Wistful and hopeful despite the title,  this piece was inspired by the phrase "I don't want to be dead" uttered by the composer's young son.

The piece is a hauntingly beautiful classical composition that intertwines piano and violin melodies to create a deeply emotive and atmospheric piece of music.

I Don't Want To Be Dead by Jeremias Langsämmer. For piano and violin.

Creative and interesting with incredible sporadic distorted guitar tone and sublime pacing and piano, the soundtrack is both discordant and lovely, sometimes at the same moment. 

"The Bridges I Still Burn by Siegfried Jünger has a Sigur Ros post rock mixed with ambient feel to it. A creepiness sneaks into the idyll.

The Bridges I Still Burn by Siegfried Jünger [soundscapes soundtrack]

"The Gods Don't Hear Me Anymore" is a dynamic track by British singer-songwriter These Guitars Say Sorry and was recorded in the US and Norway featuring The Choir of Phantoms. Reflecting on societal issues and personal struggles, the song blends indie rock with introspective lyrics. These Guitars Say Sorry's impassioned vocals and energetic instrumentals create a compelling alt-rock narrative, exploring themes of disillusionment, uncertainty, and the relentless pace of modern life.

Lyrics

I'm waiting for someone
Who I don't remember
Under the bridges
The shadows of my father

The gods don't hear me anymore
The gods don't hear me anymore

So here we are
Ruled by old men with long memories
After George's death
I carefully chose my enemies

The gods don't hear me anymore
The gods don't hear me anymore

Tears come easy when you're young
And you don't know where you've come from
And they always tell you what you've done wrong
In the morning

I held my breath and nothing's changed
I closed my eyes I'm still to blame
I can't help feeling it' still the same
As the last time

Is life always like this I find it hard to tell
Is this what we're in for it never ends up well

I lost my taste, changed beyond recognition
I'm spinning plates
I love the world we live in

The gods don't hear me anymore
The gods don't hear me anymore

Ran out of space and not for the first time
Felt out of place, seems my mother was right

The gods don't hear me anymore
The gods don't hear me anymore

Tears come easy when you're young
And you don't know where you've come from
And they always tell you what you've done wrong
In the morning

I held my breath and nothing's changed
I closed my eyes I'm still to blame
I can't help feeling it' still the same
As the last time

Is life always like this I find it hard to tell
Is this what we're in for it never ends up well

The Gods Don't Hear Me Anymore by These Guitars Say Sorry. Singer songwriter.

This tune was released by Coldplay in 2011. Performed on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #404 by Coldplay

After The End by Jeremias Langsämmer, a classical and symphonic piece inspired by Debussy, paints a dreamscape with strings, horns, and piano, evoking a serene and ethereal mood. Through lush harmonies and delicate melodies, the piece transports listeners to a tranquil place, where sunlight dances through the leaves and a sense of peaceful introspection pervades. Keywords such as soothing, calming, dreamy, and reflective aptly capture the essence of this evocative composition, inviting listeners to immerse themselves in its serene beauty.


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Support this independent artist's work on Patreon at https://www.patreon.com/tgss where for as little as $1 a month you will receive a new composition weekly.

After The End by Jeremias Langsämmer. [symphonic poem].

UK singer songwriter These Guitars Say Sorry's acoustic-driven instrumentation contributed to the popularity of  "Has It Come To This" live and is one of the band's signature songs and is a great fit for alternative rock playlists.

Has it come to this
Bloodshot eyes and clenched fists
Angry words and red mist
Once again

When you’re shouting at the kids
And you’re caught in the midst of this
It’s not what you had wished
But it never is

And our lives just ran aground
When there was no-one else around
No-one there to hear the sound of us fall apart

And when there’s nothing left to say
And we say it anyway
Cheap wine won’t take away
The pain we feel

Has it come to this?
This is yours and this is his
Broken hearts and promises
Why don’t you add it to the list

Separate beds means separate lives
Someone’s husband, someone’s wife
You bit me once, twice I was shy
And now we’ve no more tears
To cry I I I I I 

Has it come to this
Bloodshot eyes and clenched fists
Angry words and red mist
Once again

Has It Come To This by These Guitars Say Sorry [alt rock 80s pop]

Under The Iron Bridge by Siegfried Jünger is a captivating journey through ambient soundscapes, blending post-rock with ambient elements. With layers of guitar, piano, and synths, Jünger creates a cinematic experience that transports listeners to dreamlike realms. The tracks serene beauty and emotive melodies make it a welcome addition to the ambient/post-rock genre.

Cover art: Fraser Cormack. [Craigellachie old iron bridge]

Under The Iron Bridge - Siegfried Jünger [ambient electronic]

Spring Promise

The journey is important and to have loved is cause for celebration.

Hallelujah cover

This tune was released by Billy Ray Cyrus in 1992 and performed by me here on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #219 by Billy Ray Cyrus

"The Saddest Place" by Siegfried Jünger is a prime example of the artist's intricate production style, combining complex rhythms with mesmerizing melodies. The track features a distinctive percussion pattern that adds a rhythmic backbone to the song, while the melodies weave in and out, creating an otherworldly atmosphere. Blending elements of ambient and industrial music, "The Saddest Place" transports listeners into a unique sonic landscape, where haunting textures and pulsating beats coalesce to evoke a sense of introspection and depth. One of Siegfried Jünger's earliest tracks, it showcases his mastery of merging diverse musical elements to create a blend og.

The Saddest Place by Siegfried Jünger [electronic and ambient music]

Can you put titles to my tunes? If not, my website reveals all at:

https://www.harveytwyman.com

My Latest Tunes are at: www.soundcloud.com/harvey-twyman

I have now minimised all my musical equipment down to a single arranger keyboard, the Yamaha PSR-SX900.

Originally I had created all the features of this keyboard using multiple pieces of MIDI equipment all controlled through a Windows tablet. I created a YouTube video describing it all:

https://www.youtube.com/watch?v=TekeXG_oe1g&list=PLzVsLVsxIwiZLfDwmRDZ1B8TnIrgwX7aC&index=2&t=1s

Name That Tune #219 by Billy Ray Cyrus

Harvey Twyman

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