This song has been stuck in my head for months, ever since I heard it over the radio. I believe its about time I officially listen to it.

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Sajjad Ali – Tum Naraz Ho

Sajjad makes his return to the Coke Studio platform with “Tum Naraaz Ho” from his album entitled ‘Love Letters’. The Coke Studio composition has transformed Sajjad Ali’s soft pop ballad into a candlelit rock ballad with monochromatic piano lines. Sajjad through his vocal delivery and heartwarming lyrics has painted the ballad in soft, more mature shadings that comes out as pained but the effect is both beautiful and comforting. The song is one that is personal to Sajjad, as it encapsulates the stomach fluttering poignancy detailed in emotional desire. Lyrically the song is more oriented to clear narratives and realistic images that capture the intense yearning of a lover. Throughout the composition there are spare, open moments of longing vocals over solitary string sections. The eastern influence of the flute and dhol brings the underlying melancholy to the song, evoking a sense of nostalgia. Celebrated Faraz Anwar returns with an exemplary solo that builds in intensity as it progresses. The short and sharp shockwave sees Anwar’s fretwork at its finest adding dramatic rock oomph to the mellow and warm song.

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Produced by: Rohail Hyatt
Original Artist: Mehdi Hassan
Poetry by: Faiz Ahmed Faiz
Composed by: Mehdi Hassan
Copyright in the original works for the original song owned or otherwise controlled by -“EMI (Pakistan) Ltd”
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Ai husne haqiqi noor e azal

Tenu waajib te imkaan kahun

Tenu khalik zaat qadeem kahun

Tenu haadis khalq jahan kahun

Tenu mutlaq mehez wajood kahun

Tenu almiya ayaan kahun

Arvaah nafoos aqool kahun

Ashbaa iyaan nehaan kahun

Tenu ain haqeeqat maahiyat

Tenu arz sifat te shaan kahun

Anvaah kahun auzaah kahun

Atvaar kahun auzaan kahun

Tenu arsh kahun aflaak kahun

Tenu naaz naeem janaan kahun

Tenu tat jamaad nabaat kahun

Haivaan kahun insaan kahun

Tenu masjid mandir dair kahun

Tenu pothi te quran kahun

Tasbeeh kahun zunnaar kahun

Tenu kufr kahun imaan kahun

Tenu baadal barkha gaaj kahun

Tenu bijli te baraan kahun

Tenu aab kahun kahun tenu khaak kahun

Tenu baad kahun neeraan kahun

Tenu dasrat lichman raam kahun

Tenu sita ji janaan kahun

Baldev jasuda nand kahun

Tenu kishan kanhaya kaan kahun

Tenu barhma bishan ganesh kahun

Mahadev kahun bhagvaan kahun

Teni geet granth te bed kahun

Tenu gyaan kahun agyaan kahun

Tenu ibrahim hawa shees kahun

Tenu nooh kahun tufaan kahun

Tenu ibrahim khaleel kahun

Tenu musa bin imran kahun

Tenu har dil da dildaar kahun

Tenu ahmad aalishaan kahun

Tenu shaahid malk hijaaz kahun

Tenu baais kaun makaan kahun

Tenu naaz kahun andaaz kahun

Tenu hoor pari ghilmaan kahun

Tenu nouk kahun tenu ttouk kahun

Tenu surkhi beerha paan kahun

Tenu tabla te tamboor kahun

Tenu dholak surr te taan kahun

Tenu husn te haar singhaar kahun

Tenu ashwa ghamza aan kahun

Tenu ishq kahun tenu ilm kahun

Tenu vehem yaqeen gumaan kahun

Tenu husn kavi idraak kahun

Tenu zauk kahun wajdaan kahun

Tenu sakar kahun sakraan kahun

Tenu hairat te hairaan kahun

Tasleem kahun talveen kahun

Tamkeen kahun irfaan kahun

Tenu sumbal sosan sarv kahun

Tenu nargis nafarmaan kahun

Tenu laale daagh te baagh kahun

Gulzaar kahun bustaan kahun

Tenu khanjar teer tufang kahun

Tenu barcha bank sanaan kahun

Tenu teer khidang kamaan kahun

Soofaar kahun peekaan kahun

Berang kahun bemisal kahun

Besoorat har har aan kahun

Subooh kahun qudoos kahun

Rehman kahun subhaan kahun

Kar taubaa tart Fareed sada

Har sheh nu par nuksaan kahun

Tenu paak alakh be aib kahun

Tenu haq be naam nishaan kahun 


Husn e Haqiqi – Beauty of Truth

Khwaja Ghulam Farid (1841 – 1901) 


O’ Beauty of Truth, the Eternal Light!

Do I call you necessity and possibility,

Do I call you the ancient divinity,

The One, creation and the world,

Do I call you free and pure Being,

Or the apparent lord of all,

Do I call you the souls, the egos and the intellects,

The imbued manifest, and the imbued hidden,

The actual reality, the substance,

The word, the attribute and dignity,

Do I call you the variety, and the circumstance,

The demeanor, and the measure,

Do I call you the throne and the firmament,

And the demurring delights of Paradise,

Do I call you mineral and vegetable,

Animal and human,

Do I call you the mosque, the temple, the monastery,

The scriptures, the Quran,

The rosary, the girdle,

Godlessness, and faith,

Do I call you the clouds, the flash, the thunder,

Lightning and the downpour,

Water and earth,

The gust and the inferno,

Do I call you Lakshmi, and Ram and lovely Sita,

Baldev, Shiv, Nand, and Krishna,

Brahma, Vishnu and Ganesh,

Mahadev and Bhagvaan,

Do I call you the Gita, the Granth, and the Ved,

Knowledge and the unknowable,

Do I call you Abraham, Eve and Seth,

Noah and the deluge,

Abraham the friend, and Moses son of Amran,

And Ahmad the glorious, darling of every heart,

Do I call you the witness, the Lord, or Hejaz,

The awakener, existence, or the point,

Do I call you admiration or prognosis,

Nymph, fairy, and the young lad,

The tip and the nip,

And the redness of betel leaves,

The Tabla and Tanpura,

The drum, the notes and the improvisation,

Do I call you beauty and the fragrant flower,

Coyness and that amorous glance,

Do I call you Love and knowledge,

Superstition, belief, and conjecture,

The beauty of power, and conception,

Aptitude and ecstasy,

Do I call you intoxication and the drunk,

Amazement and the amazed,

Submission and the connection,

Compliance and Gnosticism,

Do I call you the Hyacinth, the Lilly, and the Cypress,

And the rebellious Narcissus,

The bereaved Tulip, the Rose garden, and the orchard,

Do I call you the dagger, the lance, and the rifle,

The hail, the bullet, the spear,

The arrows made of white poplar, and the bow,

The arrow-notch, and the arrowhead,

Do I call you colorless, and unparalleled,

Formless in every instant,

Glory and holiness,

Most glorious and most compassionate,

Repent now Farid forever!

For whatever I may say is less,

Do I call you the pure and the humane,

The Truth without trace or name. 

Translation by Arieb Azhar

Lage Re Nain - Ayesha Omar

Haroon Yousuf

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