je veux une compilation pour ma voiture..j'irai telecharger sur votre site

This tune was released by Roy Orbison in 1961. Performed on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #372 by Roy Orbison

In the 24rd century, when the atmosphere is formed on Mars, some connoisseur of retro music will go on a vintage car on a trip around the red planet.

В 24 веке, когда на Марсе сформируется атмосфера, какой-нибудь ценитель ретро-музыки отправится на ретро-автомобиле в путешествие по красной планете.

Midi-Chlorian Test

Retrofuture House RMX

Buy at BC

a Lo-Fi hip hop beat, smooth & chill track.

Onyx

From Darkness To Light

From the Enchantress Cadaverous's first EP
Music: Valentin Loisy
Lyrics & Vocals: Fred Offret

© all rights reserved

Enchantress Cadaverous - The Skeleton Forest

Les échos doux de l'affection, où les battements du cœur électronique résonnent comme des souvenirs intemporels. Les vagues sonores tissent des liens invisibles, dans une étreinte où l'amour tribal se traduit en harmonies, et chaque note révèle une page du livre de nos connexions profondes. Une ode électronique à l'étreinte émotionnelle qui transcende le tempo, "Storge" invite à plonger dans les méandres de l'intimité partagée, où chaque pulsation résonne comme une déclaration d'amour infini.

storge

This tune was first sang by Led Zeppelin in 1971 and performed by me here on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #531 by Led Zeppelin

The lyrics by iDarok delve into the intricacies of a relationship characterised by games and unpredictability. The repeated phrases "I hear, I see, I feel, I dream" evoke a sense of heightened awareness and emotional involvement, suggesting that the singer is deeply attuned to their experiences within this dynamic. The verses paint a picture of being drawn into playing games with another person, where decisions seem to be based on chance or whim, as symbolised by flipping a coin. Despite the uncertainty, the narrator finds themselves willingly participating, indicating a level of emotional investment or attachment.
The chorus serves as a mutual acknowledgment of the relationship's nature, with both parties expressing their preferences and feelings about it. There's a sense of acceptance or resignation, as they acknowledge the sweetness of stolen moments and the inability to resist each other despite knowing the risks involved. This suggests a certain level of comfort or familiarity with the patterns established between them, even if they're not entirely healthy or sustainable.
The bridge, which repeats the opening lines, serves to underscore the internal experience of the narrator amidst the external interactions. It highlights the consistency of their inner world, despite the fluctuations and uncertainties of the relationship itself. This repetition reinforces the idea that, while external circumstances may change, the singers feelings and perceptions remain constant.
Overall, the lyrics explore themes of attraction, ambiguity, and emotional entanglement within a relationship. They capture the complexity of human connections, where individuals may find themselves drawn to each other despite knowing the potential pitfalls. Through evocative imagery and repetitive motifs, iDarok crafts a narrative that resonates with anyone who has experienced the push and pull of love and desire.

Love It Like That

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D'okay For Me

Inquiries: konmusicprodz@gmail.com
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Performed solely on my Yamaha PSR-SX900 arranger keyboard.


Can you "Name That Tune"?

I have a website that contains my complete collection of tunes with their titles revealed at:

https://www.harveytwyman.com

Name That Tune #319

Can you put titles to my tunes? If not, my website reveals all at:

https://www.harveytwyman.com

My Latest Tunes are at: www.soundcloud.com/harvey-twyman

I have now minimised all my musical equipment down to a single arranger keyboard, the Yamaha PSR-SX900.

Originally I had created all the features of this keyboard using multiple pieces of MIDI equipment all controlled through a Windows tablet. I created a YouTube video describing it all:

https://www.youtube.com/watch?v=TekeXG_oe1g&list=PLzVsLVsxIwiZLfDwmRDZ1B8TnIrgwX7aC&index=2&t=1s

Name That Tune #372 by Roy Orbison

Harvey Twyman

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