23 Seconds

Cobblestone Jazz - India In Me

@funktroid_18
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SAUVEZ WHEELIE VOL.01 🏍
https://drmrecords.bandcamp.com/album/sauvez-wheelie-vol-01

Funktroid - Summer Madness

Pre-order vinyl: 
https://needsnfp.bandcamp.com/album/needs-x-gvr-present-the-future-of-vinyl

Needs moves into the future of vinyl production partnering with Green Vinyl Records in Holland to produce a 100% recyclable record which uses 60% less energy cost compared to traditional vinyl production methods. This revolutionary step in vinyl history features the production skills of Saoirse, Reptant, Sansibar, Pugilist, LUXE and Hassan Abou Alam.

For Needs 009 we welcome another all-star lineup of producers, established and emerging, from around the world. Featuring room 1 ready techno from one of the scenes leading lights Saoirse; a bass heavy, electro-tech weapon from Melbourne's Pugilist; the cosmic electro baselines of the irrepressible Reptant; an otherworldly space excursion courtesy of Norway’s finest Sansibar; dancehall inflected acid trance from London-based up and comer LUXE; and to round things off some twisted breaky tech-house from Egypt’s latest export Hassan Abou Alam.

THE PROBLEM
With 4.3m vinyl sales in the UK last year (the 12th consecutive year of growth), it’s clear that vinyl is back in a BIG way. But the basic technological principles of record pressing have not changed for a century. While the vinyl boom has been a bright spot for physical media lovers and the record industry alike, pressing vinyl poses a more urgent environmental concern than it did in the format’s heyday. At times, the process can seem almost antithetical to green living. Records are made of PVC, which comes from refined oil and can take up to 1,000 years to decompose in a landfill. Traditional pressing machines are powered by steam boilers that require fossil fuels to generate heat and pressure; the water used is treated with anti-corrosive chemicals in order to prevent rusting, thus creating more wastewater. And that’s just the pressing procedure.

Consider, then, vinyl’s packaging and distribution. The ink that’s used to print cover art and liner notes is traditionally solvent-based, meaning it contains volatile organic compounds that can contribute to the production of ozone. Once the record is encased in a beautiful jacket, it’s then shrink-wrapped in plastic wrap before boarding a gas-burning, carbon-emitting truck to ship. Suddenly the choice to buy physical music shifts from an action that helps sustain an artist’s career, to one that potentially threatens broader sustainability.

THE SOLUTION
In 2019 Needs started conversations with Green Vinyl, a brand new pressing plant based in Holland, who have devised a revolutionary production method which uses injection moulding rather than steam energy, equalling 60% less energy cost than the traditional vinyl production. It also uses no PVC and is a 100% recyclable product, meaning you can dispose of it in your home recycling bin.

The other benefits are that the record sounds better (it has a wider frequency spectrum), it cannot warp, and it also has a longer play life.

The key features of a Green Vinyl produced record are:
- Injection Moulding instead of steam pressing
- 60% less energy cost 
- No PVC
 - 100% recyclable product
- Wider frequency spectrum - sound is equal or better than traditional vinyl pressing 
- Longer stamper life time - can be played more than 400 times (traditional vinyl starts to deteriorate after 100 plays)
- Rapid vinyl turnaround of 8 weeks (wait times are generally 12-16 weeks)
- No warping of records 
- No paper labels

Green Vinyl is currently the only pressing plant in the world with this technology and we are proud and honoured to be the first label to work with them and share this amazing new technology with you all.

Join us as we change the future of vinyl <3

A1. Saoirse - Rotational Speed (Needs 009)

https://bienaimermusic.bandcamp.com/album/da-east-grooves-vol-2
https://soundcloud.com/bienaimermusic
https://soundcloud.com/tom-akman

PREMIERE: Tom Akman - Several Directions [BienAimer Records]

Satelite? Now here's a cheeky groover! Refined and very layered production effort from Dakman, and a brand new l addition to our little music universe!
Everything has a well thought out place in 'Satelite'. It builds its foundation on a swinging beat and funky bassline, evolving to a deep and progressive sonic landscape.

Dakman - Satelite

B2 Haron & Jeroen - Harpoon

Affects Of Blue

So Inagawa-Kompose (Original Mix)

Bandcamp

Henrik Bergqvist - Have A Nice Trip!

Kosh exploded onto the electro scene in 2018 with his debut release ‘Null 212’ on Casa Voyager records. The track that received the most attention was ‘Catch The Train’ with it’s faultless modern take on classic Detroit electro reminiscent of Cybotron and Aux 88.  It became a big track for 20/20 Vision founder Ralph Lawson who quickly invited Kosh to record for the label.

Kosh - ‘Vicious Love’ is a diverse 4 track EP showing off the Moroccan producers faultless production skills with the A-side featuring ‘An Arab in Space’ that continues to bring the classic sound of Detroit right up to date while title track ‘Vicious Love’ pushes into new territories, incorporating acid tinged synths, vocoded vocals and an insistent fast paced bassline. On the flip side ‘She Gets Mad’ is a straight up dance floor filler from the school of Casablanca while ‘Headache’ is precisely the opposite experience from the title with a relaxed, lush jam that oozes Larry Heard influences.

Vinyl Release Date: 02/09/219
Digital Release Date: 23/09/219

Dakman - Satelite

headroom

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