"...travelling through realms of regret, grief and loss, towards optimism and a sense of excitement for living." The words and music touch me to the very core.  Thank you for sharing this deeply poignant and beautiful work.

Tipi

Alpha

Reading Frances Shelley's biographical story, you can't help but feel inspired. Now, in her early 70s, this neo-classical pianist's and composer's roots go back to being a rebel and a romantic from a very young age. "I can tell many tales from my days as a wild child in 60s London; from working with David and Angie Bowie in the early 70s, the 10 years I spent travelling the world as a fashion model followed by a life-changing stint in rehab in 1981 (before it became fashionable!)” she jokes. “To being a single mother and starting a successful event business in my home.” A decade ago, Shelley decided to pursue her passion for music, and now, multiple years and self-released albums later, she's been signed to Manners McDade, the composer agency and publishing house for Nils Frahm, Caitlyn Aurelia Smith, Poppy Ackroyd. Shelley captures the stories of her eventful life through beautifully layered keys, gently orchestrated arrangements, and carefully measured dose of electronic post-processing, to create atmospheres that swoop in with warm winds of her sonic valley and raise your spirits to fantastic heights. The eleven pieces on her upcoming album, Songs Of Possibility, are also influenced by the events of the last year, "travelling through realms of regret, grief and loss, towards optimism and a sense of excitement for living." In these unprecedented times, we've all found a moment to ask ourselves of 'what it is,' and more importantly of 'what can be'. In this reflection, we'll find a new way to begin. In Shelley's case, it is a dream of music.

Songs Of Possibility

Racing To Belong

TRACK PREMIERE : Frances Shelley - Racing To Belong

Download on Bandcamp, part of "Singles - Volume 2"
https://tristaneckerson.bandcamp.com/album/singles-volume-2-album

Music composed by Pascal Nanlohy for PSG Music.

Pascal Nanlohy is a pianist. In addition to numerous pop productions, he has chosen to create music that he loves. Inspired by pianists such as David Foster, Ludovico Einaudi, and Robbie Buchanan, he aims to convey nothing but music to the world that embodies love, inspiration, and wishes to take the listener into his world of music.

Never Give Up (composed by Pascal Nanlohy)

Oversky

Taken from my debut LP "Ichiru".

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : modernarecords.bandcamp.com/album/ichiru
iTunes : itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

written and recorded by me


""
happy new year :') 
this recording is a 2016 version of "close". well.. kind of.

i want to say a huge thank you to everyone who has been taking your time to listen to my pieces since 2015.  i had an amazing year and learned so much about music, cultures and got to know so many amazing people through sound cloud. this year, i will be more active so i hope you will stay in touch with me and my music.  arigato gozaimasu :')

love,
daigo

Ichiru

Buy CD/Digital

Close (2016)

Lachrymosia

WAV / FLAC / MP3

Icelandic composer Ólafur Arnalds set to release his first Hollywood film score.

Ólafur Arnalds’ original motion picture soundtrack for Sam Levinson’s feature film debut ‘Another Happy Day’, starring Ellen Barkin and Demi Moore, will see a worldwide release via UK modern classical label Erased Tapes Records on February 27, 2012.

PRE-ORDER it on CD/Vinyl/Digital now from: http://erasedtapes.com/store/index/ERATP038

IN HIS OWN WORDS: 

‘In mid-December 2010 I was on a holiday in China when I received an email from Sam Levinson about the film. We got on the phone at like 4 in the morning Beijing time and ended up talking all through the night, instantly connecting. He told me that they had been listening to my music while making the film, so the film was already very influenced by my music. However, it was not until Ellen Barkin – the beautiful force that she is – had pestered the producers for a week, calling them every day about how I am the right one for this film, that they finally gave in. The only catch was that it had to be done two weeks later, in the first week of January. So I ended up scoring nonstop all throughout Christmas, making my mother mad in the process.’ - Ólafur Arnalds

CONTEXT:

Born in the suburban Icelandic town of Mosfellsbær, a few kilometres outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide and continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements.

'The indie kid who knows the score’ – Guardian’s Observer

'An artist who can exert power with the lightest of touches’ – BBC Music


TRACK LISTING:  

1. The Land Of Nod  2. Through The Screen  3. Before The Calm  4. Lynn's Theme  5. Alice Enters  6. The Wait  7. A Family Stroll  8. Poland  9. Out To Sea  10. Autumn Day  11. Everything Must Change

OFFICIAL WEBSITES:

OLAFURARNALDS.COM
ERASEDTAPES.COM

Erased Tapes Collection IV

Ólafur Arnalds - Poland

Leidseplein is the first single off The Amsterdam Sessions, the collaborative EP between Klangriket (@klangriket) and Sjors Mans (@sjorsmans1995), coming January 19 digitally, on deluxe edition cassette and on limited edition vinyl-effect CD.

Pre-order: https://pianoandcoffeerecords.bandcamp.com/album/the-amsterdam-sessions

Composed and produced by Fabian Rosenberg and Sjors Mans. 
Artwork by Paulina Granat.
(PCR002).

www.pianoandcoffee.com/record-label/

Klangriket and Sjors Mans - Leidseplein

Muriël Bostdorp - See - For Willem

"Science philosopher Karl Popper put forth the idea that the world could be divided into two categories: clocks and clouds. Clocks are fixed, orderly systems that can be understood by reducing them to their simplest parts. Clouds are, however an 'epistemic mess...' that are 'highly irregular, disorderly, and more or less unpredictable.' This adage was used to illustrate the dilemma of both science (and, I think in daily life) to approach all things as though they were clocks. We want to give nature (and people) a blueprint. But this approach is destined to bring nothing but frustration. The cosmos, its phenomenon, and people are much more like clouds than clocks."

Clouds, Not Clocks

Clouds, not Clocks

some original solo piano pieces...  some mixes from my podcast... some exclusive track premieres...  and some tracks from the albums I review for Headphone Commute... Enjoy!

TRACK PREMIERE : Frances Shelley - Racing To Belong

Headphone Commute

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