUT I REQUIRE ONE FAVOUR FROM YOU
CUT ALL THE STRINGS, AND WALK IN YOUR OWN SHOES
All the strings and walk in your own shoes

THIS CENTURY HAS SEEN ITS SHARE OF SORROW
OUR VICTORIES ARE HOLLOW
AND NOTHING CAN PREPARE US
FOR THE EVENTS THAT ALWAYS FOLLOW

IF I LOOK BEHIND
TRY TO TRCK MY MIND
WOULD I FIND, FIND, FIND
WE’VE ALWAYS BEEN ON THIS STEEP DECLINE
WOULD I FIND, FIND, FIND
WE NEVER CRAWLED OUT OF THE SLIME

IF EVERYTHING CAME TRUE, IT’S TRUE TO SAY
THE WOLRD WOULD END ON TUESDAY
WE COULD PRETEND THAT THIS IS ORSON’S PLAY
WISHING ALL OF THIS WOULD QUIETLY GO AWAY
Wishing all of this would quietly go away

I NEVER ENJOY VIOLENCE
BUT I DO ENJOY THE SILENCE
WHEN I CAN HEAR THE PIN THAT DROPS
WHEN IT’S ALMOST AS IF TIME HAS STOPPED

ORSON'S PLAY (The World Will End On Tuesday)

Don’t be fooled by musicians who click your tune’s like button, or even share your tune; chances are they never listened—only relevant feedback proves they did!

LAPEDO CHILD

to purchase in online stores, visit: li.sten.to/CVLU7JE
written & produced by Brielle 
© All Rights Reserved
Photo by Bernard Tey https://www.flickr.com/photos/besar_bears/7222323/
Thank you, SoundCloud, for the 4 - year - journey !!!
Lyrics:
I see us standing there
Then taking off into the air
Looking down on clouds
Towards the life we dreamed about
And ´though it took years to prepare
In the end we´re gonna get there

We kiss this place goodbye
As we watch the orange sky
And sunlight warming us
Affirming life is generous
And ´though it took all the years to dare
In the end we´re gonna get there

Some years ago we knew one day we would be here
Being fine with it, feeling so secure
No more wandering around, making every day count
And ´though it cost us all we got
Not knowing if we make the cut
We did not give up
No turning back, arriving finally
Where we´re supposed to be

Taking off
Taking off

I see us standing there
Then taking off into the air
Looking down on clouds
Towards the life we dreamed about
And although it took years to prepare
In the end we´re gonna get there

Get There

Composed, played, recorded and mixed by Davor Dojchinovich. 
Recorded and mastered at Happy Cloud Studio Seattle 9/16/17
Davor: Piano, Bass Guitar, Fretless Bass Guitar, Keyboards, Percussions, Drum Programming, and Production. Acoustic Guitar Samples.

Vilayet of Beirut
In 1888, Beirut was made capital of a vilayet (governorate) in Syria, including the sanjaks (prefectures) Latakia, Tripoli, Beirut, Acre and Bekaa. By this time, Beirut had grown into a cosmopolitan city and had close links with Europe and the United States. It also became a centre of missionary activity that spawned educational institutions, such as the American University of Beirut. Provided with water from a British company and gas from a French one, silk exports to Europe came to dominate the local economy. After French engineers established a modern harbor in 1894 and a rail link across Lebanon to Damascus and Aleppo in 1907, much of the trade was carried by French ships to Marseille. French influence in the area soon exceeded that of any other European power. The 1911 Encyclopædia Britannica reported a population consisting of 36,000 Muslims, 77,000 Christians, 2,500 Jews, 400 Druze and 4,100 foreigners. At the start of the 20th century, Salim Ali Salam was one of the most prominent figures in Beirut, holding numerous public positions including deputy from Beirut to the Ottoman parliament and President of the Municipality of Beirut. Given his modern way of life, the emergence of Salim Ali Salam as a public figure constituted a transformation in terms of the social development of the city.

Beirut: The capital of Lebanon

After the collapse of the Ottoman Empire following World War I, Beirut, along with the rest of Lebanon, was placed under the French Mandate. Lebanon achieved independence in 1943, and Beirut became the capital city. The city remained a regional intellectual capital, becoming a major tourist destination and a banking haven, especially for the Persian Gulf oil boom.

This era of relative prosperity ended in 1975 when the Lebanese Civil War broke out throughout the country. During most of the war, Beirut was divided between the Muslim west part and the Christian east. The downtown area, previously the home of much of the city's commercial and cultural activity, became a no man's land known as the Green Line. Many inhabitants fled to other countries. About 60,000 people died in the first two years of the war (1975–1976), and much of the city was devastated. A particularly destructive period was the 1978 Syrian siege of Achrafiyeh, the main Christian district of Beirut. Syrian troops relentlessly shelled the eastern quarter of the city, but Christian militias defeated multiple attempts by Syria's elite forces to capture the strategic area in a three-month campaign later known as the Hundred Days' War.

Another destructive chapter was the 1982 Lebanon War, during which most of West Beirut was under siege by Israeli troops. In 1983, French and US barracks were bombed, killing 241 American servicemen, 58 French servicemen, six civilians and the two suicide bombers.

