😦 i couldn't be more in love with a voice fr

2night is de'Night?

No More Shubz

Written by BEA1991 and Sega Bodega, produced by Sega Bodega.

Tranquility (Part 2)

Black Stone

Artist: Eartheater
Album: Metalepsis
Release Date: 2/24/15
Hausu Mountain, HAUSMO 25
For more information, visit:
http://hausumountain.com/?page_id=1920

Eartheater - Homonyms

I Call To You

Shark Brain / Dolphin

Shark Brain (feat. Shygirl) (Acapella)

think of you / 2am

from the album "RIP Chrysalis" coming out on Hausu Mountain on 10/20/15

For more info:
hausumountain.com/?page_id=2282

Eartheater - Wetware

Originally appeared on 'Limelight' (Vita Nova) from 1985

Tara Cross - Long Distance (1985) (Murray CY Edit)

Following her production debut on the Melodies Souterraines VA this year, Natalie Ann aka Blackmoon77 illuminates some of her influences in a two hour excursion through dark minimal electronics and wave music. Her next release will be a split EP on brokntoys offshoot Discos del Quebranto along with Colours of Infinity.

@user-877021383
@discos-del-quebranto

Blackmoon77 - Origins of Black

https://bank.bandcamp.com/album/salpinx

BNK-011
Wetware - Salpinx
Track - Fuck Them All

Free track

Salpinx

Fuck Them All

Wetware - Fuck Them All (BNK-011)

Art by Thibaut De Wolf.
Handstamped, A4 insert, limited to 200 copies. Out now

[DDQ02]  Colours of Infinity / Blackmoon77 - Split

Oh my my

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Volcano (PAN 112)

The Gate

The Gate (Extended Mix)

A label run by Doug Kaplan and Max Allison. We operate out of Chicago, IL and release music on vinyl, on cassette tape, and digitally via Bandcamp.

It’s likely that we’ve never met, but we believe that all of the decisions you make as a person operating in this world are well-intentioned and correct in their own way and with that belief in our minds we’d like you to know how deeply we admire you.

Synthesizers, loops and abstract beats.  These are a few of my favorite things?  I am a strange breed, other worldly, and a super freak.   Cold wave, minimal techno, electro abstract, avant- hard, hardcore techno, break core, IDM, EBM, Death Rock, punk Rock, New Wave,Dark Wave, Ambient, MiamiBootyBase, SpeedBase, Dub, RagaMuffin, Dubstep, Industrial, Noise, Experimental, world beat...did I forget anything?  Neophyte, for sure, and these are all my newly found treasures, that I have dug up from around the world.  One day I will produce some tracks again, until then, I will spend every minute listening to all the newly found gems!

Eartheater - Wetware

Hausu Mountain

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