brains

can't decide if its better stripped or not
 sweatshirt left untouched
im getting cold
and theres no more kindle left
to burn

and i can feel the kick
from my long lost friend
when i can get it stitched
my friend

she is on the beach
stitching up someone else’s seams 
so i talk to myself
again

and i can feel the lips
from my long lost friend
when can i get it stitched
my friend

my heart is shitting bricks
cuz she’s ready to leave
so i look to the left
and breathe

and i can feel a crack
from my long lost friend
when will you be back
my friend
when can you stitch my heart
up again

i chew trident gum and then i spit it out

backtobroke

fromtheback

some1likeu (is it love) -- adele cover

With a followup to last year’s stellar debut, it’s Toronto-based, platinum-certified producer, songwriter and music director SLWJMZ!

Using the full range of his talents as a vocalist, instrumentalist, composer and arranger, SLWJMZ lays out a musical palette rich with character and movement, that invites others to add their touch and style. This followup is sure to elevate even the most seasoned producer’s sample banks.

SLWJMZ Vol. 2

Pages

I’ve been leading the stars
To where you are

Feel the beat of my heart  
With your guitar 

Am I stuck in dream 
When you’re talking to me 
Now

Could I feel your heartbeat 
Did I fall on my feet 
Now

I’ve been wanting go
Where angels die

She’s a sweet harmony 
And my guiding light

Am I stuck in dream 
When you’re talking to me 
Now

Could I feel your heartbeat 
Did I fall on my feet 
Now

Heartbeat (demo)

This town just ain't big enough for the both of us

TheWildWest

don’t take my fate away 
im trying to give in
don’t wanna see another bird
lose both of its wings
just let me rot in this pit
and sink through the earth

yea my oracle has spoken
and i’m losing steam
i got a message from below
says im joining the team
so fill my grave with concrete 
and leave me be

the road to hell is paved with good intentions
they end up burnt when you don’t pay attention
but by the end you will learn your lesson

so burn off all of my finger tips
leave me alone
i’m trying to take what i’ve learned
and shatter my throne
so when you find this message
can i come home?

good intentions

The Clouds Are Angels by @norinton

Produced and mastered by NoRinTon
Cover artwork by NoRinTon and Å Asher-Yates
2024 © Atlantea Records

NoRinTon - The Clouds Are Angels

The song itself refers to the excitement of a new night at the end of an exhausting, hot working day, in the days when workplaces usually did not have air-conditioning.

If taken to extreme, however, the excitement of night life can lead onto chaos and regret - possibly worse and this is alluded to in the bridge section and the reprise at the end of the song.

Written by David C Payne in December 1972, this version is a new recording of a song played live on many occasions mainly during the 1970's.

It was recorded by Adelaide recording band Crunchtime Music in 2019 and released on their album "Alive and Kicking" in 2020.

The introduction to the piece is in 6/4 time and the choruses are in alternating bars of 7/4 and 8/4.

The bridge is in 4/4 time and features the sounds of a bass guitar, played in a style reminiscent of the early 1970's period.

In particular, the bass part in this recording is dedicated to a bass player I worked with many years ago - the bass phrases I have used in this new bridge section is how I recall he used to play way back then.

This new recording of "Bloody Farewell" has been created in Avid Sibelius, with the production carried out using Avid ProTools.

I used an old Roland SH-3A synthesizer to get some of the effects around the bridge section.

This version does not include the vocal lines (but I intend to record them over the next few weeks), which are as follows (for anyone who might be interested):

BLOODY FAREWELL
Copyright David C Payne (c) December 1972

Intro verse (in 6/4 time)
Slowly the sun bids its bloody farewell
And the Eau de Cologne mixed with sweat on their warm bodies
Breathes the decay of a civilization
That cannot survive past the battle of day.

First chorus (in alternating 7/4 and 8/4 bars)
Now the old men retiring to the hills
Leave their children to pleasures of the night
Time retires, knows no-one slows the void
No-one ever slows fancy in full flight.

Second chorus (in alternating 7/4 and 8/4 bars) and also the reprise after the bridge
And the darkness hides everything it sees
In its feathered shroud nothing can succeed
Never rendered this cloak of impotence
Never soiled by the strength of innocence.

Heartbeat (demo)

harley marshall

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