bleeding hands and flying arrows

Spooky and evocative new mix by multidisciplinary Portuguese icon @queriastarmorta

SF.MIX.56 TRACKLIST

Van Ayres - Flute Intro
Diana Policarpo e Afonso Simões - Peles
Stravinsky - Invocation of the Ancestors
Debussy - Danses Sacre et Profane
DJ NJ Drone - Syn Stair (No Fountain)
اوٮ$شا - ا 'ٮا 'ڡلسط -ٮني من راب شارع 'ڡلسط -ٮن
Unknown - Lachric
N-Prolenta - NeoD
Heavy Breathing Sound Effect
Deena Abdelwahed - Saratan
DJ ACABA - Kumpo Kick
Francisco Rodrigues - Bendito: Prayer Song
Albino António Gonçalves e Francisco Machado - Conde Ninho, Harvest Song

SF.MIX.56 - Odete

Montalvo - Colle [TRU008]

New York, NY – Colle, the creative alias of experimental musician Maya McGrory, debuts her solo album 'Montalvo' on urtruimage.

Inspired by her childhood memories of Montalvo Rd., this compelling collection of songs offers a profound exploration of McGrory's past, and presents a narrative of multiple lives lived at once. The contrasting landscapes of her life provide a backdrop for her music, allowing her to find solace in the innocence and simplicity of childhood. Emphasising the ephemeral nature of life, she embraces a flow that reflects the worries of her past and the allure of even the harshest conditions.

Her album invites listeners into immersive emotional landscapes; characterised by expansive glacial synths and strings, while trip-hop and shoegaze-inspired beats push her music into an experimental realm of electronic indie-rock, all enhanced by her sincere and captivating vocal delivery.

What began as a return to a specific time in her life evolved into a journey back to traditional songwriting, reimagined into an experimental vision during the production of Montalvo. For Colle, the process is less about distance and more about rediscovery—reclaiming the innocence and wonder that continue to influence her today.

Album Credits -

Mixed by Shane Lavers (Chanel Beads): Silent But For Joy, Green Edge, Day You Told Me, A Real Atone, Winter Garden

Mixed by Issac Eiger (Threshold): Held By You

Mastered by Rob Venning (DJ Pitch) excl. Winter Garden

Mastered by Ben Shirken: Winter Garden

Violin Credits to Zachary Paul: Winter Garden

urtruimage; run by Sophia Mannerfelt, Robert Venning (DJ Pitch)

Plea and Luck

https://soundcloud.com/faithinself for @ekko-doomdale

www.retreatradio.net/g-string

Listen 24/7 at www.retreatradio.net

g-string #6 w/ faithinself (01/12/24)

Holding up Australia’s underground dance scene, Perth based Producer and DJ @Pat16120 AKA @jacobworldofficial delivers 3 hours of very special blend from the two personas intertwined for our December slot on @HKCRonline. 
 Jacobworld’s new EP ‘Chasing Disorder’ replicates feelings of listening to Early Female or Regis on Downwards for the first time.

Belters only

No Tracklist

Coccyx 17-Dec-24 - HKCR feat. Jacobworld / Pat_16120

Cover artist: Réti Virág
Mixing & Mastering: Nagy Roland (Fausto Mercier) 

ominous splashing sounds

original track by Céline Dion.

for love discussions around 4:11 am

On Ne Change Pas (Slow Emotionnal Cover)

focus on our love
buy = free download
produced by @boygirlxo
mastered by @leoproducermcr
artwork by @michaelbrailey
@bftt
@loftminduk
@michaelbrailey
@wifeof_lot
@leoproducer
@jenniferwaltonmusic
@iceboy_violet

focus

one hundred percent

one hundred percent (Leo)

@inmytalonsishapeclay

In an effort to give back to our community, which has been hit hard during Covid-19, over the past month, we’ve been collecting unreleased tracks from some of our favorite musical artists. ALL of the money raised through this purchase will go to the Artist Relief Project, which was created to help artists in need during Covid-19.

Sirens Scrapyard takes form as a digital album with an A and B side. Side A takes listeners on an emotionally ambient ride and Side B celebrates high energy rave hymns.

If you are in need of support yourself you can request funding here:
artistreliefproject.org/request_funding/

In My Talons – Ha He Sum, An Enchantment

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

Yantan Ministry - Radio Unnameable [YGK012]

1. Marginalia
2. Sanguine
3. Keenu (with Stíofán Ó Luachráin)
4. History Hum
5. Spoondrift
6. From Harm
7. Attidiya Jct.

Format: Digital/EP
Release Date: 23 Oct, 2020
Cover by Mechatok
Mastered by Soda Plains

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

Haunter Records

Recent comments

HANEO EGOHANE

TREVØR

ablackrainbow

Slicer

Related tracks