Dance Gavin Dance - indie song(live 2005)

on the rituals comp
https://rituals-compilation.bandcamp.com/album/rituals

tongue

This Means Everything To Me. Discography CD (2006)

Tracks 1-8 were recorded at Antimatter Studios, Orlando, FL during the summer of 2005.
Track 9 appeared on the The Caligula Effect: A Compilation on Catechism Records.
Tracks 10, 11, 12 and 16 appeared on the Carlisle 7" on Hazel Records.
Tracks 17, 18, 19, 20 appeared on the Functions Of Several Variables 7" on Boxcar Records.
Earlier versions of tracks 5 and 13 appeared on the Spirit Of '99: A Hardcore Competition CD on Go! Team Records.
Tracks 24-25 were recorded on Joe's 4 track in Brian's house at some point during 1996.
Tracks 9-16 were recorded at Difference Studios, Winter Park, FL during the winter of 1997. They were mixed in Feb. 2006.

This Means Everything To Me

Regoddamndiculous

nest (voice memo)

awakebutstillinbed -  chaos takes the wheel and i am a passenger (TE204) out January 2024 on Tiny Engines

chaos takes the wheel and i am a passenger

awakebutstillinbed - clearview

Jesse Miller assisted with drum programming

No Sweat

august 14th, 2011

0:01 skating
1:49 fix
3:32 nintendo 64 (rare)

https://www.youtube.com/watch?v=CljOkGEuBdE

The Skin Cells at Josh's in Montclair

Tumbleweeds Are Best Left To Themselves

In a music industry hellbent on algorithmic trends and hollow flexes, Lux Coven shows up like a ghost with perfect aim. His new track “The Tool That Talks” sounds like a blues preacher from the underworld stumbled into a trap house with a harmonica and a war journal. And here’s the catch: the voice you’re hearing isn’t even his.

Lux Coven is a songwriter first, and a visionary next-gen performer who uses AI vocal synthesis to bring his haunting stories to life. Not as a gimmick — but as a delivery system for songs too heavy for mainstream throats to carry. And when he does drop a full solo album using his real voice? You’ll already know the name.

🔫 Southern Sermons in a Chambered Round
“The Tool That Talks” isn’t just a clever title — it’s a philosophy. The lyrics grip like a revolver passed down through bloodlines: dusty, lawful, poetic, and dangerous. Lux doesn’t glorify violence. He interrogates it. Guns, in his hands, become characters — prophets, betrayers, relics.

“Gun ain’t evil, son / It’s a mirror made of fire”

That line could’ve been scrawled in the margins of scripture. What we’re witnessing is a songwriter reclaiming symbolism — not through cheap metaphors, but through generational memory. It’s hip-hop as oral history, country as battle cry, blues as psychic residue.

🎛️ The New Age Outlaw Sound
Produced like an old vinyl found in a forgotten armory, the track unfolds in 432 Hz with ambient gun clicks, steel guitar moans, harmonica bleed, and whispered tape hiss. The AI voice — tuned to Lux’s specifications — croons and growls like a ghost of Delta blues past merged with future tech.

This isn’t autotune. It’s artificial resurrection. A hologram of pain, powered by human scars.

“They all strapped up / So I keep mine close—
Ain’t no mercy / When the steel gets chose.”

The hook feels like it’s been echoing across southern backroads since Reconstruction. But it’s brand new — because Lux is writing the past forward.

🧠 33:64 — The Clock That Doesn’t Exist
The album art is a Haitian-style oil painting of a lawless western town. But look closer — you’ll spot a digital clock frozen at 33:64. An impossible time.

For Lux Coven fans, this is standard procedure. Nothing is literal. Every number is a cipher. Every visual a sigil. Every song a riddle wrapped in trauma, faith, and divine revenge. That time stamp is not a glitch — it’s a test. Do you see what time it really is?

🩸 AI Ain’t the Artist — It’s the Bullet
Some artists use AI as a shortcut. Lux uses it as a weapon. It’s the bullet. He’s the gun. Every line is loaded. Every vocal manipulation is intentional. And when the time comes for the real voice to step forward, the message will already be felt in the bones.

This isn’t a tech stunt. It’s a spiritual tactic.

“The devil fears the man / who’s got one bullet left / and still chooses when to pull.”

That bridge alone cements Lux as one of the most dangerous pens in music today — with or without a mic in hand.

👁 FINAL VERDICT
“The Tool That Talks” is a declaration of artistic war — not just against genre limitations, but against the cultural amnesia plaguing modern music. It’s soul. It’s survival. It’s prophecy delivered through an AI shell — until the real voice arrives to finish what’s been started.

Lux Coven isn’t playing with machines. He’s training them to speak truth.

And the industry? They’re about to find out what it means when the tool starts talking back.

THE TOOL THAT TALKS

"website for the album (pixel art landscape) 
palmtre.es 
thanks to tom auty for the website, warren hildebrand for the tapes, and matt adler for the help with the whole project 

everything recorded by me this summer directly w/ my cassette player and my toy instruments"

download the album and support the artist: https://rickyeatacid.bandcamp.com/album/seeing-little-ghosts-everywhere

nest (voice memo)

Hill View #73

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