и ваще пусто, а годный эмбиент ведь

Ghost Lemurs is an experiment on a mediterranean parallel timeline. The duo composed by Kareem Lofty and Heith recorded this album drawing inspiration from an incredibly diverse number of traditions, sonic sources and techniques of musical experimentation, keeping its psychedelic intentions central to the whole creative endeavor. Moments of meditative relaxation are brought to unsettling new levels by cavernous basses and spaced out drones, while tight polyrhythms bring beautiful granular melodies to a sidereal ceremonial dance.
As beautiful and captivating as it is, Wombs And Alien Spirits remains as chimeric and unrestrained as any previous effort by the two artists. It’s a type of folk music devoid of a specific homeland, but resulting from the authors’ heritages, simultaneously divided and united by the mediterranean sea, injected with all the trajectories of their personal journeys. 
It ends up sounding profoundly human and uncannily inhuman, tapping into an undiscovered alien element at the beginning of the experience of life.

Music by Ghost Lemurs
Mixed by Heith
Mastered at Tapewave Studio
Artwork by Katja Novitskova
Layout by Nicola Tirabasso

Ghost Lemurs - Wombs and Alien Spirits

If there ever was a monicker apt for describing an artist’s behavior, that is Ghost Lemurs. Manifesting spottily in compilations and limited edition tapes, then returning to the shadows without much fanfare, the project has indeed demonstrated a ghostly behavior and a nature as puzzling as the animal it takes its name from. Wombs And Alien Spirits represents now their most public outing, one in which the duo of visual artist / producer Kareem Lofty and Daniele Guerrini (better known as Heith and as Haunter’s co-founder) are happy to showcase all the discoveries in a process of musical and spiritual research begun in 2019.
Described by the artists themselves as an experiment in mediterranean psi-trance, the album makes use of an incredibly diverse number of traditions, sonic sources and techniques of musical experimentation, keeping its psychedelic intentions central to the whole creative endeavor. Moments of meditative relaxation are brought to unsettling new levels by cavernous basses and spaced out drones, while tight polyrhythms bring beautiful granular melodies to a sidereal ceremonial dance.
As beautiful and captivating as it is, Wombs And Alien Spirits remains as chimeric and unrestrained as any previous effort by the two artists. It’s a type of folk music devoid of a specific homeland, but resulting from the authors’ heritages, simultaneously divided and united by the mediterranean sea, injected with all the trajectories of their personal journeys. It ends up sounding profoundly human and uncannily inhuman, tapping into the undiscovered alien element at the beginning of the experience of life.

Music by Ghost Lemurs
Mix by Heith
Master by Tapewave
Artwork by Katja Novitskova
Layout by Nicola Tirabasso

Aton

Libya Loop

Filter Feeders

Hypha

Bios

From Boli Group "N.P.D.S" LP/DL 
Posh Isolation 208 
Out May 4th, 2018

"Via negativa, not a collection of skills but an eradication of (mental) blocks
Meme sonate, winter sun fails but 'spirits bright'
Matiné meditation
A picture of fresh moringa leaves
The sound of NSA listening in on your most intimate moments.
Early 21st Century Music”

Boli Group is a new ensemble spearheaded by Copenhagen based composer and producer Asger Hartvig. Responsible for some of the most fearless and intriguing works to come from the city in recent years, Hartvig is as imposing as he is mysterious, and his debut release for Posh Isolation makes no concessions.

Hartvig is perhaps best known for his work with the group Synd Og Skam. And though less known, Brynje 1&2 is just as exceptional. Taking both technology and classicism as allegories, each group charts routes in and out of pop music, somehow arriving at an observer's distance to the distinct stylistic choices in the process. The label Visage has published the best of this, and the logic has certainly been carried into 'Boli Group LP,' the latest offering from Hartvig and his distinguished ensemble of Nina Cristante, Holger Hartvig, Thea Thorborg, and Cæcilie Trier.

There is a nearly unendurable fragility to 'Boli Group LP.' It's as if Hartvig has let the complexities of his themes stand in mourning; his narrator taking a moment to themselves behind sunglasses, exhausted for the rose-tinted lens of the prepared script. The album is willingly dramatic, though it never plateaus into melancholia. Hartvig pirouettes at the edge with the sorrowful string arrangements and the pristine timbre of the piano, the immediacy of the acoustics always binding the listener tightly to the risk. Pastoral and meditative, the electronics don't tamper with the delicate fabric being woven. They always register as supportive and understated. The synthetic hum, occasionally yielding a doleful melody as it does, manages to imbue a naiveté to this contemporary and subtly idiosyncratic chamber music.

