Name: God's Idea by Harbottle & Jonas
Duration: 4 min 2 s
Description: Written whilst impatiently awaiting the arrival of our first child, Rosalie, this song is a reflection on the mystical and mind-boggling growth of an infant in the womb. The belief that we are all intentionally created, and our lives known and held by something / someone greater than us

Auteur : Ze Scott (https://soundcloud.com/jerome-scotto-di-vettimo)
Compositeur  : Bribinvoile (https://soundcloud.com/bribinvoile)

Auteur de l'illustration : Harrison Haines ( httpswww.pexels.comfr-frphotosilhouette-d-arbres-3536506)

Paroles:

Un autre jour à attendre la nuit
Quelqu’un déjà comme moi saisit l’occasion d’un  répit
Le nez en l’air sans se retourner ne semblant pas surpris
Il me dit

A l’envers du décor
Tant de calme me rend plus fort   
Car la nuit quand je sors
L’oeil ouvert, moi je rêve encore  

Au rythme des étoiles la tête ailleurs			
De nouveaux apôtres nous frôlent comme en apesanteur
Le tumulte au loin BFM éteint on partage dans la lueur
La même pâleur

Puisqu’ à l’envers du décor
Tant de calme nous rend plus forts
Car la nuit quand on sort
L’oeil ouvert nous on rêve encore

Encore

La Ronde Sous Les Cieux  (Bribinvoile / Ze Scott)

Mtlsir https://soundcloud.com/user-434699157 and me are Glitchy dot Phong

Glitchy Dot Phong - Slice That Sample Part 2

Titre : Ton visage sous la pluie / improvisation Jazz (Ballade)
Title : Your face under the rain/ Jazz Improvisation (Ballad)
Musiciens/Musicians :
Francis Le Compte / Batterie_Drums
Éric Francoeur / Piano
Steve Roy / Basse Fretless

Ton Visage Sous La Pluie Audio Master 2 Impro Jazz (Francis Éric Steve)

My latest album release “Hexad” is exclusive to Soundcloud and consists of 4 tracks all related through themes/sounds and by using a maximum of 6 synthesizers (+ vox samples of me from my Octatrack). Hexad I-IV differ somewhat in mood, structure, melody & length. Slower, more downtempo vibe here as the tempo sits around 88-110 bpm. Enjoy!

Hexad II

Lights On

house emotion mega mix

Written whilst impatiently awaiting the arrival of our first child, Rosalie, this song is a reflection on the mystical and mind-boggling growth of an infant in the womb. The belief that we are all intentionally created, and our lives known and held by something / someone greater than us

Wild Goose

God's Idea

Ethical code borough one

Mystic Meg

Mystic Meg ( Produced by Jay Oracle )

Part 1 of Glasswork - A series of improvisations for water, four hands, eight glasses and one table. Recorded with Zoom H2N in 4 channel stereo, cut and amplified, no effects, no further processing.
https://soundcloud.com/snow_omen/sets/glasswork

Glasswork Nr. 1

Jingle Guitare

Marco Lucchi, based in Modena, Italy, and Henrik Meierkord, based in Stockholm, Sweden, have a lengthy collaboration to their reciprocal credit, and they accomplish it far and near alike. A testament to the interplay of their work together is that a listener might be hard-pressed to discern which of their recordings are the result of long-distance file-trading, and which occurred when the two managed to be in the same place at the same time.

Several aspects of their respective music-making serve them well as creative partners. First of all, both tend toward the ambient, given as they are generally to a slow pace and to a sensibility that manages to be at once radiant and intimate. Secondly, while both are multi-instrumentalists, there is a complementary nature to their specialties, Lucchi being more of a keyboardist, Meierkord more of a string player. Thirdly, and perhaps most importantly, they are both immersed in techniques drawn from electronic music.

In particular, both men are experienced with live multitrack recording, in which they process and layer their own performances in real time. Meierkord is fond of layering sinuous tones to create scenarios of unique dimensions. It becomes uncertain — even unimportant — to the listener what preceded what, so intricate is his deployment of interplay. Lucchi likewise finds parallels between classical orchestration and the opportunity for drones lent by modern synthesizers; in a small room he can create a vast space. There is often an oceanic depth to such efforts, part composed and part improvisatory, in which playing is a tool toward composition, rather than the other way around.

Throughout their new record, there is an underlying melancholy, a nostalgic beauty, and a reflective consideration — a virtue that is foundational to their ongoing collaboration. The result is particularly rich in plaintive scene setting, as on the glacially paced “La bestia umana,” which emerges from a neighborly field recording of a dog barking, and “Kosmisk Strålning II,” which maintains a dream-like quietude, more shadow than light. One “Like tears in rain”, what sounds like a synthesizer is, in fact, a piano, a recording of which has been stretched beyond the point of it being readily identifiable.

On first listen, their leaning toward unimpeachable steadiness can seem uniform, but listen more closely and you’ll recognize how explicitly they emote on a track like “The Third Stage,” due not just to the reaching melodic surges (which, in turn, match the sampled recordings of bird calls) but to the slight discordances that suggest trouble and tension. In a different manner, there is “A warm and golden October,” which balances breaking-dawn hush with piercing overtones. That track features a motif at the end, played on a celesta; those bell-like tones edge the piece out of dreaminess without entirely breaking the spell.

The greatest outlier — dog barking notwithstanding — may be on “Oändlig,” not just for its fierce pulse, but because of its more immediately electronic vibe. “Oändlig” is an exceptional piece, bringing to mind the minimalism of Terry Riley and the rave classics of Underworld.

Marc Weidenbaum 


Produced and mixed by Marco Lucchi and Henrik Meierkord
Marco Lucchi: mellotron, piano, celesta and synthesizers
Henrik Meierkord: cello, viola, zither, piano, organ and FX
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Lieder Ohne Worte

Marco Lucchi & Henrik Meierkord - A Warm And Golden October

“One of the finest folk duos in the country”
Mike Davies, Alternative Roots

God's Idea

Harbottle & Jonas

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