I can never not listen to the whole thing when it comes up on my queue

more+more=MORE 
Mix and visuals by N1L
https://www.ofluxo.net/moremoremore-n1l/
https://soundcloud.com/n_1_l

Tracklist:

Benjamin Grosser - Order of Magnitude (audio rip)
GOLPESAR - Na-Koja-Abad
Arad Acid - Torqued Light
FRKTL - Haruspex
Racine-Nérol
Vanessa Lorenzo Toquero - Manifesto for the Republic of the archipelago
N1L - Sinful Tongue
Death Qualia - Death Quail
Yem Gel - Thaumaturgist Plexus
Kirk Barley - ETHER
Sugai Ken - 桂
Duma - Uganda with Sam
Nishaiar - Meli’āki Ādanyi
Gatekeeper - Re-gen

O Fluxo, N1L
2021

N1L — more+more=MORE

Track Premiere: 'Ropes to Eternity Lead Nowhere' by @spraelle
Read More: https://paynomindtous.it/ropestoeternity-spraelle/
***
Nathan Germain aka Sprælle ([Sprah-lé], he/him) is a 24-yo French musician, producer, and DJ based between Montreal, Canada, and NY City, US. His work collects stimuli from multiple musical and cultural references such as contemporary laptop electronics, ambient and experimental music, as well as mainstream pop and videogame soundtracks. These, in particular, had a role in inspiring his debut EP called CRUSH UP, appeared early last year on the Spanish label xenonyms, which enacted a lively confrontation between lo-fi components and sharp sonic bursts on the foreground of energetic and eventful progressions.

Other than releasing several single tracks from 2019 onward, Sprælle already appeared twice on the Montreal-based platform Audio Bambino, with the tracks Aïsha and Gravel on this 2nd and 7th compilations respectively. Also, the artist hosts monthly residencies on Montreal’s N10.AS and Tunis’ Ma3azef radios, called Bleed In The Underground and Rearranged Existence. On this occasion, we're happy to present you with a one-track single written and produced by Sprælle, a 20-minutes mammoth composition called Ropes To Eternity Lead Nowhere which has been reportedly designed to take the listener through multifaceted sceneries of abstract realities.

Engaging on the challenge of blurring the boundaries between genres via different compositional solutions and production techniques such as time-stretching, field recording manipulation, and digital saturation, just to name a few, Ropes To Eternity Lead Nowhere is a challenging, free-form yet well-conducted journey into Sprælle’s take on electronic music, delicate and impassioned at the same time. In the track, a mutable collage of sound and rhythmical components is patched together around a central theme of wonder and discovery, which is declined in distensive moments of relaxation, tense passages of agitation, and abrasive, emotional junctures. All the drives behind Sprælle’s creation process converge into an organic tale of an ever-changing life creature arising from a pond of scattered materials and manifesting itself in its diverse, unseizable shapes, until the final abrupt conclusion. You can stream the track in its entirety from the player below or directly on our SoundCloud channel, have fun!

Sprælle - Ropes To Eternity Lead Nowhere [PAYNOMINDTOUS Premiere]

Heith - Your Element (a spell of equality)
Label: PAN
Cat.No. PAN 119S
Format: DL
Release Date: 26 July 2022
Purchase: pan.lnk.to/YourElement

X, Wheel

Heith - Your Element (a spell of equality) (PAN 119S)

[surf034]

https://soundcloud.com/opalbeau

artwork by usof (linktr.ee/usofusofusofusof)

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

opal beau ~ No-One To Talk To

Robert Miles - Children (Xtreme onction edit)

A Magdalena's apathy compilation featuring music from 0111001101110100, DJ LOSER, DJ巫女, EVITA MANJI, HAJJ, HUMAN HOST, JAK3, JULIEN ANDREAS, PENELOPES FIANCE, RNR D3MON, XIAO QUAN. 
Picture of the artwork from HAO.
Limited copies, and if interested in grabbing one dm DJ LOSER here : https://www.instagram.com/00djloser/ , or mail at : themortalreminder@gmail.com

The World Is Ending And We Aren't 2gether (Magdalena's apathy)

Taken from 'Deserted / Reclaimed'(G&P015), out September 16, 2020

With a handful of releases out on various pioneering imprints (including longplays RISC Chip and Meme Booth via Conditional Records or the latest contribution to the groove series by Warsaw based label outlines), the producer, programmer and live-coder Mike Hodnick is one of the leading figures representing a movement of computer-centred music production, recently labeled as algorave. Since we are devoted fans for quite some time, the Platonic's are proud to present Mike Hodnick´s latest project under the prolific Kindohm alias - 'Deserted / Reclaimed'.
Sequenced live on a drum machine, the diptych stretches across four vast sonic plains, bounded by curvy dunes formed by countless TidalCycles code bits, constantly pouring over like the grains of scorching and shiny sand. Full of paradoxical rhythm twists planted into the ever-bending landscape, Deserted / Reclaimed reads as a fragmented and sometimes petrifying ride towards the chaotic percepts of the monumental surroundings, dissolving in the thermal inversion somewhere far on the horizon.

Written, produced & mastered by Mike Hodnick
www.kindohm.com
@kindohm

Artwork by Jiri Macku
jirimacku.tumblr.com

🦂

Deserted / Reclaimed

Digital & Cassette

Kindohm - Reclaimed 2

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

https://luttolento.bandcamp.com/album/legendo

BANDCAMP

HORNED HEART FEAT. KATARZYNA KARPOWICZ

This compilation was made by beautiful humans from all around the world. It is a collection of 11 varied tracks. It is noisy, experimental, sometimes brutal, with choir, different languages, vocals, piano and drums... While the tracks are all different, they are united by the fight against domestic violence.

As you may know, this pandemic is a nightmare for women facing domestic and sexual abuse. In many situations they have been forced into lockdown with their abuser. 

The money raised on Bandcamp will go to La Fédération Nationale Solidarité Femmes, a French charity helping women in distress. Please consider buying this release if you appreciate it and spread the word about the current situation. 

If you or someone you know is facing violence, despite how hard and impossible it might feel, help is out there and it is possible to escape the situation you're in. 
YOU ARE NOT ALONE. Take care of yourself and your loved ones.

Violence needs to stop.

Tendre Ael - Sangsue

@a_sonne @minaisb @petrola-80
Read more: pw-magazine.com/2021/premiere-astrid-sonne-minais-b-mistakes/

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

Haunter Records

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