First attempt at a progressive deep house track. Never really tried anything like this before. Not much going on, a few synths, some layered drum samples etc. The master compressor destroyed the high hat reverb and I cant be bothered to go back and render it again right now... Any ideas or constructive comments on how to change it/make it better are more than welcome! If anyone fancies doing a colab on this track, maybe record some vocals into it give me a holla and I'll send the files over.

unnamed house tune

Gold Pants

Added a couple of changes, put some slide guitar in and added a little compression to the mix.

Forgive me

Here's a little mix of some of the songs I've been writing and recording recently. Haven't recorded the vocals yet, need to get into a proper studio to do those. Gonna bust these out at some open mic nights and gigs coming up. Would love to play this with a band but the chances of finding a full band with brass section to play them with are pretty slim!

June 2012 EP demo

Soundtrack I wrote for a superhero video at work

Superhero Soundtrack

Jammed this on acoustic guitar through a blues amp setting. Not ideal but it's all I had to work with. When I get an electric then I'll rerecord it!

Thursday lunch blues

Black Kingdom

The start of a series of orchestral scores I'm currently working on. Got a bit lost on where to go from here though!

Deep Blue

RF251

An extract from the end of a piece I wrote and recorded to use with a short animated film. The film had no sound whatsoever as it was completely computer generated so I had to add the effects and ambience in to fit with the scene. This is why you hear various movement sounds throughout the composition.

The clip starts where a man is on a military ship in the middle of a war in the arctic and realises that he is the only one around below deck. He decides to come up to the deck and sees all his comrades dead around him. There are no survivors. He falls to his knees and starts to cry as he realises they have lost the war. He then pulls his gun out and holds it to his head as all hope is lost. The camera at this point zooms out into the sky to give an aerial shot of the battlefield at sea with all the enemy ships coming in to attack. The camera switches back to the man and pans around him in a full 360 degrees as he prepares to pull the trigger. As the music hits its climax and stops, a woman appears dressed as a nurse. The man is suddenly much, much older - a pensioner in fact. He is in the same position on a rooftop on his knees with a gun to his head. The man is shocked to realise what he is doing, and seems upset and embarrassed. The camera switches back to the nurse who looks at him sympathetically, and gently takes the gun away saying nothing. As she takes it away, it becomes apparent that it is not actually a gun, but a door handle that the old man has got hold of. The camera then pans out again to show a large building, with the old man and nurse standing on top of it. The camera comes down in the street about 200 yards away and shows the entrance gate to the building which says its a military veteran care home. The old man has obviously gone senile and has lost his mind in nightmares from the war and is reenacting them in his mind.

HarryWood