daaayyyyyy'uhrm so funky so groovy - almost funkaliciouso

MAD transition. One of my favorite grooves coming in, here. Love your work, Harv. Endless support.

Why is it cutted like this at the endddddd

I listen to this track whenever im painting 

Live set, recorded to cassette at Ferdydurke, Melbourne. 

Some unreleased/forthcoming dubs, Harvey stuff, MK stuff. Bass blows out a little bit, and the last track cuts early. enjoy the noise.

Introduction by Cazeaux OSLO, who kindly dubbed me a copy.

LIVE at 'Mellow días Thump' 4.9.13

Harvey Sutherland, the Melbourne-born record producer, keyboard player, club DJ and bandleader, made a name amongst his hometown’s electronic underground with a string of cult dance singles. Early 12-inches like ‘Bermuda’ and ‘Priestess’ were records in love with classic soul and disco, but his debut album ‘Boy’ was guided by his obsessional traits and habits, ending up in a place he describes as “Neurotic Funk”. 

Boy has seen widespread acclaim since its release, with Resident Advisor noting “[his] sense of musicality has always been head and shoulders above his peers...his songs are full-blooded and fleshed-out…” His latest material is an exercise in techno minimalism — laser-focused club jams like ‘Hummingbird’ and ‘Nobody Like U’ set the stage for Harvey’s next chapter. 

His machine grooves are fired through a prism of crate-digging influences, from Todd Rundgren to Basic Channel and back again. His distinctive synthesiser tones have graced remixes and production for Disclosure, Khruangbin, Genesis Owusu and BadBadNotGood. A seasoned performer, he’s taken his live band to Glastonbury, dragged his Juno-60 into Berghain and turned the Melbourne Recital Centre into a full-fledged nightclub. Eclectic and groovy, Harvey Sutherland is Neurotic Funk.

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