Though the track titles lead us on, in time the examination the album provokes is that of the tension in transparency. The album's secret, barely kept through the minimalism, is its distinct folk noir quality in holding it.

"boli group creating new chamber folklore embracing the playing of instruments, not the played, but that which is playing for the sake of future focus and edit into the very minerals of instrument, intuition, emotion, fragility underlying, the warning, always pulsating acts of drama, wet leaves, asphalt, pan to right, agriculture and electricity poles a container ship, lonely in horizon hoping for a clear thought, but everything existing as conspiracy the sound of a search, uncertain and always asking, for certainty is false, showing sceneries changing permanently and forever narrating, like a panorama of grey clouds, keeping humidity levels high, heating up before the release of water and lightning investigation for folk instruments. What are their songs and where will they go, over time, woven together like a piece of fabric created to stand against the lethal winds”

A1. Overture 04:36
A2. How To Play 03:12
A3. Monsanto Folk Song 02:46
A4. Toxica 03:15
A5. Moringa 03:15
A6. Garden Picture 02:28

B1. Tension In Three Stages (Drama) 06:28
B2. Tension In Three Stages (Country) 03:18
B3. Tension In Three Stages (Nautic) 05:39
B4. Summit 01:35

Posh Isolation 208

04 05 2018

Boli Group - Toxica

Èlg - Vu du dôme (GRVTS012)

A1 La véritable genèse
A2 Panorama
A3 Ce sérum monstre
A4 Au bûcher
A5 Soeurs de crin
A6 Hourra
B1 Intermission
B2 Feu au club
B3 Maisondieu
B4 Un filtre en or
B5 Nouvelle lune
B6 Salvador

Vu du dôme

Buy at Boomkat

Èlg - Panorama

self-titledmag.com/2018/04/12/premiere-zuli-ladies-and-gents-haunter-records/

Trigger Finger

ZULI - Ladies & Gents

Composed and recorded in Bandung, October 2017
Mixed in Montreal and Milan May 2018.
comes with a photo-zine, available on Haunter Records bandcamp.

https://heith.bandcamp.com/merch/sangkakala-malaikat

Sangkakala Malaikat

featuring Weightausend. Taken from [SPCTR011] Laguna 10" out on Haunter Records on October 5th.



"Haunter’s chief spirit Daniele Guerrini a.k.a Heith turns Indonesian gamelan into spectral, plasmic ambient designs on ’Laguna’, his 2nd vinyl following ‘Silence Will Expire’ [2014]
Coming from the same skool of unsettling ambient thought as Coil and their myriad side projects, ‘Laguna’ is a richly and purposefully meditative session patently in thrall to the complex, chaotic, yet subtly iridescent harmonic qualities of tempered metal alloys and South East Asian scales.
The A-side’s title cut finds him accreting and parsing layers of field recordings into a steeply opiated and viscous slosh resonating somewhere between Kink Gong and Sleazy’s The Threshold HouseBoys Choir, whereas the B-side’s ‘Tree Stand’ appears to invert that radiant effect with unsettling, endothermic dynamics and ‘Maria’ folds in Matthias Girardi a.k.a. Weightausend for a more mystic, tonal variant recalling the atmospheres of John T. Gast and M.C. Boli’s Gossiwor duo. "

-Boomkat

Maria (feat. Weightausend)

READ > inverted-audio.com/premiere-heith-laguna

Following a period of intense collaborations, Haunter Records co-founder Heith delivers three tracks of meditative beauty, each one conceived as a build-up of layers and variations around a different theme.

Laguna

Heith - Laguna [Haunter Records]

Written by Berlin-based producer Linus Nicholson, aka Ausschuss, 'Room1' is a decidedly sci-fi take on electroacoustic experimentation — a grainy exodus into wistful neoclassical compositions and data-moshed found-sounds. At times the EP calls to mind Mica Levi’s Under The Skin soundtrack with its icy and foreboding soundscapes. Opener ‘Drown Later’ begins with caustic splashes of ambience, skittish percussion swaying to and fro lazily. Then there are tracks like ‘Blinding Partner’, a looming and sinister presence full of windswept drones and howling incantations.

With the release due on November 2nd, the Milan-based label generously offered up an exclusive preview of title track, a head-spinning mesh of granulated chimes, undulating low-end and gravelly atmospherics. 

Read more: http://straylandings.co.uk/news/premiere-ausschuss-haunter-records

Room1

Premiere: Ausschuss - Room1 [Haunter Records]

Believer(CDQ)

SAUCERS #1 - Heith - Mud  

ltd edition vinyl available at:
https://heith.bandcamp.com/album/mud

SAUCERS#1 Yoga Of Stealth

https://luttolento.bandcamp.com/album/legendo

Aton

Haunter Records

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