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Tetap Liar (Orangutan)

Realita Dunia

Yeah, need someone
I need in the night
I'm in a lonely place
Just to take the case
You get nothing from me
When I do for you

You got a hate machine, you got another love me
You got a hate machine, you got another love me
You got a hate machine, you got another love me
With death, love less
Mind, love less
Death, love less
Mind, love less

I'm a monster in cages
Know who you are
You see them in your dreams
They are come to me
But you are the only one
I said the only one

You got a hate machine, you got another love me
You got a hate machine, you got another love me
You got a hate machine, you got another love me

With death, love less
Mind, love less
Death, love less
Mind, love less
Death, love less
Mind, love less

You got a hate machine, you got another love me
You got a hate machine, you got another love me
You got a hate machine, you got another love me

With death, love less
Mind, love less
Death, love less
Mind, love less
(Oh, oh, oh, oh, oh, oh, oh, oh)

Don't become like baby, comes above

You got a hate machine, you got another love me
You got a hate machine, you got another love me
You got a hate machine, you got another love me

With death, love less
Mind, love less
Death, love less
Mind, love less
Death, love less
Mind, love less

Death, Love, Less

The gates have opened. The cross has turned.
“Diabolic” marks the darkest, heaviest, and most blasphemous moment in The Black Cross’ history — a twelve-track descent into fire, rebellion, and divine ruin.

Across its molten landscape, Diabolic fuses the crushing weight of doom, the precision of groove metal, and the fury of thrash into one infernal mass of sound.
Michael leads as the voice of destruction and defiance — the fallen preacher who burns the scripture itself — while Lilith rises as the serpent queen, her haunting presence spreading through the ashes like temptation incarnate.

From the apocalyptic grandeur of “Inverted Faith” and the slow-burning menace of “Diabolic,” to the southern steel of “Turn the Cross Upside Down” and the tragic beauty of “Evil Spirits,” every song is a sermon of damnation.
“Demonic Possessions” sees Lilith take full control, a demonic force of nature channeling chaos and power, before the album culminates in the seven-minute requiem “Amen Infernum” — where the fallen king and serpent queen unite in eternal fire.

This is not an album — it’s an inverted gospel.
A book of desecration written in distortion and blood.
A war hymn for those who never prayed, and a crown for those who burned their faith.

Diabolic isn’t where The Black Cross ends —
it’s where hell finally begins.

Sharkbite-S.T.M.L.B.

Harist Ramadhan

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