Since the end of the war in 1990, the people of Lebanon have been rebuilding Beirut, and by the start of the 2006 Israel-Lebanon conflict the city had somewhat regained its status as a tourist, cultural and intellectual center in the Middle East and as a centre for commerce, fashion, and media. The reconstruction of downtown Beirut has been largely driven by Solidere, a development company established in 1994 by Prime Minister Rafic Hariri. The city has been host to the Asian Club Basketball Championship and the Asian Football Cup and has hosted the Miss Europe pageant eight times, 1960–1964, 1999, 2001–2002.

Beirut - Remastered 1/9/23

Composed & Produced by : Chivicke 
Home-Studio Productions ©2016
Sings : Chivicke

 

Mira
ya no entra el sol por mi ventana
Mira
la fría soledad de nuestra cama
Mira
un rizo de tu pelo en la almohada
Mira
te llama mi voz desesperada
Mira, mira, mira

Mira
como sigo tus huellas por el porche
Mira 
mis manos te buscan en la noche
Mira
como añoran tu presencia
Mira
acarician las caderas de tu ausencia.
Mira, mira, mira
Es tu canción más triste.

Mira

Mira (it's your saddest song)

Pianíssimo

BUY IT HERE

Pianissimo

Here's a song about an army of corn marching on a town at midnight. (Hey, these things happen in Wisconsin.)
Main guitars on this are a Vintage Modified Stratocaster and a Gretsch 5622T. The combination of the classic Strat tone and the Gretsch's Super HiLotron pickups is a recipe I personally love.
A single from the upcoming Penelope's Thrill album, "Twilight on Tunnel Road," due out on April 26, 2021.
All the songs on "Twilight on Tunnel Road" are about Lonnie and Chloe, who grow up on adjacent farms on the edge of the Driftless Area of Southern Wisconsin. This song is about Chloe's recurring dream of a vast army of corn marching at midnight toward the town. Ever since she was a child, Chloe has dreamed about the billowing ocean of corn covering the undulating hills around their farmhouse--the tall, thick stalks that towered above her head with leaves that looked like arms. The way the corn swayed in the wind made the stalks seem like people, like an orderly crowd of people standing in rows, or--by moonlight--a vast army. She dreamed about this corn army, sometimes imagining herself their queen. When she grew older, she would joke with Lonnie about this. Lonnie would call her Queen of the Corn and refer to cornfields as her troops.
LYRICS:
“The Edge of Town”
Words & Music by Timothy Walsh

When you’re feeling so low,
getting so you’re feeling so run down,
you’re heading for the edge of town.

When your mind starts slipping,
when your head is tripping round,
you listen for a certain sound.

You go walking late at night, look at the distant lights
that flicker in the midnight sky.
You don’t see no one. That’s because you are going
deep beyond the edge of town.

Now the night wind’s shifting,
looking at the cornfields stretching wide
like an army in the night.

You see corn troops moving,
marching through the midnight fields alive,
heading to the edge of town.

And the pine trees sifting…the messages drifting down
from the moon into your eyes.
Now the oak trees wonder why you stare up at the sky
so rootless and alone.

Noctilucent clouds are
drifting past the moon and I
wonder why you’re looking down.

Armies of corn are marching
down the hillsides toward the town
sleeping silent in the night.

Words & music by Timothy Walsh
Timothy Walsh: Vocals, guitars, bass
Recorded and mixed by Timothy Walsh at Yew Tree Studios
(that is, a tiny upstairs room in my house nestled amid century-old yew trees)
©2021 by Timothy Walsh. This recording ©2021 Timothy Walsh
All rights reserved.

The Edge of Town

The Edge Of Town

Davor's Music - Artists Support Page. 
For your tracks repost just DM  Happy Cloud Sound Studio Team for the track review.

DON'T JUST LIKE, LISTEN; DON'T JUST LISTEN, COMMENT; DON'T JUST COMMENT, SHARE!
Anyone can click a like button; it doesn't prove you actually listened! Anyone that doesn't show proof they are actually listening will be removed from playlists! If the only support you give is to cynically click like buttons, you are contributing to the eventual demise of #Soundcloud and other music sites; without these sites to post your music on you are basically screwed; there won't be much point to making tunes if you don't have any kind of audience!

If you don't give REAL support, the support you get will eventually come to an end; we all eventually get tired of giving and getting nothing back. In the end, not only does it ruin the chances of everyone else, it will destroy your own. It is also a big mistake to underestimate the talent of others and overestimate your own! Don't assume their music can't be as good as yours; burying your head in the sand might protect your ego, but it doesn't do much for your reputation!

If you can't show respect, you don't deserve respect, so don't just click the like button, listen, and leave feedback to prove you listened. If you don't get into the habit of doing this, #Soundcloud won't be around much longer!

CREATING TUNES THAT MEAN SOMETHING....IT'S ABOUT BEING TRUE TO OURSELVES!

Seems #Soundcloud are now under new management, and will be staying in business, but for how long is dependent on how much activity we, the musicians, create and sustain!

Wait For Me by Indielectric Tribe

Happy Cloud Studio Seattle

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