Only yesterday I have premiered a video from the new XXIM Records signing, Ed Carlsen, and today I am back with another exclusive premiere via XXIM once again, this time from Stimming x Lambert, a duo which should be already familiar to you from their individual solo projects. But let's quickly recap the past of these two. Stimming is an alias of a Hamburg-based producer Martin Stimming, who's known for his uplifting and upbeat tracks via the Diynamic Music imprint, and whom I have placed right alongside my favourite works from the likes of Gidge, Christian Löffler, and Aparde. Lambert, who still hides behind the mysterious mask, has not escaped my ears either, as I have praised his solo-piano whimsical tracks (and live performances) via releases on Dauw and Mercury KX for numerous years (and plenty of Best Of list mentions) as well as this slightly revealing and grand In the studio with Lambert feature [in which we first glimpse that the duo are friends]. So yes, I'm a fan! Thus, you can imagine my enthusiasm for getting these two guys together to work on a record, combining aesthetics of each into one. The result is above expectations, with Lambert's knack for harmonically rich, slightly jazzy, percussive melodies, and Stimming's synthesized explorations with punctuated beat and bass. More on the whole release later, but right now let's tease you with "Glühwürmchen," which, as my trustworthy Google translate informs me, means "firefly" [or literally "glow-worm" in German].

More on the release here: https://hcdi.gs/firefly

Positive

Glühwürmchen

TRACK PREMIERE : Stimming x Lambert - Glühwürmchen

Endless Steps

Keith Kenniff - Grace

Euclidean Plane

Download the full EP https://lucyclaire.bandcamp.com/album/collaborations-no-2

Lucy Claire ft Alev Lenz - Every Single Child (Tom Adams Remix)

Excerpt from Piano Day 2016

Recorded by Myles Mumford at Rolling Stock Recording Rooms

Eighty-Eight Days

A Hudson Cycle (Nico Muhly)

Taken from the upcoming album 'Year Zero'...

Audio/Field Recordings: Gideon Wolf
Mastering: James Plotkin
Photography: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Year Zero

Gideon Wolf - Falling

Reward on Moozar : http://reward-my-music.com/26619 Kning Disk proudly presents: Greg Haines - Moments Eluding (Solo Piano Series Vol. 3). Release in august 2012.

Produced by Peter Broderick. Recorded December 15, 2010 at Tabalet Estudis (Alboraia, Valencia). Session organized and assisted by Raúl Pastor Medall. Engineered by Juan Carlos Tomás Castillo. Mixed by Greg Haines & Peter Broderick. Mastered by Nils Frahm.

Cover photograph by Peter Broderick. Session photographs by Raúl Pastor Medall. Design by Mattias Nilsson.

CD/DL/Vinyl (Limited Edition of 333 copies).

Greg Haines - The Spin

[p*dis] distribution sampler for April 2012

Bersarin Quartett - II - Der Mond, der Schnee und Du (Denovali)

From 'Orbit Reworked' out now: http://moderna.fanlink.to/Orbit_Reworked

Remix created by Tom Adams @aswefallintostatic at Ocean Temple.
stream on Spotify: https://spoti.fi/2rimQXC

Original song appears on @snorrihallgrimsson 'Orbit' album.
listen/buy album: https://moderna.fanlink.to/Orbit

Orbit Reworked

Still Life (Tom Adams Remix)

Download ♫

Snorri Hallgrímsson - Still Life (Tom Adams Remix)

Listen / Purchase: https://lnk.to/dcad

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence: Music For Film Volume I & II

Reshuffle the Deck

Buy Album

William Ryan Fritch - Reshuffle the Deck (from Deceptive Cadence: Music For Film Vol. I & II)

some original solo piano pieces...  some mixes from my podcast... some exclusive track premieres...  and some tracks from the albums I review for Headphone Commute... Enjoy!

TRACK PREMIERE : Stimming x Lambert - Glühwürmchen

Headphone Commute

Recent comments

Phil.Ok!

THE CAT DID IT

Related tracks