Name: Animals Help by Harry Sumner in Your 2021 Playback
Duration: 1 min 19 s
Description: Part of the 2012 compositions for physical theater collection.

Your 2021 Playback

Anne-F Jacques/Takamitsu Ohta, Oto to Secchi

section of a sound work constructed from sound recordings made with\in a WWII bunker

2020-21

Les Horribles Travailleurs

Photo made during a recording session

WWII bunker - Sound work 1

Snow falling softly on a winter night in the Carpathian Mountains, Northern Romania. Recorded with Sound Devices 633 and Sennheiser DMS. More sounds and stories at https://mindful-audio.com

Carpathian Mountains - Winter Night - Snow Falling

Part of the 2012 compositions for physical theater collection. 

Animals Help

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Humidity - from Heatwave out now via Hasana Editions

Raw field recording captured in a Colorado creek on digital recorder 4.8.20

Austin Patterson's Album

Quarantine Creek (raw field recording 4.8.20)

composition with some soloists...

"That's it for tonite" only uses sounds I recorded at night, when the world is just a tad more mysterious, and very much defined by what we can hear. The compostion was originally created for the "Audiosphere - Sound Experimentation 1980-2020" exhibition, at the Reina Sofia museum (Madrid, ES), curated by Franciso López.

That's it for tonite

Hem - Anton Palo & louie.lou

Paisaje sonoro del barrio de La Soledad, en Palma (Mallorca), durante el confinamiento decretado a causa del Covid 19. Grabado en Abril del 2020, audio sin editar.

La Soledad

Track based on an experimental performance with my friend Seb|Mäla|.
Electric guitar and sitar/analog and modular synthesizers and some recording fields was used.

Download full release on bandcamp :
http://sokar-aka-flo.bandcamp.com/album/calling-wild-abstract-wanderer

CALLING WILD (full Edit)

Monotronbird

Meszes Spring 2020

A quarantined cooperation by Stijn Demeulenaere (Field Recordings, editing) and Jo Thielemans (synths & electronics, editing)

picture Mieke Geenen

Thielemans x Demeulenaere -- Alles Vertraagd

DOB Gallery Belgrade October 13th >>> sound installation for the exhibition of drawings and paintings by Simonida Rajčević
http://simonidasimonida.com/

Strelice >>> Arrows >>> exhibition by Simonida Rajčević

Manja Ristić: Sonic Ontology of Negligence
7 Nov 2021–8 Jan 2021
FM exhibition, exhibition of 8-channel sound installation

7 Nov 2020 at 12.00 (noon) on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
10 Nov 2020 at 18.00 p.m. on FM 88.8 MHz – in-situ FM walk (at Park Tivoli)
18 Nov 2020 at 20.00 p.m. on programme Ars – radio exhibition opening

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For more please point your cursor to:
http://www.steklenik.si/en/manja-ristic-sonic-ontology-of-negligence/
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Sonic Ontology of negligence is a continuous research evolving from listening to abandoned places and landscapes reshaped by extensive intervention of human presence and exploitation, and eventually “given over“ to Nature to reclaim the space. In the process of conceptualizing Sonic Ontology of negligence, Manja Ristić resided in places that were heavily exploited and forever changed by the human urge to build, comprising thousand years-old quarries as well as present-day mega-structures, abandoned as a result of corruption and consumerist socio-political turmoil. The nucleus of the compositional structure is devoted to abandoned construction building site of the Stožice mega-structure, while layers of mnemopoetic sonic imprints are derived from an old lime-stone quarries from the island of Korčula in South Dalmatia, such are Glogovac, Lenga, Defora and Vrnik, but also abandoned mineral mines and lime pits from Fruška gora in Vojvodina, North Serbia, and other sites such is the military compound placed in the middle of the Avala forest in the suburbs of Belgrade. The poetical accent is given to the dynamics and textures of waters and aquatic micro spaces, which are building the formative/reproductive environments in the process of re-establishing bio diversities.

Manja Ristić graduated from the Belgrade Academy of Music and later also completed her post-graduate diploma in Solo-Ensemble Recital at the Royal College of Music, London. Besides performing in the field of instrumental electroacoustic music, her sound-related research is focused on an interdisciplinary approach to sound art, field recordings and experimental radio art.

Credits:
Artist: Manja Ristić
Curated by: Irena Pivka, Brane Zorman
Organisation: Irena Pivka, Katarina Radaljac
Translation and editing: Katja Kosi, Melita Silič
Public relations: Katarina Radaljac
Production: Cona, Institute for Contemporary Arts Processing, 2020
Venue: Steklenik gallery for sound bioacoustics and art, FM 88.8MHz, 3rd programme of Radio Slovenia – programme Ars

Exhibition is being part of the Acoustic Commons project support from the European Union’s Creative Europe program.

Animals Help

Harry Sumner

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