There are multiple rhythms here with different frequencies.  Wonderful!

From 07:24 to 07:56 (Australian Central Daylight Saving Time (ACDT))

Please refer to the Playlist description/notes for background information about this recording and the other connected recordings in this set.

Note: This recording was made in South Australia during 'Central Daylight Saving Time' (ACDT), which is an important variable to take into account, because it means that the escalated period of human machine activity begins one hour earlier than during 'Central Standard Time' (ACST). The important consequence is that as days grow longer, and First Light occurs earlier in the day-night cycle, human activity abruptly begins one hour earlier with the commencement of 'Daylight Saving', and therefore overlaps, again (and therefore pollutes and interferes with) the period of First Light - or 'The Hour of the Birds', as it is known to Aboriginal peoples: a time that was only momentarily freed from the escalated period of human machine activity, thanks to the earlier rising of the sun, until humans set their clocks back one hour...

2022.03.27 Malleefowl Dawn. Early Autumn. Location 1. Part 2.

Weird Garden

Created on iPad with AUM and several AUv3 synths and effects:
SoundScaper, Hilda, Euclidean, FLUSS, Wires, otherdesertcities, RoughRider, BLEASS Granulizer, Eos 2
 
Mastered with Cubase 12 and Ozone 10.

Photo by zenbytes (2014, Vosges Mountains, France)

Inspired by Naviar Haiku 487:
https://www.naviarrecords.com/2023/05/03/naviarhaiku487-sound-of-mountain/

Poem/sample by PlatypusVA:
https://freesound.org/people/PlatypusVA/sounds/440579/

rain - Naviarhaiku 487

Trio with 4//lIGhT and Sonic Search. My part is a few tracks of softpop 2 using the analog oscillator. 

Original duo track: 
- https://soundcloud.com/forelight/unknown-quantities-with-sonic-search-disquiet0592?in=oh-well-360226041/sets/maybe/s-kRy4fOuGCud&si=d34408e1587f465da870b59a0aac07a5&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Disquiet Junto Project 0593: The Charm The Assignment: Record the second third of an asynchronous trio.
Please note: While this is the third part of a three-part project sequence, you can participate in one, two, or all three of the parts, which have occurred over the course of three consecutive weeks.
Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0592 3). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began. Please keep this in mind.
Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. 


More on this 593rd weekly Disquiet Junto project, The Charm (The Assignment: Complete an asynchronous trio begun by two other musicians), at: https://disquiet.com/0593/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0593-the-charm/

Trio (w. 4//lIGhT and Sonic Search)[disquiet0593]

Strange Dreams of a Turtle...laughing at us.

Strange Dreams Are Made Of This(NaviarHaiku488)

naviarhaiku488:
in dream world
was I laughing at a turtle?
winter seclusion

haiku: Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa
image: Todd Trapani https://unsplash.com/photos/ymEcUhbjCrI
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

Laughing at a Turtle [NaviarHaiku488]

A door between the trees

I really admire the direction that @encym took the @noodletwister and @sinnysounds collaboration. I took the three iterations and panned them on Audacity, then used effects and fade. Here's what transpired.

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0594-threemix/

Coming Home (Disquiet0594)

This was my contribution for the part 4 remix:  Disquiet Junto Project 0594: Threemix

Here’s a copy of my post on the Disquiet Junto 0594 discussion thread:

I was inspired to remix the @Joule composition "Never Alone", that combined "Nobody's Home" by @glitcher and "Somebody's Home" by @SinnySounds. I liked the mood and the way all the sounds and instruments came together.

After bringing the main track into Ableton Live, I added compression and re-equalized some parts, to make it even more dynamic. This especially helped after I added my own tracks. I also duplicated sections of the main sample a couple times and added effects using Bleass Granulizer, ShaperBox 3 and Strymon Big Sky reverb. The additional tracks that were added used Moog Model 15, AudioThing Noises and Sugar Bytes Aparillo plugins. Hopefully I wasn't too over-the-top or heavy-handed in creating this remix. I enjoyed taking part in this project and also listening to all the great compositions from everyone these past few weeks. 

