Classical

it is khamaaj raag. sung by great ustad fateh ali khan n featuring by haider rizvi alhussaini

"khamaaj"Ustad Fateh Ali Khan jamming session featuring by haider rizvi

Raag Tilak Kamod

Raag Bhupali Ustad Fateh Ali Khan Of Patiala Gharana.

Bandish of Raag Bhopali by Ustad Hamid Ali khan

Ustad Hamid Ali Khan - Laage Re Nain Tum Se - Raag Bhupali

Raag Bhupali by Ustad Bade Fateh Ali Khan Of Patiala And His Son Rustum Fateh Ali Khan

Raag Darbari Kanada - Ustad Fateh Ali Khan (best version)

This was recorded by Ustad Bade Fateh Ali Khan of Patiala Gharana for PTV.

Ustad Bade Fateh Ali Khan - Raag Anandi Kedar

Raga Jaunpuri is a rāga in Hindustani classical music which belongs to Asavari Thaat. This is a morning raga which is usually performed in late morning (9 a.m to 12 p.m).

Ustad Bade Fateh Ali Khan - Raag Jounpuri

Peace, power, pathos, poignancy: these words together constitute an apposite expression of the aesthetics of the raga Pahadi. The raga is like a lover, unruffled in union, serene in separation, powerful enough to achieve eternal union, but resigned to the painful parting ordained by destiny. Here is a small clip of raag Pahari is presented, recorded in melodious voice of Bashir Ali Mahi, who was also disciple of Patiala Gharana.

Bashir Ali Mahi - Raag Pahadi

Raag Miyan ki Malhar is a sessional raga which is associated with rainy season. This raag is said to be invented by Taansen, who was court musician of Emperor Akbar. The mood of this raag is very positive and it makes its listeners feel fresh and energetic same as one feels during rain. Here is a small clip of Miyan Ki Malhaar is presented which is recorded in Ustad Bade Fateh Ali Khan's melodious voice who is lead vocalist. Amjad Amanat Ali is accompanying him as supporting vocalist. Great Ustad Miyan Shoukat Hussain Khan is on Tabla and Usatad Nazim Ali Khan is on Sarangi.

Ustad Fateh Ali Khan - Raag Miyan Malhar

Aiman is a very beautiful and melodious raga in Indian classical music. This raag belongs to Kalyaan thaat. Samay of this raga is the first quarter of night (6 p.m to 9 p.m). Vadi note (most repetitive note after Sa) of Aiman Kalyan is 'Ga' and Samvadi Note (most repetitive after vadi note) is 'Ni'  which give the raga it's distinctive quality of peace, and tranquility.

Rustam Fateh Ali Khan - Raag Aiman

Bhimpalasi is an afternoon raga in Indian Classical Music.

Raag Bhimpalasi - Ustad Bade Fateh Ali Khan

Thumrī is a common genre of semi-classical Indian music. The term "thumri" is derived from the Hindi verb "thumakna", which means "to walk with dancing steps so as to make the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs.

Na Ja Pardaes - Ustad Amanat & Fateh Ali Khan

A beautiful rendition of Raag Khamaj by the great maestro Ustad Bade Fateh Ali Khan of Patiala Gharana.

Raag Khamaj - Ustad Bade Fateh Ali Khan

A beautiful rendition of Raag Kamod by the legendary duo of Patiala Gharana.

Classical

Haris Qureshi