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/
About the Disquiet Junto: https://disquiet.com/junto/
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0594-threemix/

A Gathering of Sirens [disquiet0594] (K Joule  “Never Alone” remix)

When taking the time today to listen to all the contributions to the disquiet0593 and downloading here and there, I noticed one thing: 
many people, including myself, seem to tend to upload their tracks to the disquiet junto projects by their working titles, so when you have downloaded quite a few  like myself today, it is impossible to trace the tracks back to their creators. Which is quite a pity. 
So I cannot say which tracks I cut out pieces to loop them, alas, even  if I would want to credit the respective musicians. 
The track from the disquiet0593 I chose to re-imagine for this week´s project, is RabMusicLab´s La tête éblouissante: https://soundcloud.com/rabmusiclab/la-tete-eblouissante
RabMusicLab created his track from the disquiet0592 by encym who added to Andreas Kitzmann´s solo-track from the disquiet0591

Toutes eblouissantes

Wilfried Hanrath - Toutes éblouissantes (disquiet0594)

Gesprochene Steine“ Klagende Steine" - "Sprechende Steine"

Bei einigen meiner zahllosen Spaziergänge durch meine Stadt Hamburg, mein altes Stadtviertel Altona, begegne ich häufig diesen so genannten „Stolpersteinen“ die in manchen alten Straßen in den Fußweg verlegt wurden. 

Sie liegen so unscheinbar da. Ich lese Namen, Geburt und Todestag jener Menschen die hier einst lebten. 
Blicke auf und manchmal steht sogar noch das alte große Gebäude wohin die Steine den Weg weisen.
Sie sind mahnende Gedenksteine von Ereignissen tiefster Finsternis.
In vielen deutschen Städten und Gemeinden auch in Hamburg wo ich lebe, wurde die jüdische Bevölkerung verfolgt, deportiert und ermordet.
Ein sehr dunkles Kapitel meines Landes.
Ich verspüre eine Ohnmacht über das unfassbare Schicksal dieser Menschen.
Ein in Stein gemeißeltes Gedächtnis und Vermächtnis. Sie sind nicht mehr Namenlos. 
Sie haben hier gelebt. 
Dennoch sind diese Menschen für immer verschwunden.
Ihre Stimmen, ihre Künste, ihre Kraft, ihre Bräuche.
Diese Steine mahnen, rufen und sprechen häufig zu mir, wenn ich über diese Steine gehe. So empfinde ich.
Bleibe stehen, verweile, gedenke unser.
Ich höre stumme Schreie, wehklagen. Sehe schemenhaft, umherhuschende dunkle Schatten. 

Dies veranlasste mich zu dieser düsteren und traurigen Komposition.
Denn ich finde keine Worte mehr. 
Die Steine sprachen zu mir. Es sind „Sprechende Steine“
„Singende und klagende Steine“

Vielen Dank für Eure geschätzte Aufmerksamkeit.

SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :  Björn Cloppenburg  Alle Rechte vorbehalten
Foto	: Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet: 
https://soundiron.com  SOUNDIRON : Mercury Children Choir
https://spitfireaudio.com PHOBOS BT / CDT
https://8Dio.com Prepared Piano 
https://orchestratools.com  Organic Voices  Solo Opera



"Spoken Stones" "Wailing Stones" - "Talking Stones"

On some of my countless walks through my city of Hamburg, my old district of Altona, I often come across these so-called "stumbling blocks" that have been laid in the footpaths of some old streets.

They are so inconspicuous. I read the names, dates of birth and death of the people who once lived here. Look up and sometimes even the old big building still stands where the stones point the way.
They are admonishing memorial stones of events of deepest darkness.
In many German cities and communities, including Hamburg where I live, the Jewish population was persecuted, deported and murdered.
A very dark chapter of my country.
I feel powerless over the incomprehensible fate of these people.
A memory and legacy carved in stone. You are no longer nameless.
You lived here.
However, these people are gone forever.
Their voices, their arts, their strength, their customs.
These stones often admonish, call and speak to me when I walk over these stones. That's how I feel.
Stand still, linger, think of us.
I hear silent screams, wails. See vague, scurrying dark shadows.

This prompted me to create this somber and sad composition.
'Cause I can't find the words anymore
The stones spoke to me. They are "talking stones"
"Singing and Wailing Stones"

Thank you for your valued attention.

SOUND CLOUD: https://soundcloud.com/cloppenburg-music

Music : Björn Cloppenburg All rights reserved
Photo:   Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://soundiron.com SOUNDIRON : Mercury Children Choir
https://spitfireaudio.com PHOBOS BT / CDT
https://8Dio.com Prepared Piano
https://orchestratools.com Organic Voices Solo Opera

Spoken Stones

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Exploring hearing, the hearable, and the hearer, as an event, a mode, and a dimension of Βeing (τὸ εἶναι).
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Playlists = albums and collections.
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2022.03.27 Malleefowl Dawn. Early Autumn. Location 1. Part 2.

Hearing Beings

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